
RESONANCE: Schumann, Farrenc, Durosoir Piatti Quartet & Emmanuel Despax
Album Info
Album Veröffentlichung:
2025
HRA-Veröffentlichung:
29.08.2025
Label: Signum Classics
Genre: Classical
Subgenre: Chamber Music
Interpret: Piatti Quartet & Emmanuel Despax
Komponist: Louise Farrenc (1804-1875), Louise Farrenc (1804-1869), Clara Schumann (1819-1896)
Das Album enthält Albumcover Booklet (PDF)
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- Louise Farrenc (1804 - 1875): Sextet in C Minor, Op. 40 (Version for Piano Quintet):
- 1 Farrenc: Sextet in C Minor, Op. 40 (Version for Piano Quintet): I. Allegro 12:29
- 2 Farrenc: Sextet in C Minor, Op. 40 (Version for Piano Quintet): II. Andante sostenuto 06:11
- 3 Farrenc: Sextet in C Minor, Op. 40 (Version for Piano Quintet): III. Allegro vivace 06:44
- Robert Schumann (1810 - 1856): Piano Quartet in E-Flat Major, Op. 47:
- 4 Schumann: Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo 09:15
- 5 Schumann: Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace 03:45
- 6 Schumann: Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile 07:07
- 7 Schumann: Piano Quartet in E-Flat Major, Op. 47: IV. Finale. Vivace 07:33
- Lucien Durosoir (1878 - 1955): Prière à Marie:
- 8 Durosoir: Prière à Marie 03:38
- Chant élégiaque:
- 9 Durosoir: Chant élégiaque 05:19
- Berceuse:
- 10 Durosoir: Berceuse 03:40
Info zu RESONANCE: Schumann, Farrenc, Durosoir
Das Piatti Quartett und Emmanuel Despax präsentieren gemeinsam ein Album mit Werken von Farrenc, Schumann und Durosoir. Louise Farrenc arrangierte ihr eigenes brillant-dramatisches Bläsersextett mit Klavier für Klavierquintett, und diese Bearbeitung ist auf dieser Veröffentlichung als Weltpremiere zu hören. Sie haben drei der bewegendsten und schönsten Stücke von Lucien Durosoir ausgewählt, eines für Violine und Klavier und zwei für Cello und Klavier. „Wir sind sehr stolz darauf, dieses Album zu präsentieren, dessen Aufnahme schon seit einiger Zeit unser Traum war“, so das Piatti Quartett.
Emmanuel Despax, Klavier
Piatti Quartett
Emmanuel Despax
has gained worldwide recognition as a singular artist, whose interpretations bring a rare sincerity and imagination to the music.
A remarkable performer of romantic and post-romantic music, he has been invited to give recital performances in the UK (Wigmore Hall, Cadogan Hall, Chipping Campden and Petworth Festivals, and the Royal Concert Hall in Nottingham, where he was appointed artistic director in 2020 of a complete Beethoven piano sonata cycle); in France (Louvre Auditorium, Salle Cortot, Salle Gaveau, International Festival Les Nuits Pianistiques in Aix-en-Provence, L’été Musical au Poujoula, and Les Nuits du Château de la Moutte in Saint-Tropez); Benelux (Amsterdam, The Hague and the Palais des Beaux-Arts in Brussels); Cyprus (Pharos Arts Foundation); Italy (Fazioli auditorium); and in South America.
Past engagements include two tours of New Zealand, hailed by critics for his recitals in the prestigious Fazioli International Piano Series in Auckland and concerto performances with the Christchurch Symphony Orchestra. In the UK, Emmanuel Despax has played with the BBC Symphony Orchestra, the City of Birmingham Symphony and BBC Scottish Symphony Orchestras, among others. He is also regularly broadcast on Medici TV, France Musique, BBC Radio 3 and Classic FM. His work as a talented broadcaster has included presenting a probing and approachable edition of BBC Radio 3’s Inside Music, and he is already amassing an impressive, critically acclaimed discography.
In addition to his recording of Brahms Piano Concerto No.1 with the BBC Symphony Orchestra and Andrew Litton, prior releases include ‘Spira, Spera’ (Bach transcriptions) which was awarded Critics’ Choice in International Piano (“Despax is awe-inspiring in his combination of virtuosity and intellectual grasp”). His concerto debut featured Saint-Saëns Piano Concerto No. 2 and Stephen Goss Piano Concerto, and his collection of Chopin preludes was Classic FM’s “Album of the Week” and awarded five stars in Diapason. Despax also released a piano fantasy based on the themes of The Sound of Music in celebration of the musical’s 60th anniversary.
His 2021 album of Chopin’s piano concerti with the Chineke! Chamber Ensemble, was chosen as “Album of the Week” by Classic FM and The Times: “[The result] is entrancing, with piano and string quintet intimately interweaving…Despax’s opening statement arrives like a blast of dynamite.” His latest album release, ‘Après un rêve’, by Signum Records, has also gained recognition in The Times and Classic FM as “Album of the Week” and received a 5-star review in BBC Music Magazine: “Despax is a formidable pianist, thoughtful and imaginative. Like an expert painter at the canvas, he carefully layers and tones sound, expertly measuring touch and pedal. This is beautiful playing, on an elegant yet substantial album.”
Born in Paris and now based in London, Emmanuel Despax started playing the piano in Aix-en-Provence before joining the Yehudi Menuhin School, then the Royal College of Music in London, studying with Ruth Nye, one of Claudio Arrau’s star students. He won numerous awards during his studies (Chappell Medal, Tagore Gold Medal), and benefited from the advice of Nikolai Demidenko, Leon Fleisher, Yehudi Menuhin, Dominique Merlet, Mstislav Rostropovich, Murray Perahia and András Schiff.
For this upcoming season, Emmanuel looks forward to collaborating with the Piatti Quartet at Kings Place followed by multiple solo and chamber performances at London’s brand new Bechstein Hall. At the invitation of Bechstein Hall Artistic Director Terence Lewis, Emmanuel Despax has curated a trio of extraordinary soloists to form the inaugural Bechstein Trio. Despax will be joined by world-leading cellist Guy Johnston and acclaimed violinist Priya Mitchell in performances at Bechstein Hall throughout the 2024/2025 season.
Piatti Quartet
Resident Quartet at Kings Place, London, the distinguished Piatti Quartet are widely renowned for their ‘profound music making’ (The Strad) and their ‘lyrical warmth’ (BBC Music Magazine). Since their prizewinning performances at the 2015 Wigmore Hall International String Quartet Competition, the Piatti Quartet has seen international performances at Het Concertgebouw Amsterdam, Wigmore Hall, Flagey Radio Hall Brussels, and Aldeburgh Festival.
Since their inception they have always had projects in the recording studio with critically acclaimed releases on many record labels. Their wide-ranging discography and repertoire is thanks to their enthusiasm and curiosity in collaborating with a broad range of artists including some of the most recognisable names in classical music such as Nicky Spence, Julius Drake, Michael Collins, Barry Douglas, Janina Fialkowska, Melvyn Tan, Ian Bostridge, Katherine Broderick, Adam Walker, and the Belcea Quartet. Recent accolades include the Presto Music Award as one of the ‘Top 10 Recordings of the Year 2023’ and in 2022 they were nominated for ‘Recording of the Year’ with both Limelight and Gramophone for their collaborative disc on the Hyperion label.
Contemporary music has been ever present in their repertoire and leaving a legacy to the quartet genre through commissions and recordings of new music is one of the quartet’s central tenets. Major works and discs have stemmed from Mark-Anthony Turnage, Emily Howard, Charlotte Harding, Julian Anderson, and Joseph Phibbs whilst they have premiered a mesmerising number of new works over the years beginning with Anna Meredith back in 2009.
The quartet’s name is dedicated to Alfredo Piatti, a 19th Century virtuoso cellist who was a professor at the Royal Academy of Music (the alma mater of the founders of the quartet) and a major exponent of chamber music and contemporary music of his time.
Booklet für RESONANCE: Schumann, Farrenc, Durosoir