Millport Greg Graffin

• 1Backroads of My Mind03:53
• 2Too Many Virtues03:04
• 3Lincoln's Funeral Train08:45
• 4Millport03:19
• 5Time of Need03:27
• 6Making Time03:24
• 7Shotgun02:38
• 8Echo on the Hill02:30
• 9Sawmill02:11
• 10Waxwings03:27
• Total Runtime36:38

Info zu Millport

This album represents three distinct historical trends that came together in the span of only 10 days during recording at Studios 606 and Big Bad Sound in April of 2016. The most obvious one is the musicians themselves. The rhythm section is composed of players from Social Distortion. 36 years ago, Bad Religion and Social Distortion shared a stage in Santa Ana, California. Well, it wasn’t really a stage, it was an abandoned warehouse made into a punk concert/party place. That was my first concert, as the singer/songwriter in Bad Religion. Our styles over the years diverged, but one consistent element remained – our love of American Folk Rock and Old-Time music continued to grow. The second root apparent on this album is that of the sound and musicianship itself. No mere hacks, these musicians are masters. Vintage wood, having been crafted into musical instruments, produces the sound of history when played by virtuosos such as those collected here. An old guitar, a vintage fiddle, drums and bass, clawhammer banjo, and a combo of electric guitar and tubed amplifier, create a sound that can only be described as classic. When you add the beautiful harmonies of these most excellent background singers, there is no doubt that this music comes from a deep-rooted expression of American experience. The final historical root is a personal one. The people who introduced me to Old-Time music are now old-timers themselves. My family roots go back to Indiana and Wisconsin. The Indiana folks sang a-Capella in the old country chapel at my Grandma’s funeral. Her children taught me to sing and the songs they chose came from the 30s, 40s, 50s, and of course the folk revival tunes of the 1960s. This was the sound I brought forth to my own band starting in the 1980s. It’s the only kind of lyrical style I know. And hopefully this album will add another strong branch to my music. Thank you all for continuing to water the tree. (Greg Graffin 2016)

Greg Graffin, acoustic guitar, piano, vocals
David Kalish, organ, acoustic guitar, slide guitar, Hammond B3
Steven Carroll, electric guitar
Jonny Wickersham, acoustic guitar, electric guitar
David Bragger, acoustic guitar, banjo, fiddle, mandolin
Brent Harding, electric bass, acoustic bass
David Hidalgo, drums
Arnold McCuller, background vocals
Valerie Pinkston, background vocals

Greg Graffin frontman of the iconic Los Angeles punk band Bad Religion as well as a renowned author, will be releasing a brand new solo album entitled Millport this March 10th via Anti-.

Millport delivers a stirring though perhaps unexpected reinterpretation of the classic Laurel Canyon country-rock sound alongside Graffin’s insightful lyricism, all propelled by some esteemed colleagues from the LA punk scene including Social Distortion members Jonny ‘Two Bags’ Wickersham, Brent Harding and David Hidalgo Jr., with Bad Religion co-founder Brett Gurewitz producing. The resulting record is less a reinvention then a creative liberation - a group of Los Angeles musicians at the peak of their game, playing a brand of music they genuinely love. As Graffin explains, “This feels as exciting to me as when we made the Bad Religion record Suffer. Like everything had been leading up to the songs and they just happened totally organically in this short intense burst. I’m really just doing what I did back then, which is write songs that mean something to me and deliver them in a way that is completely honest.”

Album producer and Graffin’s longtime Bad Religion collaborator, Brett Gurewitz, adds, “It’s the two songwriters from Bad Religion and the rhythm section of Social Distortion, two influential LA punk bands, getting together to do an authentic country rock album, a genre most would think is the absolute antithesis of punk rock. But I think it sounds great. Both are iconic Southern California genres. It’s like the Laurel Canyon sound played by the kids who were smashing up the clubs a few years later.”

Dieses Album enthält kein Booklet