Darkness Travels Light At The Close Of Every Day

• 1 Shadowlight 02:52
• 2 Joy To The World But Not Today 02:48
• 3 Detroit 03:55
• 4 Vleugellam 02:32
• 5 Safety's Keeping 03:55
• 6 Hope For Hope 03:52
• 7 We Keep Looking Up 04:53
• 8 This Smile Is Tired Of Faking 04:58
• 9 Oh Lord Hear My Prayer 03:27
• 10 Falling Through 02:52
• 11 Darkness Travels Light 02:09
• 12 Sadness Is Moving Away 03:35
• Total Runtime 41:48

Info zu Darkness Travels Light

In 2013, at the close of every day made a cautious return from their sabbatical with the backward-looking monsters album. Now, another year and a half up the road, there is a worthy new successor: darkness travels light.

darkness travels light unites deep melancholy with lightness in a way only at the close of every day can lay down. Again, Minco Eggersman’s dark, narrative lyrics perfectly go together with Axel Kabboord’s trademark jazzmaster loops and in their playfulness they bring hope.

Thematically, darkness travels light shows just how deeply hopelessness can nest in every aspect of human life – from minco’s stressed-out period following the release of his solo album reservoirs, a period in which almost literally the lights went out for him – echoes of which resound in falling through. from probably the band’s most personal and most heartbreaking song sadness is moving away (with beautiful strings that are reminiscent of the work of david sylvian) to the reality of broken homes (joy to the world but not today). like with his solo album hamden, again minco traveled to the usa for inspiration. like before the trip ended in chicago though this time the desolate concrete residues of an old industrial center of detroit inspired him most deeply. darkness travels light was born.

Yet darkness travels light is not a heavy weight from beginning till end. the frugal, rudimentary arrangements - beautifully recorded by jan borger who also recorded minco’s solo albums hamden and reservoirs - breathe wideness and acquiescence. only very rarely do the songs need a powerful starter, but even then – in the haunting oh lord hear my prayer – only almost carelessly mixed in somewhere in the background. across the board it’s the consolation that gives voice to even the deepest melancholy that makes darkness travels light a very special album.

darkness travels light also represents the reunion of minco eggersman and axel kabboord after more than six years of radio silence, in which axel primarily focused on his family and medical practice, and minco earned his pedigree as a film music composer and a solo artist.

The way in which at the close of every day returns after this period shows just how much the duo’s potential has matured. every one of the songs is moving in its simplicity, while the small typical instrumentals add a timeless dimension. it is at the close of every day’s special gift to create music without making much sound that comes to the fore on darkness travels light like nowhere in their earlier work.

At The Close Of Every Day
in 2002, atcoed made their debut zalig zijn de armen van geest, which was received well worldwide and was released in seven different versions (from usa to norway and from the uk to switzerland). the band received a cult status with the 2004 album the silja symphony, released in europe, japan and israel, which was named ‘album of the year’ by vpro’s 3voor12 (the outfit’s first 3voor12 award).

In the same year, at the close of every day presented their live cd/dvd the sound of someone watching me (registered live at brussels’ ab club during their european tour with 16 horsepower, and featuring david eugene edwards on guitar on the song september grass). in addition, singer/drummer minco released his first solo album the wagon fair during the same year.

the hymnal de geluiden van weleer, fully in Dutch, was received very well in the netherlands and belgium, being released in october 2005.

At the close of 2007, the remix album leaves you puzzled appeared, for which friends from the electronica world such as styrofoam, solex and donato wharton carefully deconstructed and reassembled a number of selected songs from previous albums. in 2008, to worldwide acclaim, the duo released their wonderfully titled cd troostprijs, expressing very succinctly the ‘consolation prize’ that at the close of every day offers their listeners.

In 2013 at the close of every day returned from a longer-than-planned sabbatical with monsters, a combination of highlights (like a duet with spinvis), rarities and a number of impassioned new songs. late 2014, there is the completely new album darkness travels light.

Dieses Album enthält kein Booklet