Brahms: Piano Quintet, Op. 34 - R. Schumann: String Quartet, Op. 41 No. 1 Pacifica Quartet & Menahem Pressler

• Johannes Brahms (1833-1897): Piano Quintet in F Minor, Op. 34:
• 1 I. Allegro non troppo 16:19
• 2 II. Andante un poco adagio 08:57
• 3 III. Scherzo: Allegro 08:13
• 4 IV. Finale: Poco sostenuto - Allegro non troppo 11:20
• Robert Schumann (1810-1856): String Quartet in A Minor, Op. 41 No. 1:
• 5 I. Introduction: Andante espressivo - Allegro 09:46
• 6 II. Scherzo: Presto - Intermezzo 03:59
• 7 III. Adagio 06:05
• 8 IV. Presto 06:26
• Total Runtime 01:11:05

Info zu Brahms: Piano Quintet, Op. 34 - R. Schumann: String Quartet, Op. 41 No. 1

The internationally celebrated, Grammy Award-winning Pacifica Quartet joins forces with legendary pianist Menahem Pressler of the Beaux Arts Trio for Johannes Brahms’s Piano Quintet in F Minor, Op. 34, a pillar of German Romanticism that opens with one of the most recognizable melodies in classical music. Pressler, a consummate chamber artist, performs the virtuosic piano part with a clarity and transparency that makes the piano seem like a fellow member of the string ensemble.

This noteworthy generation-crossing collaboration — a half-century separates the pianist, who is in his 90s, from the quartet members — yields a spacious, sweeping traversal of the Brahms Quintet that sets its own pace to build suspense and drama. While Pressler has performed the Brahms Quintet with marquee string quartets of the past 50 years, this is his first recording of it.

The album offers the unusual, perhaps unprecedented, pairing of Brahms’s early Piano Quintet with a string quartet by his champion Robert Schumann, in this case, the String Quartet in A Minor, Op. 41, No.1, which the Quartet has been performing since early in its career. Dedicated to Mendelssohn, this buoyant, sprightly Romantic quartet showcases the Pacifica’s virtuosity and exuberant performance style while offering a contrast to Brahms’s moodier masterwork. This is the Quartet’s first recording of a Schumann work.

Currently quartet-in-residence at Indiana University’s Jacobs School of Music, the Pacifica Quartet was previously quartet-in-residence at New York’s Metropolitan Museum of Art and the University of Chicago. The Quartet received the 2009 Grammy Award for Best Chamber Music Performance and that same year was named “Ensemble of the Year” by Musical America. German-born pianist Menahem Pressler was a founding member of the illustrious, long-lived Beaux Arts Trio. The recipient of a Gramophone magazine Lifetime Achievement Award, he currently holds the rank of Distinguished Professor of Music at Indiana University’s Jacobs School of Music.

Pacifica Quartet
Menahem Pressler, piano

Menahem Pressler
founding member and pianist of the Beaux Arts Trio, has established himself among the world’s most distinguished and honored musicians, with a career that spans almost six decades. Now, at 91 years old, he continues to captivate audiences throughout the world as performer and pedagogue, performing solo and chamber music recitals to great critical acclaim while maintaining a dedicated and robust teaching career.

Born in Magdeburg, Germany in 1923, Pressler fled Nazi Germany in 1939 and emigrated to Israel. Pressler’s world renowned career was launched after he was awarded first prize at the Debussy International Piano Competition in San Francisco in 1946. This was followed by his successful American debut with the Philadelphia Orchestra under the baton of Maestro Eugene Ormandy. Since then, Pressler’s extensive tours of North America and Europe have included performances with the orchestras of New York, Chicago, Cleveland, Pittsburgh, Dallas, San Francisco, London, Paris, Brussels, Oslo, Helsinki and many others.

After nearly a decade of an illustrious and praised solo career, the 1955 Berkshire Music Festival saw Menahem Pressler’s debut as a chamber musician, where he appeared as pianist with the Beaux Arts Trio. This collaboration quickly established Pressler’s reputation as one of the world’s most revered chamber musicians. With Pressler at the Trio’s helm as the only pianist for nearly 55 years, The New York Times described the Beaux Arts Trio as “in a class by itself” and the Washington Post exclaimed that “since its founding more than 50 years ago, the Beaux Arts Trio has become the gold standard for trios throughout the world.” The 2007-2008 season was nothing short of bitter-sweet, as violinist Daniel Hope, cellist Antonio Meneses and Menahem Pressler took their final bows as The Beaux Arts Trio, which marked the end of one of the most celebrated and revered chamber music careers of all time. What saw the end of a one artistic legacy also witnessed the beginning of another, as Pressler continues to dazzle audiences throughout the world, both as piano soloist and collaborating chamber musician, including performances with the Juilliard, Emerson, American, and Cleveland Quartets, among many others. Of his recent solo performance in Austria, Die Presse wrote: “he struck a tone that was long believed lost already, a tone we perhaps last heard from Wilhelm Kempff.” His upcoming solo concertizing engagements include performances with the Berlin Philharmonic, the Orchestra de Paris and the Concertgebow Orchestra, among others.

For nearly 60 years, Menahem Pressler has taught on the piano faculty at the world-renowned Indiana University Jacobs School of Music where he currently holds the rank of Distinguished Professor of Music as the Charles Webb Chair. Equally as illustrious as his performing career, Professor Pressler has been hailed as “Master Pedagogue” and has had prize-winning students in all of the major international piano competitions, including the Queen Elizabeth, Busoni, Rubenstein, Leeds and VanCliburn competitions among many others. His former students grace the faculties of prestigious schools of music across the world, and have become some of the most prominent and influential artist-teachers today. In addition to teaching his private students at Indiana University, he continuously presents master classes throughout the world, and continues to serve on the jury of many major international piano competitions.

Among his numerous honors and awards, Pressler has received honorary doctorates from the Manhattan School of Music, the University of Nebraska, the San Francisco Conservatory of Music and the North Carolina School of the Arts, six Grammy nominations (including one in 2006), lifetime achievement awards from Gramophone magazine and the International Chamber Music Association, Chamber Music America’s Distinguished Service Award, the Gold Medal of Merit from the National Society of Arts and Letters. He has also been awarded the German Critics “Ehrenurkunde” award, and election into the American Academy of Arts and Sciences. In 2007 Pressler was appointed as an Honorary Fellow of the Jerusalem Academy of Music and Dance in recognition of a lifetime of performance and leadership in music. In 2005 Pressler received two additional awards of international merit: the German President’s Deutsche Bundesverdienstkreuz (German Cross of Merit) First Class, Germany’s highest honor, and France’s highest cultural honor, the Commandeur in the Order of Arts and Letters award. His more recent honors and awards include the prestigious Wigmore Medal (2011), the Menuhin Prize given by the Queen of Spain (2012), inductions into the American Classical Music and Gramophone Magazine Halls of Fame (2012), and the Music Teachers National Association Achievement Award.

In addition to recording nearly the entire piano chamber repertoire with the Beaux Arts Trio on the Philips label, Menahem Pressler has compiled over thirty solo recordings, ranging from the works of Bach to Ben Haim.

Pacifica Quartet
Recognized for its virtuosity, exuberant performance style, and daring repertory choices, over the past two decades the Pacifica Quartet has gained international stature as one of the finest chamber ensembles performing today. The Pacifica tours extensively throughout the United States, Europe, Asia, and Australia, performing regularly in the world’s major concert halls. Named the quartet-in-residence at Indiana University's Jacobs School of Music in March 2012, the Pacifica was also the quartet-in-residence at the Metropolitan Museum of Art (2009 – 2012) – a position that has otherwise been held only by the Guarneri String Quartet – and received the 2009 Grammy for Best Chamber Music Performance.

Highlights of the 2015-16 season include a performance at New York’s 92nd Street Y, the beginning of a two-season residency at the Isabella Stewart Gardner Museum in Boston, a residency for the Arizona Friends of Chamber Music in Tucson, and return visits to the major series in New Orleans, San Francisco, and Portland.

The members of the Pacifica Quartet live in Bloomington, IN, where they serve as quartet-in-residence and full-time faculty members at the Jacobs School of Music. Prior to their appointment, the Quartet was on the faculty of the University of Illinois at Champaign-Urbana from 2003 to 2012. The Pacifica Quartet also serves as resident performing artist at the University of Chicago.

The Pacifica Quartet is endorsed by D'Addario and proudly uses their strings.

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