Of Corners & Bridges Brian Jackson

Album Info

Album Veröffentlichung:
2025

HRA-Veröffentlichung:
28.03.2025

Label: Selo Sesc [dist. Tratore]

Genre: Jazz

Subgenre: Contemporary Jazz

Interpret: Brian Jackson

Das Album enthält Albumcover

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 44.1 $ 13,50
  • 1 Bridges (Sunrise) 05:10
  • 2 Para Lennon & Mccartney 04:21
  • 3 Nothing Will Be as It Was 05:24
  • 4 Cravo e Canela 04:22
  • 5 Caxangá 04:44
  • 6 Viola, Violar 03:22
  • 7 Maria, Maria 03:59
  • 8 Prelúdio para Canção do Sal 01:25
  • 9 Canção do Sal 05:11
  • 10 Ponta De Areia 03:23
  • 11 Fé Cega, Faca Amolada 05:22
  • 12 Bridges (Sunset) 05:12
  • Total Runtime 51:55

Info zu Of Corners & Bridges

The New York-based singer, songwriter, music director, keyboardist, and flutist Brian Jackson found himself captivated by the music of Minas Gerais native Milton Nascimento, for whom he had already held admiration since 1972, when he heard the classic album Native Dancer by saxophonist Wayne Shorter. Seeing in Milton the most genuine connection to Brazilian culture, which had fascinated him since his first visit to the country in 2015, the musician now seeks the deepest possible bridge. Between anthems and B-sides, Jackson brings expertise and promises immersion for Of Corners & Bridges.

Brian Jackson




Brian Jackson
Half of the power duo Gil Scott-Heron & Brian Jackson, Brian wrote, arranged and produced over 10 albums over an eight-year period. Time and time again that music has found its way onto over 100 cuts like Common's “The People” (from "We Almost Lost Detroit") and Kendrick Lamar's “Poe Mans Dreams” (from "Peace Go With You, Brother").

Almost 40 years later, Brian is still building with artists as diverse as Adrian Younge and Ali Shaheed Muhammad (Midnight Hour, A Tribe Called Quest) vocalist Gregory Porter, Christopher "Puma" Smith, (The Archives, Thievery Corporation), jazz violinist Scott Tixier and legendary bassist Charnett Moffett. ​

Brian looks to both the present and the past for inspiration in order to honor to the ancient tradition of the griot - the African troubadour of truth.

“This music isn’t really mine," Brian asserts. "I learned it from those who came before me. It’s my job to pass on what I've learned. That’s the Tradition.” ​

In the tradition of the African griot, Brian tells the stories of how many of his best-loved pieces came to light.



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