Fandango! (Remastered) ZZ Top

Album Info

Album Veröffentlichung:
1975

HRA-Veröffentlichung:
10.09.2013

Label: Warner Music Group

Genre: Rock

Subgenre: Classic Rock

Interpret: ZZ Top

Komponist: Billy Gibbons, Dusty Hill, Frank Beard

Das Album enthält Albumcover

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  • 1 Thunderbird 04:11
  • 2 Jailhouse Rock 01:56
  • 3 Backdoor Medley: Backdoor Love Affair; Mellow Down Easy; Backdoor Love Affair No. 2; Long Distance Boogie 09:55
  • 4 Nasty Dogs And Funky Kings 02:45
  • 5 Blue Jeans Blues 04:47
  • 6 Balinese 02:37
  • 7 Mexican Blackbird 03:06
  • 8 Heard It On The X 02:29
  • 9 Tush 02:17
  • Total Runtime 34:03

Info zu Fandango! (Remastered)

Fandango! is the fourth album by American blues rock band ZZ Top, released in 1975. Half the cuts are selections from live shows, the other half are new songs from the studio.

One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans-Billy F. Gibbons, Frank Beard, and Dusty Hill-are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas. With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more.

Billy Gibbons, guitar, vocals
Dusty Hill, bass guitar, keyboards, vocals
Frank Beard, drums, percussion

Engineered by Jim Reeves, Robin Brians, Terry Kane
Mastering by Bob Ludwig
Produced by Bill Ham

Digitally remastered


ZZ Top
This sturdy American blues-rock trio from Texas consists of Billy Gibbons (guitar), Dusty Hill (bass), and Frank Beard (drums). They were formed in 1970 in and around Houston from rival bands the Moving Sidewalks (Gibbons) and American Blues (Hill and Beard). Their first two albums reflected the strong blues roots and Texas humor of the band. Their third album (Tres Hombres) gained them national attention with the hit "La Grange," a signature riff tune to this day, based on John Lee Hooker's "Boogie Chillen." Their success continued unabated throughout the '70s, culminating with the year-and-a-half-long Worldwide Texas Tour.

Exhausted from the overwhelming workload, they took a three-year break, then switched labels and returned to form with Deguello and El Loco, both harbingers of what was to come. By their next album, Eliminator, and its worldwide smash follow-up, Afterburner, they had successfully harnessed the potential of synthesizers to their patented grungy blues groove, giving their material a more contemporary edge while retaining their patented Texas style. Now sporting long beards, golf hats, and boiler suits, they met the emerging video age head-on, reducing their "message" to simple iconography. Becoming even more popular in the long run, they moved with the times while simultaneously bucking every trend that crossed their path. As genuine roots musicians, they have few peers; Gibbons is one of America's finest blues guitarists working in the arena rock idiom — both influenced by the originators of the form and British blues-rock guitarists like Peter Green — while Hill and Beard provide the ultimate rhythm section support.

The only rock & roll group that's out there with its original members still aboard after three decades (an anniversary celebrated on 1999's XXX), ZZ Top play music that is always instantly recognizable, eminently powerful, profoundly soulful, and 100-percent American in derivation. They have continued to support the blues through various means, perhaps most visibly when they were given a piece of wood from Muddy Waters' shack in Clarksdale, MS. The group members had it made into a guitar, dubbed the "Muddywood," then sent it out on tour to raise money for the Delta Blues Museum. ZZ Top's support and link to the blues remains as rock solid as the music they play. A concert CD and DVD, Live from Texas, recorded in Dallas in 2007 and featuring a still vital band, were both released in 2008. The Rick Rubin and Gibbons-produced La Futura, the band's 15th studio album, and the group's first new studio outing since 2003's Mescalero, appeared in 2012.

Dieses Album enthält kein Booklet

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