Cahoots (Remastered) The Band

• 1 Life Is A Carnival (Remastered 2000) 03:57
• 2 When I Paint My Masterpiece (Remastered 2000) 04:17
• 3 Last Of The Blacksmiths (Remastered) 03:41
• 4 Where Do We Go From Here? (Remastered) 03:47
• 5 4% Pantomime (Remastered) 04:32
• 6 Shoot Out In Chinatown (Remastered) 02:51
• 7 The Moon Struck One (Remastered) 04:06
• 8 Thinkin' Out Loud (Remastered) 03:17
• 9 Smoke Signal (Remastered) 05:07
• 10 Volcano (Remastered) 03:01
• 11 The River Hymn (Remastered) 04:38
• Total Runtime 43:14

Info zu Cahoots (Remastered)

Cahoots is the fourth studio album by Canadian/American rock group the Band. It was released in 1971 to mixed reviews, and was their last album of original material for four years. The album's front cover was painted by New York artist/illustrator Gilbert Stone, while the back cover features a photograph portrait of the group by Richard Avedon. The album features guest vocals from Van Morrison. Libby Titus, Helm’s common-law wife at the time and mother of their daughter Amy Helm, also contributed uncredited backing vocals to "The River Hymn", the first time a woman appeared on a Band album.

"Cahoots was the first album recorded at Albert Grossman's Bearsville Studios in Woodstock. The sessions were difficult, as the studio was still having the bugs worked out and the Band was experiencing internal problems. Robertson's songs had become much more difficult; the structures, chord changes, and arrangements were increasingly complex. Despite these factors, the album has a number of gems, including "Life Is a Carnival" with its great Allen Toussaint horn arrangement, Dylan's "When I Paint My Masterpiece," a duet between Richard Manuel and Van Morrison entitled "4% Pantomime," "The River Hymn," and "Where Do We Go from Here." (Rob Bowman, AMG)

Rick Danko, bass, vocals
Levon Helm, drums, mandolin, guitar, vocals
Garth Hudson, organ, accordion, saxophones
Richard Manuel, piano, drums, vocals
Robbie Robertson, guitars, vocals

Digitally remastered

THE LAST WALTZ is the document of the Band's 1976 farewell performance, filmed as a documentary by Martin Scorsese, capturing the all-star concert for posterity. Sort of a rock version of "This Is Your Life," THE LAST WALTZ brought together performers from all phases of the group's career, giving them a chance to pay tribute and jam with the Band one last time. Many of the group's classics are reprised, but there are some notable standouts. Legendary Canadian rocker Ronnie Hawkins, who the Band backed in their early days as The Hawks, offers "Who Do You Love." After their tenure with Hawkins, the group went on to accompany Bob Dylan on some of his earliest electric sessions. Dylan returns the favor by performing a strong folk-blues medley beginning and ending with a fiery, rocking version of "Baby Let Me Follow You Down." Muddy Waters gives a lesson in the blues on "Mannish Boy," with the late great Paul Butterfield on harmonica. Eric Clapton offers his own polished version of the blues with a blistering "Further On Up The Road." Emmylou Harris, a highlight in any setting, duets on the gentle waltz "Evangeline." Dr. John's accurate and rousing "Such A Night" brings a bit of Mardi Gras to the proceedings. Joni Mitchell provides another pleasant change of pace, introducing her jazz-inflected sound with "Coyote," and joining in on soulful soaring harmonies with Neil Young on his classic "Helpless." Even Neil Diamond joins in on the fun, on a song he co-wrote with Robbie Robertson (who produced Diamond's BEAUTIFUL NOISE). Although not the last track on the disc, the Dylan-led all-star rendition of the Band/Dylan classic "I Shall Be Released" is the emotional climax of one of the most important performances in contemporary music.

Dieses Album enthält kein Booklet