Sorabji: Vocal and Chamber Works Sharon Bezaly & Wild Beautiful Orchestra

• Kaikhosru Shapurji Sorabji (1892 - 1988): Désir éperdu, KSS 13:
• 1 Sorabji: Désir éperdu, KSS 13 00:54
• ll tessuto d’arabeschi, KSS 99:
• 2 Sorabji: ll tessuto d’arabeschi, KSS 99 16:08
• Le mauvais jardinier, KSS 11a:
• 3 Sorabji: Le mauvais jardinier, KSS 11a 03:24
• Frammento cantato, KSS 88:
• 4 Sorabji: Frammento cantato, KSS 88 01:41
• Fantasiettina atematica, KSS 103:
• 5 Sorabji: Fantasiettina atematica, KSS 103 02:26
• Trois poèmes, KSS 65:
• 6 Sorabji: Trois poèmes, KSS 65: I. Le faune 01:27
• 7 Sorabji: Trois poèmes, KSS 65: II. Les chats 02:54
• 8 Sorabji: Trois poèmes, KSS 65: III. La dernière fête galante 02:23
• Cinque sonetti di Michelangelo Buonarroti, KSS 36:
• 9 Sorabji: Cinque sonetti di Michelangelo Buonarroti, KSS 36: I. Tu sa’ ch’i’ so, signor mie, che tu sai 02:43
• 10 Sorabji: Cinque sonetti di Michelangelo Buonarroti, KSS 36: II. Non so se s’è la desï̈ata luce 02:25
• 11 Sorabji: Cinque sonetti di Michelangelo Buonarroti, KSS 36: III. A che più debb’i’ omai l’intensa voglia 02:36
• 12 Sorabji: Cinque sonetti di Michelangelo Buonarroti, KSS 36: IV. Veggio nel tuo bel viso, signor mio 02:56
• 13 Sorabji: Cinque sonetti di Michelangelo Buonarroti, KSS 36: V. Se nel volto per gli occhi il cor si vede 03:39
• Arabesque, KSS 24:
• 14 Sorabji: Arabesque, KSS 24 01:23
• Benedizione di San Francesco d’Assisi, KSS 91:
• 15 Sorabji: Benedizione di San Francesco d’Assisi, KSS 91 01:43
• Trois poèmes du Gulistān de Saʿdī, KSS 42:
• 16 Sorabji: Trois poèmes du Gulistān de Saʿdī, KSS 42: I. La lampe 03:57
• 17 Sorabji: Trois poèmes du Gulistān de Saʿdī, KSS 42: II. La jalousie 03:25
• 18 Sorabji: Trois poèmes du Gulistān de Saʿdī, KSS 42: III. La fidelité 06:04
• [4] Frammenti aforistici, KSS 96:
• 19 Sorabji: [4] Frammenti aforistici, KSS 96: 01:29
• Frammento cantato, KSS 88:
• 20 Sorabji: Frammento cantato, KSS 88: 01:34
• Movement, KSS 52:
• 21 Sorabji: Movement, KSS 52 13:54
• Total Runtime 01:19:05

Info zu Sorabji: Vocal and Chamber Works

Unser Verständnis von Kaikhosru Shapurji Sorabji ist in erster Linie von seinem Ruf und nicht von seinem Werk geprägt. Er ist eine eher unbedeutende Figur in der Musik des 20. Jahrhunderts und wird für die große Länge und die komplizierte Natur seiner Kompositionen gefeiert. Obwohl er die Aufführung seiner Musik verbot, verdiente er sich ein bescheidenes Einkommen durch seine Schriften als Kritiker und Essayist, die für ihren scharfen Witz bekannt sind. Während Sorabji vor allem für seine Solo-Klavierwerke bekannt ist, von denen viele bei BIS erschienen sind, präsentiert dieses Album die ersten Aufnahmen seiner Musik für Kammerensemble und Kammerorchester sowie mehrere Weltersteinspielungen von Kunstliedern, darunter eine neue Bearbeitung und die erste Fertigstellung eines Fragments.

Das amerikanische Ensemble Wild Beautiful Orchestra, das sich aus Instrumentalisten und Sängern zusammensetzt, die für ihre Vielseitigkeit und Leidenschaft bekannt sind, arbeitet mit seinem Gründer und Dirigenten Chappell Kingsland und der Flötistin Sharon Bezaly im längsten Stück zusammen, um dieses Programm mit bisher unveröffentlichter Musik des unkonventionellen Komponisten zu präsentieren. Die bemerkenswerte Vielfalt des Albums steigert zweifellos unsere kollektive Wertschätzung von Sorabjis Brillanz und dient als Einstieg in seine unverwechselbare musikalische Fantasie.

Sharon Bezaly, Flöte
Andrew Garland, Bariton
Sharon Harms, Sopran
Zoë Spangler, Sopran
Christopher Grundy, Bariton
Bryan Chuan, Klavier
Chappell Kingsland, Klavier, Orgel
Julie Thornton, Flöte
Sarah Bierhaus, Oboe
Jeremy Reynolds, Klarinette
Wild Beautiful Orchestra
Taylor Gonzales, Dirigent

Sharon Bezaly
Described by The Times (UK) as ‘God’s gift to the flute’, Sharon Bezaly was chosen as best flautist in the world (BBC Music Magazine 2019) A first prize graduate of the Paris Conservatoire, pupil of Alain Marion and Raymond Guiot and solo flute with Camerata Salzburg under Sándor Vegh, she is one of the very rare full time flute soloists, making her début with the Israel Philharmonic Orchestra and Zubin Mehta at the age of 14.

An alumna of BBC Radio 3’s New Generation Artists Scheme, Sharon Bezaly has been artist in residence with the Residentie Orkest The Hague and won prestigious prizes at Cannes Classical Awards and Echo Klassik.

Her playing has inspired many renowned composers to enrich the flute literature with more than 20 concertos. She performs these worldwide, alongside the standard repertoire, collaborating with top orchestras and conductors in high profile settings such as the BBC Proms, Sydney Opera House, Vienna Musikverein, Suntory Hall and Carnegie Hall.

Sharon Bezaly’s numerous albums on BIS have won her the highest accolades and distinctions from the world’s top magazines, with her versions of Mozart’s G major concerto and Poulenc’s Sonata (with Ronald Brautigam) being named the best recordings by BBC Music Magazine (in 2020 and 2019, respectively). Her perfect control of circular breathing (taught by Aurèle Nicolet) enables her to reach new peaks of musical interpretation, as testified by the comparison to David Oistrakh and Vladimir Horowitz made in the Frankfurter Allgemeine Zeitung. In 2018 she was elected to the Royal Swedish Academy of Music.

Taylor Gonzales
was named the Music Director of the Wild Beautiful Orchestra in December 2022, having previously served as the conductor for various concerts during the orchestra’s 2021-2022 season. Originally from Bend, Oregon, Taylor earned a degree from the University of Puget Sound before studying orchestral conducting at the University of Denver under the mentorship of Lawrence Golan.

Prior to his appointment as the Music Director of the WBO, Taylor served as the Associate Conductor of the Denver Philharmonic Orchestra and co-founded and directed the Puget Sound Concerto Orchestra. As a pianist, Taylor has performed as a soloist with numerous orchestras including the University of Puget Sound Symphony Orchestra and the Sunriver Music Festival. Taylor is an active piano teacher in the Denver area and maintains a large studio. When not performing, Taylor enjoys exploring the Denver community and playing with the housecat, Pippin.

Chappell Kingsland
is an Adjunct Professor at the University of Denver’s Lamont School of Music. He has over twenty years of experience in producing concerts and recordings, ranging from solo performances (on piano and organ) to chamber music to full orchestra. His Bachelors Degree is from the Eastman School of Music at the University of Rochester, where he served on the board of Ossia, a new music ensemble run by students. Dr. Kingsland holds Masters and Doctoral Degrees from the Jacobs School of Music at Indiana University, where he founded New Voices Opera, recruited a working board of students, and raised money to produce a fully-staged performance and recording of his 90-minute opera for thirty performers. He founded Mile High Opera in Denver as a one-year project which gave concert and outreach performances of his 30-minute opera for nine performers. He ran the Wild Beautiful Concert Series at Salem United Church of Christ in 2021, producing six concerts which featured local musicians of many genres. He has worked closely with the Boulder Opera, Lamont Opera Theatre, and Thompson Street Opera (Louisville, KY) when they have given productions of his operas, serving as pianist, conductor, percussionist, and sometimes assisting with grant writing, fundraising, and promotion. He and wife Jennifer Kingsland run Strings of Brigid, a band featuring Chappell’s arrangements of Celtic music, with recordings available on streaming platforms. Chappell has organized other bands in the past, most notably Electric Athena, a quartet which performed rock, pop and classical music in the Denver area between 2017-19. As a composer, he regularly collaborates with musicians across the country.

Booklet für Sorabji: Vocal and Chamber Works