Couperi & Le Roux: Keyboard Works Duo: Podeur & Bass

• François Couperin (1668 - 1733): Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]:
• 1 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: Ia. Gravement et rondement - Vivement 03:06
• 2 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: Ib. Gravement 01:36
• 3 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: Ic. Vivement, et marqué 01:25
• 4 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: Id. Airs I & II 03:33
• 5 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: Ie. Gravement et marqué 01:55
• 6 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: II. Allemande 03:27
• Gaspard Le Roux (1660 - 1707):
• 7 Pièces de clavessin, Suite No. 7 in G Minor (Version for 2 Harpsichords) [Excerpts]: III. Courante 02:07
• 8 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: IV. Sarabande 03:16
• 9 Pièces de clavessin, Suite No. 7 in G Minor (Version for 2 Harpsichords) [Excerpts]: IX. Gigue 01:59
• François Couperin:
• 10 Concerts royaux, Suite No. 1 (Version for 2 Harpsichords): VI. Minuet - Trio 01:20
• 11 Les nations, 4th Order "La Piémontoise" (Transcr. for 2 Harpsichords) [Excerpts]: VI. Rondeau 03:13
• Gaspard Le Roux:
• 12 Pièces de clavessin, Suite No. 3 in A Minor (Version for 2 Harpsichords) [Excerpts]: I. Prelude 00:57
• François Couperin:
• 13 Second livre de pièces de clavecin, 9th Order (Transcr. for 2 Harpsichord): I. Allemande à deux clavecins 04:17
• 14 Concerts royaux, Suite No. 3 (Version for 2 Harpsichords) [Excerpts]: III. Courante 03:03
• 15 Concerts royaux, Suite No. 3 (Version for 2 Harpsichords) [Excerpts]: IV. Sarabande 03:50
• Gaspard Le Roux:
• 16 Pièces de clavessin, Suite No. 3 in A Minor (Version for 2 Harpsichords) [Excerpts]: VII. Minuet 02:45
• 17 Pièces de clavessin, Suite No. 3 in A Minor (Version for 2 Harpsichords) [Excerpts]: VI. Gavotte 01:28
• François Couperin:
• 18 Concerts royaux, Suite No. 3 (Version for 2 Harpsichords) [Excerpts]: VIa. Muzette 02:57
• Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]:
• 19 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: Ia. Gravement 02:27
• 20 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: Ib. Vivement 01:45
• 21 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: Ic. Gravement et marqué 01:35
• 22 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: Id. Rondeau légèrement 03:51
• 23 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: Ie. Vivement 02:50
• Gaspard Le Roux:
• 24 Pièces de clavessin, Suite No. 1 in D Minor (Version for 2 Harpsichords): II. Allemande la Vauvert 02:39
• François Couperin: Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]:
• 25 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: III. Courante 02:40
• 26 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: VII. Gigue 01:21
• 27 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: VIII. Rondeau 02:27
• 28 Les nations, 3rd Order "L’impériale" (Transcr. for 2 Harpsichords) [Excerpts]: IX. Chaconne 05:53
• Total Runtime 01:13:42

Info zu Couperi & Le Roux: Keyboard Works

François Couperin, in the opinion of his preface to" the Apotheosis of Lully published in 1725, confirms the possible use of two harpsichords to perform all of his pieces in trio ...

Once again, the Podeur-Bass Duo takes us into their spells where "we are confronted with a world known and never heard, unprecedented and of a vigorous beauty." (Javier Mitchell)

Duo Podeur & Bass, harpsichord

Mireille Podeur
studied the harpsichord, music theory and chamber music at the Paris Conservatory and then under Kenneth Gilbert at Maintenon Château and the Salzburg Mozarteum University. She also has a postgraduate degree in musicology from the University of Paris-Sorbonne. A Ministry of Culture grant enabled her to spend a year in the USA and Canada where she made a series of programmes for Radio Canada on keyboard repertoire. Returning to teach at Rouen University, she founded Arts Baroques, an ensemble which performed in numerous festivals (e.g. Sablé, Ambronnay, Dieppe, Nantes Printemps des Arts, La Chabotterie). Together with Rouen Opera Company she directed her ensemble in an award-winning recording of the opera Euridice by Jacopo Peri (Maguelone records) and was commissioned to work for three years at Rouen’s Théâtre des Arts on masterclasses in 17th century Italian opera with Howard Crook and Isabelle Poulenard. An invitation to work with Jean-Luc Impe’s Les Menus Plaisirs du Roy baroque opera company led to productions at Ambronnay, Sablé, Brussels, Paris, la Chabotterie, Versailles Orangerie and making recordings for Arte television’s Musica series.

After teaching at Rouen University she became head of the Early Music departments at Nice Conservatory and then at Limoges Conservatory where she has developed a number of baroque operas for the students including for example Orfeo by Luigi Rossi in collaboration with choreographer Gilles Poirier, linguistic specialist Paolo Zedda and Thomas Leconte from Versailles Centre for Baroque Music.

The double harpsichord duo Podeur & Bass was formed in 2013 with Orlando Bass and so far has released a succession of baroque and contemporary works recorded on Maguelone label. These include transcriptions for two harpsichords of J. Ph. Rameau’s Pièces de clavecin en Concerts (2013), the Concerti Grossi opus 6 by Handel (2015), Four Seasons by Piazzolla and Estancia by Ginastera (2017) plus François Couperin and Gaspard Leroux (2018/19).

Orlando Bass
is a Franco-British pianist, harpsichord player, composer and accompanist. He has studied arrangement and composition (Fabien Waksman, Jean-Baptiste Courtois, Thierry Escaich, Alain Mabit), accompaniment (JeanFrédéric Neuburger, Erika Guiomar), improvisation (Jean- François Zygel) and is completing a degree in piano under Roger Muraro at the CNSMD Paris Conservatory. Currently writing a thesis on composer, painter and engraver Michel Ciry, Orlando has been championing the composer by performing his works in recitals and preparing a series of recordings. Recent awards obtained in international competitions include first prize at the Paris Festival-Competition (2016) in modern piano repertoire, first prize at Les Virtuoses du Cœur (2016) and first prize at the Paola Bernardi Harpsichord Competition in Bologna, Italy (2015).

In adition to the harpsichord duo with Mireille Podeur, transcribing and recording works for the Maguelone label, Orlando Bass has also recorded a programme of modern and contemporary Preludes & Fugues for the piano on the Indésens label.

A growing body of personal compositions and commissions so far includes mostly music for piano, chamber ensembles and solo instruments. He is also a regular improviser for projections of silent films and a much solicited player for the first performances of contemporary solo or chamber works.

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