Bach: The Conductors' Transcriptions BBC Symphony Orchestra & Leonard Slatkin

• Johann Sebastian Bach (1685 - 1750): Toccata and Fugue in D minor, BWV 565:
• 1 Bach: Toccata and Fugue in D minor, BWV 565: I. Toccata 04:04
• 2 Bach: Toccata and Fugue in D minor, BWV 565: II. Fuga 06:10
• Johann Sebastian Bach:
• 3 Bach: Herz unt Mund und Tat und Leben, BWV 147: Chorale. Jesu bleibet meine Freude 03:25
• 4 Bach: Herzlich tut mich verlangen, BWV 727: Chorale Prelude. Herzlich tut mich verlangen 02:25
• Suite No. 6:
• 5 Bach: Suite No. 6: I. Prelude (Arr. from J.S. Bach, The Well-Tempered Clavier, Book 1. Prelude in C-Sharp Major, BWV 848) 01:38
• 6 Bach: Suite No. 6: II. Lament (Arr. from J.S. Bach. Capriccio on the Departure of Hist Most Beloved Brother in B-Flat Major, BWV 992) 04:12
• 7 Bach: Suite No. 6: III. Scherzo (Arr. from J.S. Bach. Partita No. 3 in A Minor, BWV 827) 01:15
• 8 Bach: Suite No. 6: IV. Gavotte and Musette (Arr. from J.S. Bach. English Suite No. 6 in D Minor, BWV 811) 03:20
• 9 Bach: Suite No. 6: V. Andante mistico (Arr. from J.S. Bach, The Well-Tempered Clavier, Book 1. Prelude in B-Flat Minor, BWV 867) 04:01
• 10 Bach: Suite No. 6: VI. Finale (Arr. from Partita No. 3 in E major, BWV 1006) 04:06
• Johann Sebastian Bach:
• 11 Bach: Orchestral Suite No. 3 in D Major, BWV 1068: Air on the G String 05:46
• 12 Bach: Was mir behagt, ist nur die muntre Jagd!, BWV 208: Aria. Schafe konnen sicher weiden 06:19
• 13 Bach: Fugue in G Minor, BWV 542: I. Fantasia 09:11
• 14 Bach: Fantasia and Fugue in G Minor, BWV 542: II. Fuga 05:35
• 15 Bach: Das Orgel-Buchlein. Ich ruf' zu, dir, Herr Jesu Christ, BWV 639 03:11
• 16 Bach: Clavierbuchlein, Book III, BWV 508: Bist du bei mir? 04:00
• 17 Bach: Chorale Prelude, BWV 720: Ein feste Burg ist unser Gott 04:39
• Total Runtime 01:13:17

Info zu Bach: The Conductors' Transcriptions

A few years ago I was pleased to record a selection of works by Bach in transcriptions by other composers (CHAN 9835). Now it is time for the conductors to weigh in on the matter. In a way it can be argued that, since most of these maestri wrote their versions for specific orchestras, there is an even greater coherency in these works.

Although only a few conductors represented on this disc are also known as composers in their own right, all had a more than competent skill when it came to knowing what their orchestras could do. The sheer magnitude of the Mitropoulos and Skrowaczewski transcriptions is staggering. The efforts of Wood, Barbirolli and others are excellent indications of creative minds at work. Even a less well-known conductor such as Vittorio Gui shows a fine knowledge of orchestral resource. One conductor is notably absent from this collection: Leopold Stokowski. We felt that he was amply represented on disc, not just by his own performances, but also by those that have been recorded by others.

I believe that each transcription shows nothing but the highest degree of respect for Bach. Each conductor is paying tribute, as if to say that the old German master would have welcomed the instrumental forces that were to become available at different times in the future.

"Then there are the slower pieces, mostly chorales and chorale preludes, plush and heavily draped in the case of Eugene Ormandy, Sir John Barbirolli, and Walter Damrosch (a little overbearing in A Mighty Fortress is our God). I’m not too sure about Otto Klemperer’s ‘Bist du bei mir’ which seems keen on a Schoenbergian route but doesn’t quite get that far, or Malcolm Sargent’s sugar-coated Air. Erich Leinsdorf gets the balance about right for Herzlich tut mich verlangen but in any case everything here is worth sampling at least once, and most of it more often than that. It’s a real treat and the sound is excellent. Need I say more?" (Rob Cowan, Gramophone)

"…Leonard Slatkin and the BBC Symphony Orchestra relish the considerable technical challenges posed by these transcriptions… those who enjoy their Bach as a full meat-and-two-veg course will love this release, and the Chandos recording is suitably lustrous." (BBC Music Magazine)

"this rewarding anthology receives an opulent and lucid recording. An enlightening project then, and a testimony to Bach's indestructible music and his ability to inspire." (International Record Review)

BBC Symphony Orchestra
Leonard Slatkin, conductor

Leonard Slatkin
Internationally acclaimed conductor Leonard Slatkin is Music Director Laureate of the Detroit Symphony Orchestra (DSO), Directeur Musical Honoraire of the Orchestre National de Lyon (ONL), and Conductor Laureate of the St. Louis Symphony Orchestra (SLSO). He maintains a rigorous schedule of guest conducting throughout the world and is active as a composer, author, and educator.

Slatkin has received six Grammy awards and 35 nominations. His latest recording is the world premiere of Alexander Kastalsky’s Requiem for Fallen Brothers commemorating the 100th anniversary of the World War I armistice. Other recent Naxos releases include works by Saint-Saëns, Ravel, and Berlioz (with the ONL) and music by Copland, Rachmaninov, Borzova, McTee, and John Williams (with the DSO). In addition, he has recorded the complete Brahms, Beethoven, and Tchaikovsky symphonies with the DSO (available online as digital downloads).

The 2021-22 season includes engagements with The Orchestra Now, Manhattan School of Music, SLSO, DSO, ONL, Orquestra Simfònica Illes Balears, Helsinki Philharmonic Orchestra, MÁV Symphony Orchestra in Budapest, Russian National Orchestra in Moscow, Carnegie Mellon University, Orquesta Sinfónica de Castilla y León, Orquesta de València, Bilbao Orkestra Sinfonikoa, RTÉ National Symphony Orchestra, Orquesta Filarmónica de Gran Canaria, Hiroshima Symphony Orchestra, National Symphony Orchestra of Taiwan, and the Philharmonic Orchestra, Singapore.

A recipient of the National Medal of Arts, the highest award given to artists by the United States government, Slatkin also holds the rank of Chevalier in the French National Order of the Legion of Honor. Moreover, he has received the Prix Charbonnier from the Federation of Alliances Françaises, Austria’s Decoration of Honor in Silver, the League of American Orchestras’ Gold Baton Award, and the 2013 ASCAP Deems Taylor Special Recognition Award for his debut book, Conducting Business. A second volume, Leading Tones: Reflections on Music, Musicians, and the Music Industry, was published by Amadeus Press in 2017. His latest book, Classical Crossroads: The Path Forward for Music in the 21st Century (2021), is available through Rowman & Littlefield.

He holds honorary doctorates from many institutions, including The Juilliard School, New England Conservatory, Michigan State University, Indiana University, the University of Rochester, the University of Maryland-College Park, George Washington University, the University of Missouri-St. Louis, and Washington University in St. Louis.

Slatkin has held posts as Music Director of the New Orleans Symphony, St. Louis Symphony Orchestra, and National Symphony Orchestra in Washington, DC, and he was Chief Conductor of the BBC Symphony Orchestra in London. He has served as Principal Guest Conductor of London’s Royal Philharmonic Orchestra and Philharmonia Orchestra, the Pittsburgh Symphony Orchestra, the Los Angeles Philharmonic at the Hollywood Bowl, and the Minnesota Orchestra in Minneapolis, where he founded their annual Sommerfest. Furthermore, he has held titled conducting positions with the Blossom Music Center, and both the Grant Park and Great Woods music festivals.

He has conducted virtually all the leading orchestras in the world. Among those in America are the New York Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Boston Symphony Orchestra, San Francisco Symphony, and Los Angeles Philharmonic. Elsewhere he has worked with all five London orchestras, the Berlin Philharmonic, Munich’s Bayerischer Rundfunk, the Royal Stockholm Philharmonic Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, the Orchestre de Paris, the Oslo Philharmonic Orchestra, and the Israel Philharmonic Orchestra.

Slatkin’s opera conducting has taken him to the Metropolitan Opera, Lyric Opera of Chicago, Washington National Opera, Opera Theatre of St. Louis, Santa Fe Opera, Vienna State Opera, Stuttgart Opera, and Opéra Bastille in Paris.

Founder and former director of the St. Louis Symphony Youth Orchestra and National Conducting Institute in Washington, DC, Slatkin remains a passionate music educator. He has conducted and taught at such institutions as the Manhattan School of Music, The Juilliard School, the Aspen Music School, the Jacobs School at Indiana University, the National Orchestral Institute, the Music Academy of the West, and the New World Symphony.

Born in Los Angeles to a distinguished musical family, he is the son of violinist-conductor Felix Slatkin and cellist Eleanor Aller, founding members of the famed Hollywood String Quartet. He began his musical training on the violin and first studied conducting with his father, followed by Walter Susskind at Aspen and Jean Morel at Juilliard. He is the father of one son, Daniel, and makes his home in St. Louis with his wife, composer Cindy McTee.

He is represented by Stefana Atlas at Arabella Arts (manager responsible for the Americas, the U.K., Australia, and New Zealand), Julia Albrecht at Konzertdirektion Schmid (manager responsible for Europe), and Maki Takemitsu at Kajimoto (manager responsible for Asia).

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