Handel: Belshazzar Les Arts Florissants & William Christie

• George Frideric Handel (1685 - 1759): Belshazzar, HWV 61:
• 1 Handel: Belshazzar, HWV 61: Overture 02:40
• Belshazzar, HWV 61, Act I Scene 1:
• 2 Handel: Belshazzar, HWV 61, Act I Scene 1: Accompagnato ed Arioso. Vain Fluctuating State of Human Empire! 04:28
• 3 Handel: Belshazzar, HWV 61, Act I Scene 1: Aria. Thou, God Most High, and Thou Alone 04:36
• Belshazzar, HWV 61, Act I Scenes 1-2:
• 4 Handel: Belshazzar, HWV 61, Act I Scenes 1-2: Recitative. The Fate of Babylon, I Fear, Is Nigh - Recitative. O Much Belov'd 01:14
• Belshazzar, HWV 61, Act I Scene 2:
• 5 Handel: Belshazzar, HWV 61, Act I Scene 2: Air. Lament Not Thus, O Queen, in Vain! 04:58
• Belshazzar, HWV 61, Act I Scene 3:
• 6 Handel: Belshazzar, HWV 61, Act I Scene 3: Chorus of Babylonians. Behold By Persia'S Hero Made 02:27
• 7 Handel: Belshazzar, HWV 61, Act I Scene 3: Recitative. Well May They Laugh, from Meagre Famine Safe - Accompagnato. Oh Memory 01:27
• 8 Handel: Belshazzar, HWV 61, Act I Scene 3: Aria. Opprest With Never Ceasing Grief 03:57
• 9 Handel: Belshazzar, HWV 61, Act I Scene 3: Aria. Dry Those Unavailing Tears 01:54
• 10 Handel: Belshazzar, HWV 61, Act I Scene 3: Recitative. Be Comforted Safe Tho' the Tyrant Seem - Accompagnato. Methought, As On the Bank of Deep Euphrates - Recitative. Now tell me Gobrias 03:58
• 11 Handel: Belshazzar, HWV 61, Act I Scene 3: Aria. Behold the Monstrous Human Beast - Recitative. Can You Then Think It Strange, If Drown'd in Wine 03:47
• 12 Handel: Belshazzar, HWV 61, Act I Scene 3: Aria. Great God! Who Yet But Darkly Known - Recitative. My friends, be confident, and boldly enter 04:09
• 13 Handel: Belshazzar, HWV 61, Act I Scene 3: Chorus. All Empires Upon God Depend 03:27
• Belshazzar, HWV 61, Act I Scene 4:
• 14 Handel: Belshazzar, HWV 61, Act I Scene 4: Arioso. O Sacred Oracles of Truth! 04:53
• 15 Handel: Belshazzar, HWV 61, Act I Scene 4: Accompagnato. Rejoice, My Countrymen the Time Draws Near - Recitative. For Long Ago - Accompagnato. Thus Saith the Lord to Cyrus His Anointed 03:00
• 16 Handel: Belshazzar, HWV 61, Act I Scene 4: Chorus. Sing, O Ye Heav'Ns, for the Lord Hath Done It 04:16
• Belshazzar, HWV 61, Act I Scene 5:
• 17 Handel: Belshazzar, HWV 61, Act I Scene 5: Aria. Let Festal Joy Triumphant Reign - Recitative. For You, My Friends, the Nobles of My Court 06:45
• 18 Handel: Belshazzar, HWV 61, Act I Scene 5: Aria. The Leafy Honours of the Field 07:09
• 19 Handel: Belshazzar, HWV 61, Act I Scene 5: Recitative. It Is the Custom, I May Say, the Law 01:34
• 20 Handel: Belshazzar, HWV 61, Act I Scene 5: Chorus of Jews. Recall, O King, Thy Rash Command 02:32
• 21 Handel: Belshazzar, HWV 61, Act I Scene 5: Recitative. They Tell You True; Nor Can You Be to Learn 01:18
• 22 Handel: Belshazzar, HWV 61, Act I Scene 5: Duet. O Dearer Than My Life, Forbear 04:44
• 23 Handel: Belshazzar, HWV 61, Act I Scene 5: Chorus of Jews. By Slow Degrees the Wrath of God to Its Meridian Height Ascends 06:08
• Belshazzar, HWV 61, Act II Scene 1:
• 24 Handel: Belshazzar, HWV 61, Act II Scene 1: Chorus. See, from His Post Euphrates Flies! - Semichorus. Why Faithless River Dost Thou Leave - Semichorus. Euphrates Hath His Task Fulfil'd - Chorus Of Things On Earth, Proud Man Must Own 06:32
• 25 Handel: Belshazzar, HWV 61, Act II Scene 1: Recitative. You See, My Friends, a Path Into the City - Aria. Amaz'd to Find the Foe So Near - Chorus of Persians. to Arms, to Arms, No More Delay 06:07
• Belshazzar, HWV 61, Act II Scene 2:
• 26 Handel: Belshazzar, HWV 61, Act II Scene 2: Chorus. Ye Tutelar Gods of Our Empire, Look Down 02:52
• 27 Handel: Belshazzar, HWV 61, Act II Scene 2: Aria. Let the Deep Bowl Thy Praise Confess 02:35
• 28 Handel: Belshazzar, HWV 61, Act II Scene 2: Accompagnato and Chorus. Where Is the God of Judah'S Boasted Pow'R? 02:41
• 29 Handel: Belshazzar, HWV 61, Act II Scene 2: Recitative. Call All Our Wisemen, Sorcerers, Chaldeans - Symphony 01:45
• 30 Handel: Belshazzar, HWV 61, Act II Scene 2: Recitative. Ye Sages, Welcome Always to Your King - Trio. Alas! Too Hard a Task the King Imposes - Chorus. O Misery! O Terror! Hopeless Grief! 02:11
• 31 Handel: Belshazzar, HWV 61, Act II Scene 2: Recitative. O King, Live for Ever! - Recitative. Art thou that Daniel, of the Jewish captives? - Aria. No to Thyself Thy Trifles Be 02:58
• 32 Handel: Belshazzar, HWV 61, Act II Scene 2: Accompagnato. Yet to Obey His Dread Command - Accompagnato. Thou, O King, Hast Lifted Up Thyself - Recitative. O Sentence Too Severe! and Yet Too Sure! 03:53
• 33 Handel: Belshazzar, HWV 61, Act II Scene 2: Aria. Regard, O Son, My Flowing Tears 06:21
• Belshazzar, HWV 61, Act II Scene 3:
• 34 Handel: Belshazzar, HWV 61, Act II Scene 3: Aria. O God of Truth! O Faithful Guide! - Recitative. You, Gobrias, Lead Directly to the Palace 05:16
• 35 Handel: Belshazzar, HWV 61, Act II Scene 3: Chorus. O Glorious Prince! Thrice Happy They 04:56
• Belshazzar, HWV 61, Act III Scene 1:
• 36 Handel: Belshazzar, HWV 61, Act III Scene 1: Aria. Alternate Hopes and Fears Distract My Mind - Recitative. Fain Would I Hope. Is There Not Room to Hope? 04:42
• 37 Handel: Belshazzar, HWV 61, Act III Scene 1: Aria. Can the Black Æthiop Change His Skin? - Recitative. My Hopes Revive, Here Arioch Comes By This 03:25
• 38 Handel: Belshazzar, HWV 61, Act III Scene 1: Chorus of Jews. Bel Boweth Down! Nebo Stoopeth! 01:28
• Belshazzar, HWV 61, Act III Scene 2:
• 39 Handel: Belshazzar, HWV 61, Act III Scene 2: Aria. I Thank Thee, Sesach, Thy Sweet Pow'R - A Martial Symphony 02:04
• Belshazzar, HWV 61, Act III Scene 3:
• 40 Handel: Belshazzar, HWV 61, Act III Scene 3: Aria. To Pow'R Immortal My First Thanks Are Due - Recitative. Be It Thy Care, Good Gobrias, to Find Out 02:22
• 41 Handel: Belshazzar, HWV 61, Act III Scene 3: Aria. Destructive War Thy Limits Know 02:20
• 42 Handel: Belshazzar, HWV 61, Act III Scene 3: Duet. Great Victor, At Your Feet I Bow - Recitative. Say, Venerable Prophet, Is There Ought 05:58
• 43 Handel: Belshazzar, HWV 61, Act III Scene 3: Soli and Chorus. Tell It Out Among the Heathen, That the Lord Is King. 01:37
• 44 Handel: Belshazzar, HWV 61, Act III Scene 3: Accompagnato. Yes, I Will Build Thy City, God of Israel 01:37
• 45 Handel: Belshazzar, HWV 61, Act III Scene 3: Anthem. I Will Magnify Thee, O God My King! 06:59
• Total Runtime 02:46:00

Info zu Handel: Belshazzar

»Die Uraufführung von ›Belshazzar‹ fand 1745 statt – unter schwierigen Bedingungen. Der Pragmatiker Händel hatte keine Scheu, sein Werk zu überarbeiten, um es den verschiedenen Zwängen bei der Premiere und diversen Wiederaufführungen anzupassen. Dabei ging er erstaunlich skrupellos vor, akzeptierte schrecklichste Kompromisse mit Verstümmelungen oder dem Austausch ganzer Passagen und opferte damit seine künstlerische Inspiration der Ermöglichung weiterer Aufführungen. Für diese Aufnahme haben wir uns für die unserer Meinung nach erfolgreichste der verschiedenen Versionen von ›Belshazzar‹ entschieden, die zu Händels Zeit existierten. Diese restaurierte Fassung enthält die ganze Pracht des Werkes mit dem Besten aus der Musik und einem zusammenhängenden Libretto.« (William Christie)

Belshazzar ist düster und pessimistisch, eine unverblümte Auseinandersetzung mit dem Schicksal der Imperien und ihrer Herrscher. Die Einspielung von William Christie und Les Arts Florissants aus dem Jahr 2013 stellt eine sehr edle, erhabene Version dieses großartigen Oratoriums dar.

».​.​.​ wie immer ist es Christie gelungen, Sänger und Musiker zu einer beseelten, sich gegenseitig befeuernden Einheit zu verschmelzen und Händels Musik gleichsam von innen heraus pulsieren und leuchten zu lassen.​ Eine großartige Interpretation für ein großartiges Werk!« (AUDIO)

»Christie setzt ein relativ großes Orchester ein, was durchaus Händels Konventionen in seiner mittleren und späten Londoner Zeit entspricht und im vorliegenden Fall zu einem sehr ansprechenden Ergebnis führt, in dem ein fülliger Klang mit einer genauen Artikulation konturiert wird.​« (FONO FORUM)

»Das Werk betört durch die fein ziselierte Dramatisierung von Bill, dem Zauberer.​« (Classiquenews)

Allan Clayton, Tenor
Iestyn Davies, Countertenor
Rosemary Joshua, Sopran
Jonathan Lemalu, Bassbariton
Les Arts Florissants
William Christie, Dirigent

Les Arts Florissants
A renowned musical Ensemble, specialized in Baroque music since 1979. Founded in 1979 by William Christie, Les Arts Florissants is one of the best-known baroque-music ensembles in the world. Established in the name of creativity, pleasure and sharing, the Ensemble — which takes its name from a short opera by Marc-Antoine Charpentier — has played a pioneering role in the revival of a repertoire that had been largely forgotten and which is now enjoyed across the globe in all the most prestigious concert houses. This pioneering spirit has never died, and Les Arts Florissants’ two artistic directors, William Christie and Paul Agnew, continue the Ensemble’s tradition of research and innovation today.

"Almost 40 years ago a group of friends and I founded Les Arts Florissants, the ensemble that has allowed me to rediscover the magnificent repertoire of the baroque age and perform it in all of the world’s most prestigious halls. At the same time, in the Vendée, I have accomplished another of my dreams: creating a unique and original garden around my 17th-century manor house, which is now the setting each year for the , where we welcome music lovers from all over the world.

“Encouraged by these years of success, I now feel it is time to put Les Arts Florissants on a firm footing for the future. For this reason, the creation of a foundation, recognized by the French government as being of “public utility,” was fundamental. And to make it possible, I have decided to gift all my properties, including my house and gardens, to the Foundation Les Arts Florissants – William Christie.

“This project is the realization of the dream of a lifetime. A dream of music and gardens, but also of the handing on of savoir-faire and passion to future generations of artists and audiences. It is here that all my desires converge and that everything begins. This is the start of a great adventure!” (William Christie)

William Christie
harpsichordist, conductor, musicologist, and teacher, is the inspiration behind one of the most exciting musical adventures of the last thirty years. A pioneer in the rediscovery of Baroque music, he has introduced the repertoire of seventeenth- and eighteenth-century France to a very wide audience. Born in Buffalo, and educated at Harvard and Yale, William Christie has lived in France since 1971. The turning point in his career came in 1979, when he founded Les Arts Florissants.

As Director of this vocal and instrumental ensemble, William Christie soon made his mark as a musician and man of the theater, in both the concert hall and the opera house, with new interpretations of largely neglected or forgotten works. Major public recognition came in 1987 with the production of Lully’s Atys at the Opéra Comique in Paris, which then went on to tour internationally to huge success.

From Charpentier to Rameau, through Couperin, Mondonville, Campra, or Montéclair, William Christie is the uncontested master of tragédie-lyrique as well as opéra-ballet, and is just as comfortable with the French motet as with music of the court. But his affection for French music does not preclude him from exploring other European repertoires and, as well as his many acclaimed performances of Italian works (Monteverdi, Rossi, Scarlatti, Landi), he broaches Purcell and Handel with as much success as Mozart, Haydn or Bach.

William Christie’s particularly busy operatic career has been marked by numerous collaborations with renowned theater and opera directors (Jean-Marie Villégier, Robert Carsen, Alfredo Arias, Jorge Lavelli, Graham Vick, Adrian Noble, Andrei Serban, Luc Bondy, Deborah Warner), which are always major events in the musical calendar. His most recent include: Les Fêtes vénitiennes by Campra at the Paris Opéra Comique in 2015 and on tour at the Brooklyn Academy of Music; Rameau, Maître à Danser in Caen in 2014 and on tour at the Bolshoi Theatre in Moscow and in Korea; Theodora in 2016 at the Théâtre des Champs-Elysées; in 2018, Handel's Jephtha and Ariodante, respectively at the Paris national Opera and at the Wiener Staatsoper, as well as L'incoronazione di Poppea at the Salzburg Festival. More recently, he conducts Platée by Rameau at the Theater an der Wien, Titon et l'Aurore by Mondonville at the Opéra Comique and Handel's Partenope on international tour.

As a guest conductor, William Christie often appears at opera festivals such as Glyndebourne (notably Hipermestra in 2017 and Giulio Cesare in 2018) or at opera houses such as the Metropolitan Opera of New York, the Zurich Opernhaus, or the Opéra National de Lyon. Between 2002 and 2007, he regularly appeared as a guest conductor with the Berlin Philharmonic.

His extensive discography (more than 100 recordings, many of which have won awards and distinctions in France and abroad) with Harmonia Mundi, Warner Classics/Erato and Virgin Classics reflects the richness of his artistic ventures. Among the most recent issues, in the « Les Arts Florissants » collection under the harmonia mundi label: La Harpe reine, Un Jardin à l’italienne, Si vous vouliez un jour, the Mass in B Minor and L'incoronazione di Poppea, "N'espérez plus, mes yeux" and "Générations".

Over the last twenty-five years, William Christie has brought to the limelight several generations of singers and instrumentalists. Indeed, most of the conductors of today’s French Baroque ensembles began their careers with Les Arts Florissants. A professor at the Paris Conservatoire from 1982 to 1995, he was in charge of the early music class, and is now often invited to give master classes or lead academies such as those at Aix-en-Provence and Ambronay. Since 2007 he has been artist in residence at the Juilliard School of New York, where he gives master classes twice a year accompanied by the musicians of Les Arts Florissants.

Wishing to develop further his work as a teacher, in 2002 William Christie created, with Les Arts Florissants, a biennial academy for young singers in Caen, Le Jardin des Voix, whose winners, after touring with Les Arts Florissants in France, Europe, and the U.S., embark on distinguished international careers. Among the talents discovered by William Christie through the Jardin des Voix are Sonya Yoncheva, Christophe Dumaux, Emmanuelle de Negri, Marc Mauillon, Amel Brahim-Djelloul, Lea Desandre or Eva Zaïcik.

Booklet für Handel: Belshazzar