From 5 Continents: Choral Music & Songs Ex Cathedra, Carolyn Sampson, James Gilchrist, William Dazeley & Jaffrey Skidmore

• Penelope Thwaites (b. 1944):
• 1 Psalm 24 (The Earth Is the Lord's) [Version for Soprano, Mixed Choir & Organ] 03:41
• 2 Psalm 121 (I Will Lift-Up Mine Eyes) [Version for Mixed Choir & Organ] 02:14
• 3 Psalm 19 (The Heavens Tell-Out the Glory of God) [Arr. for Tenor, Violin & Piano] 03:57
• 4 Psalm 23 (The Lord Is My Shepherd) 03:50
• Missa Brevis:
• 5 Missa Brevis: I. Kyrie 02:39
• 6 Missa Brevis: II. Gloria 04:51
• 7 Missa Brevis: III. Sanctus 02:47
• 8 Missa Brevis: IV. Benedictus 01:59
• 9 Missa Brevis: V. Agnus Dei 03:28
• Penelope Thwaites:
• 10 Reverie 02:07
• 11 All the Days of Christmas 01:54
• 12 Forestry 01:34
• 5 Shakespeare Songs (Arr. for Voices, Choir, Piano & Percussion):
• 13 5 Shakespeare Songs (Arr. for Voices, Choir, Piano & Percussion): No. 1, Under the Greenwood Tree 03:25
• 14 5 Shakespeare Songs (Arr. for Voices, Choir, Piano & Percussion): No. 2, Fear No More the Heat o'the Sun 02:46
• 15 5 Shakespeare Songs (Arr. for Voices, Choir, Piano & Percussion): No. 3, When Icicles Hang by the Wall 03:04
• 16 5 Shakespeare Songs (Arr. for Voices, Choir, Piano & Percussion): No. 4, O Mistress Mine 02:09
• 17 5 Shakespeare Songs (Arr. for Voices, Choir, Piano & Percussion): No. 5, It Was a Lover and His Lass 02:22
• Penelope Thwaites:
• 18 Yaathum Oore Yaavarum Kelir 02:39
• 19 Walkabout (Arr. for Soprano, Mixed Choir, Guitar, String Bass & Piano) 02:54
• 20 Kano 04:38
• 21 Cold Winter's Night (Arr. for Mixed Choir, Guitar & Piano) 03:05
• 22 A Carol of Christmas Morning 03:29
• 23 Lead, Kindly Light (Version for Mixed Choir & Piano) 03:46
• 24 Saint Teresa's Bookmark 02:48
• Total Runtime 01:12:06

Info zu From 5 Continents: Choral Music & Songs

Featuring 19 premiere recordings, From Five Continents celebrates a lifetime of making music around the world to showcase Penelope Thwaites distinctive compositional signature. The discs centerpiece, a moving new Missa Brevis, is coupled with four Psalm settings, songs influenced by the sounds of Indian and African music, folk-styles from the Americas and an evocation of the vast Australian outback.

From Five Continents features three outstanding singers venturing into new musical territory. Making their debuts on SOMM are Carolyn Sampson whose brilliant soprano ranges from shimmering choral solos to guitar-accompanied folk song and baritone William Dazeley, who vividly conjures the inherent anger of the much-set Fear no more the heat othe sun, one of five Shakespeare settings. Enveloped by drums and saxophone, tenor James Gilchrist returns to SOMM for a stirring tribute to Nigerias second-largest city, Kano. The composer herself provides exceptional accompaniment on piano throughout the disc.

Also returning to the label is Ex Cathedra under their inspiring conductor Jeffrey Skidmore to demonstrate again a rare versatility and the most beautiful of choral sounds while revelling in the punchy, rhythmic vivacity and telling colours of Thwaites music.

Carolyn Sampson, soprano
James Gilchrist, tenor
William Dazely, baritone
Penelope Thwaites, piano
Ex Cathedra
Jeffrey Skidmore, conductor

Carolyn Sampson
Equally at home on the concert and opera stages, Carolyn Sampson has enjoyed notable successes in the UK as well as throughout Europe and the US.

On the opera stage her roles have included the title role in Semele and Pamina in The Magic Flute for English National Opera, various roles in Purcell’s The Fairy Queen for Glyndebourne Festival Opera (released on DVD) and Anne Truelove The Rake’s Progress and Mélisande Pelléas et Mélisande both Sir David McVicar productions for Scottish Opera. Internationally she has appeared at Opéra de Paris, Opéra de Lille, Opéra de Montpellier and Opéra National du Rhin. She also sang the title role in Lully’s Psyché for the Boston Early Music Festival, which was released on CD and was subsequently nominated for a Grammy in 2008.

Carolyn Sampson’s numerous concert engagements in the UK have included regular appearances at the BBC Proms and with orchestras including The Orchestra of the Age of Enlightenment, The English Concert, Britten Sinfonia, The Sixteen, the Hallé, Scottish Chamber Orchestra, Royal Liverpool Philharmonic and City of Birmingham Symphony Orchestras.

In Europe her many appearances have included concerts with Bergen Philharmonic, Royal Concertgebouw Orchestra, Freiburg Baroque Orchestra, Symphony Orchestra of the Bayerische Rundfunk, WDR Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gürzenich Orchestra, Rotterdam Philharmonic, Leipzig Gewandhaus Orchestra, Vienna Symphony Orchestra and the Salzburg Mozarteum Orchestra.

In the US Carolyn Sampson has featured as soloist with San Francisco, Boston, Detroit, Cincinnati Symphonies, the Philadelphia Orchestra and the St Paul Chamber Orchestra, and is a regular guest at the Mostly Mozart Festival. In October 2013 she made her Carnegie Hall recital debut to a sold-out audience in the Weill Recital Hall, and most recently gave recitals at the Lincoln Center, New York, and San Francisco Performances. She most recently performed and recorded Mahler Symphony No. 4 with Osmo Vänskä and the Minnesota Orchestra. Carolyn works with conductors such as Sir Mark Elder, Riccardo Chailly, Ivor Bolton, Markus Stenz, Philippe Herreweghe, Harry Bicket, Trevor Pinnock, Louis Langrée, Harry Christophers, Andris Nelsons, Yannick Nezet-Seguin and William Christie.

A consummate recitalist, Carolyn Sampson appears regularly at the Wigmore Hall where she was a “featured artist” in the 14/15 season. She has given recitals at the Oxford and Leeds Lieder, Saintes and Aldeburgh Festivals as well as The Concertgebouw, Oper Frankfurt, Vienna Konzerthaus, Barcelona, Freiburg and recently her debut recital tour of Japan.

Carolyn has developed a partnership with the pianist Joseph Middleton over recent years. Her debut song recital disc, ‘Fleurs’, with Joseph was released early in 2015 featuring songs by composers from Purcell to Britten, and was nominated in the solo vocal category of the Gramophone Awards. Since then they have gone on to release ‘A Verlaine Songbook’, exploring settings of the poetry of Paul Verlaine, ‘Lost is my Quiet’, a duet disc with the countertenor Iestyn Davies and most recently ‘A Soprano’s Schubertiade’ all for the BIS label.

Carolyn’s Harmonia Mundi recording of Poulenc’s Stabat Mater and Sept Répons de Ténèbres was awarded the Choc de l’Année Classica 2014. Other recordings include Mozart’s Requiem with Bach Collegium Japan and her recording of Purcell songs for BIS which was selected as Editor’s Choice in the December 2007 issue of Gramophone Magazine. Her many recordings for Hyperion with The King’s Consort include a highly acclaimed CD of Mozart sacred music ‘Exsultate Jubilate’ which was selected as BBC Music Magazine’s “Record of the Month” and was also the recipient of an ECHO Award. She recorded a highly-acclaimed CD of Stravinsky’s Les Noces and Mass for Harmonia Mundi and Bach’s Christmas Oratorio with the Leipzig Gewandhaus Orchestra and Riccardo Chailly for the Decca label.

Her recording with Ex Cathedra on the Hyperion label, ‘A French Baroque Diva’ – celebrating Marie Fel, a star soprano of Rameau’s time won the recital award in the 2015 Gramophone Awards. Carolyn was also nominated for Artist of the Year in the 2017 Gramophone Awards, and her recording of Mozart’s Mass in C minor and Exsultate Jubilate with Masaaki Suzuki and Bach Collegium Japan won the Choral Award. Her recent disc of Bach Cantatas for soprano with Freiburger Barockorchester with Petra Müllejans for Harmonia Mundi was awarded a Diapason D’or, and listed in the New York Times best classical music recordings of 2017.

Recent and future highlights include tours with Freiburger Barockorchester, Bach Collegium Japan and the Orchestra of the Eighteenth Century; concerts with Boston Symphony, Philadelphia Orchestra, Rotterdam Philharmonic, Symphonieorchester des Bayerischen Rundfunks, Danish National Radio Symphony, Göteborg Symfoniker, Tonkünstler-Orchester, as well as concerts in the UK with the Scottish Chamber Orchestra, Gabrieli Consort and Players, Academy of Ancient Music, and Ex Cathedra. Recital highlights include those at Wigmore Hall, Amsterdam Concertgebouw, Pierre Boulez Saal Berlin.

James Gilchrist
began his working life as a doctor, turning to a full-time career in music in 1996. His musical interest was fired at a young age, singing first as a chorister in the choir of New College, Oxford, and later as a choral scholar at King’s College, Cambridge.

James’ extensive concert repertoire has seen him perform in major concert halls throughout the world with conductors including Sir John Eliot Gardiner, Sir Roger Norrington, Bernard Labadie, Harry Christophers, Harry Bicket and the late Richard Hickox. Recent highlights have included Britten’s Church Parables with performances in St Petersburg, London and at the Aldeburgh Festival, Handel’s L’Allegro il Penseroso ed il Moderato with the Mark Morris Dance Group at the Teatro Real, Madrid, Solomon with Les Violons du Roy, Schumann’s Das Paradies und die Peri and Die Schöpfung at the Leipzig Gewandhaus, Britten’s Nocturne with the NHK Symphony Orchestra in Tokyo and War Requiem with the San Francisco Symphony Orchestra. In J.S. Bach’s great Passions of St John and St Matthew, James works consistently at the highest level and is recognised as the finest Evangelist of his generation; as one recent BBC Proms reviewer noted, ‘he hasn’t become a one-man Evangelist industry by chance’.

A prolific and versatile recitalist, James enjoys imaginative and varied programming in collaborations with pianists Anna Tilbrook and Julius Drake, and harpist Alison Nicholls. Recent appearances include a Schubertiade weekend at St John Smith Square and Schwanengesang coupled with Beethoven An die Ferne Geliebte at the Wigmore Hall. James recently returned to the Wigmore Hall to begin his project with Anna Tilbrook, Schumann and the English Romantics, pairing Schumann song cycles with new commissions from leading composers, Sally Beamish, Julian Philips and Jonathan Dove, setting English poetry of the Romantic period.

James’ impressive discography includes the title role in Albert Herring and Vaughan Williams’ A Poisoned Kiss for Chandos, St John Passion with the Academy of Ancient Music, the Finzi song cycle Oh Fair To See, Elizabethan Lute Songs When Laura Smiles with Matthew Wadsworth, Leighton Earth Sweet Earth, Vaughan Williams On Wenlock Edge, Finzi songs and Britten’s Winter Words for Linn Records and the critically-acclaimed recordings of Schubert’s song cycles for Orchid Classics. James and Anna Tilbrook have recently released a new disc of Schumann song cycles for Linn Records.

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