Coming From Inside The House (A Virtual SubCulture Concert) Jason Robert Brown

Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
18.12.2020

Label: Craft Recordings

Genre: Pop

Subgenre: Pop Rock

Interpret: Jason Robert Brown

Das Album enthält Albumcover

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  • 1Sanctuary05:31
  • 2Melinda04:15
  • 3The Hardest Hill06:19
  • 4I Love Betsy (From "Honeymoon In Vegas")03:56
  • 5Still Hurting (From "The Last Five Years")04:48
  • 6All Things In Time04:32
  • 7Nothing’s Bigger Than Kong03:21
  • Total Runtime32:42

Info zu Coming From Inside The House (A Virtual SubCulture Concert)

Craft Recordings and Concord Theatricals are proud to announce the official album for Tony Award-winning composer/lyricist Jason Robert Brown’s spring 2020 virtual SubCulture concert featuring Ariana Grande and Shoshana Bean. “Coming From Inside The House (A Virtual SubCulture Concert)” was recorded for the one-night video streaming event on April 27, 2020, and will be released worldwide on December 18, 2020. The concert was originally presented as a benefit for the SubCulture staff and musicians from the Jason Robert Brown Artist-in-Residence concerts during the COVID-19 pandemic.

“Coming From Inside The House (A Virtual SubCulture Concert) is a very personal piece, not just for me but for everyone who played on it,” said Jason Robert Brown. “We all had something at stake, and you can hear it. While I still don’t know when we’ll ever get to perform at SubCulture again, I can’t help but think that this concert is in many ways a perfect summation of my entire five-year residency there – this group of brilliantly talented people who have been part of my life for so long, making music that is full of joy, fear, anger, sorrow, wonder, and most importantly, love.”

Jason Robert Brown is joined by his family, Grammy Award winner Ariana Grande and Broadway star Shoshana Bean to perform highlights from Brown’s tremendous career, including Grande’s stirring performance of “Still Hurting” from his musical The Last Five Years. Grande starred in Brown’s Broadway musical 13, and co-wrote and recorded “Jason’s Song (Gave It Away)” on her Platinum-selling album, Dangerous Woman in 2016. Bean starred in the 2018 City Center production of Brown’s Songs For A New World.

The album also features a bonus track, the world premiere recording of “Nothing’s Bigger Than Kong,” a song that was commissioned for (but ultimately not included in) the 2018 Broadway musical King Kong.

Brown plays piano and keyboards, and the rest of the band includes Todd Reynolds, Mairi Dorman-Phaneuf, Gary Sieger, Randy Landau and Jamie Eblen, with additional vocals from Brown’s family, Georgia Stitt, Molly and Susannah Brown. The album was recorded, edited and mixed by Emmy Award winner and Grammy Award nominee Jeffrey Lesser, and produced by Lesser and Jason Robert Brown. It was mastered by Oscar Zambrano. Marc Kaplan of SubCulture served as executive producer.




Jason Robert Brown
is the ultimate multi-hyphenate – an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer – best known for his dazzling scores to several of the most renowned musicals of his generation, including the generation-defining “The Last Five Years”, his debut song cycle “Songs for a New World”, and the seminal “Parade”, for which he won the 1999 Tony Award for Best Score.

Jason Robert Brown has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” (Chicago Tribune) has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performances. The New York Times refers to Jason as “a leading member of a new generation of composers who embody high hopes for the American musical.” Jason’s score for “The Bridges of Madison County,” a musical adapted with Marsha Norman from the bestselling novel, directed by Bartlett Sher and starring Kelli O’Hara and Steven Pasquale, received two Tony Awards (for Best Score and Orchestrations). “Honeymoon In Vegas,” based on Andrew Bergman’s film, opened on Broadway in 2015 following a triumphant production at Paper Mill Playhouse. A film version of his epochal Off-Broadway musical “The Last Five Years” was released in 2015, starring Anna Kendrick and Jeremy Jordan and directed by Richard LaGravenese. His major musicals as composer and lyricist include: “13”, written with Robert Horn and Dan Elish, which began its life in Los Angeles in 2007 and opened on Broadway in 2008 (and was subsequently directed by the composer for its West End premiere in 2012); “The Last Five Years”, which was cited as one of Time Magazine’s 10 Best of 2001 and won Drama Desk Awards for Best Music and Best Lyrics (and was subsequently directed by the composer in its record-breaking Off-Broadway run at Second Stage Theatre in 2013); “Parade,” written with Alfred Uhry and directed by Harold Prince, which premiered at Lincoln Center Theatre in 1998, and subsequently won both the Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, as well as garnering Jason the Tony Award for Original Score; and “Songs for a New World,” a theatrical song cycle directed by Daisy Prince, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world. “Parade” was also the subject of a major revival directed by Rob Ashford, first at London’s Donmar Warehouse and then at the Mark Taper Forum in Los Angeles. His orchestral adaptation of E.B. White’s novel “The Trumpet of the Swan” premiered at the Kennedy Center with John Lithgow and the National Symphony Orchestra, and the CD was released on PS Classics. Future projects include a new chamber musical created with Daisy Prince and Jonathan Marc Sherman called “The Connector”, an untitled new piece created with Kenneth Lin and Moisés Kaufman, and a new musical with Billy Crystal. Jason is the winner of the 2002 Kleban Award for Outstanding Lyrics and the 1996 Gilman & Gonzalez-Falla Foundation Award for Musical Theatre. Jason’s songs, including the cabaret standard “Stars and the Moon,” have been performed and recorded by Audra McDonald, Billy Porter, Betty Buckley, Karen Akers, Renée Fleming, Philip Quast, Jon Hendricks and many others, and his song “Someone To Fall Back On” was featured in the Walden Media film, “Bandslam.”

As a soloist or with his band The Caucasian Rhythm Kings, Jason has performed sold-out concerts around the world. His newest collection, “How We React and How We Recover”, will be released this spring on Sh-K-Boom Records. His previous solo album, “Wearing Someone Else’s Clothes”, was named one of Amazon.com’s best of 2005, and is available from Sh-K-Boom Records. A concert film featuring Anika Noni Rose was broadcast on PBS. His collaboration with singer Lauren Kennedy, “Songs of Jason Robert Brown”, is available on PS Classics. Jason’s piano sonata, “Mr. Broadway” was commissioned and premiered by Anthony De Mare at Carnegie Hall. Jason is also the composer of the incidental music for David Lindsay-Abaire’s “Kimberly Akimbo” and ”Fuddy Meers,” Marsha Norman’s “Last Dance,” David Marshall Grant’s “Current Events,” Kenneth Lonergan’s “The Waverly Gallery,” and the Irish Repertory Theater’s production of “Long Day’s Journey Into Night,” and he was a Tony Award nominee for his contributions to the score of “Urban Cowboy the Musical.” He has also contributed music to the hit Nickelodeon television series, “The Wonder Pets” as well as “Sesame Street.” Jason spent ten years teaching at the USC School of Dramatic Arts, and has also taught at Harvard University and Emerson College. He will be teaching at Princeton University starting in the fall of 2018.

For the new musical “Prince of Broadway,” a celebration of the career of Harold Prince, Jason was the musical supervisor and arranger. Other recent New York credits as conductor and arranger include “Urban Cowboy the Musical” on Broadway; Oliver Goldstick’s play, “Dinah Was,” directed by David Petrarca, at the Gramercy Theatre and on national tour; and William Finn’s “A New Brain,” directed by Graciela Daniele, at Lincoln Center Theater. Jason was the musical director of the pop vocal group, The Tonics, with whom he performed at the 1992 tribute to Stephen Sondheim at Carnegie Hall (recorded by RCA Victor); he was the conductor and orchestrator of Yoko Ono’s musical, “New York Rock,” at the WPA Theatre (on Capitol Records); and he orchestrated Andrew Lippa’s “john and jen,” Off-Broadway at Lamb’s Theatre (Varese Sarabande). In 1994, Jason was the conductor and arranger of Michael John LaChiusa’s “The Petrified Prince,” directed by Harold Prince, at the Public Theatre. Additionally, Jason served as the orchestrator and arranger of Charles Strouse and Lee Adams’s score for a proposed musical of “Star Wars.” Jason also took over as musical director for the Off-Broadway hit “When Pigs Fly.” Jason has conducted and created arrangements and orchestrations for Liza Minnelli, John Pizzarelli, Tovah Feldshuh, and Laurie Beechman, among many others.

Jason studied composition at the Eastman School of Music in Rochester, N.Y., with Samuel Adler, Christopher Rouse, and Joseph Schwantner. He lives with his wife, composer Georgia Stitt, and their daughters in New York City. Jason is a proud member of the Dramatists Guild and the American Federation of Musicians Local 802 & 47.



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