Compositrices : À l'aube du XXe siècle Juliette Hurel & Hélène Couvert

• Mel Bonis (1858 - 1937): Sonate Op. 64:
• 1 Sonate Op. 64: I. Andantino con moto 05:05
• 2 Sonate Op. 64: II. Scherzo (Vivace) 01:54
• 3 Sonate Op. 64: III. Adagio 05:10
• 4 Sonate Op. 64: IV. Finale (Moderato) 03:43
• Lili Boulanger (1893 - 1918):
• 5 Nocturne 03:00
• 6 D'un matin de printemps 04:34
• Clémence de Grandval (1828 - 1907): Suite pour flûte et piano:
• 7 Suite pour flûte et piano: I. Prélude 01:56
• 8 Suite pour flûte et piano: II. Scherzo 04:53
• 9 Suite pour flûte et piano: III. Menuet 04:15
• 10 Suite pour flûte et piano: IV. Romance 04:29
• 11 Suite pour flûte et piano: V. Final 04:42
• Mel Bonis:
• 12 Pièce, Op. 189 04:18
• 13 Scherzo, Op. Posthume 187 (Finale) 04:34
• Cécile Chaminade (1857 - 1944):
• 14 Sérénade aux étoiles, Op. 142 05:03
• Augusta Holmès (1847 - 1903): Trois petites pièces:
• 15 Trois petites pièces: Chanson 01:54
• 16 Trois petites pièces: Clair de Lune 03:32
• 17 Trois petites pièces: Gigue 01:23
• Total Runtime 01:04:25

Info zu Compositrices : À l'aube du XXe siècle

Juliette Hurel and Hélène Couvert, who have long enjoyed a close rapport on the concert platform and on disc, here celebrate five French women composers at the turn of the twentieth century. Countess Clémence de Grandval was the composer of some sixty songs, of which Saint-Saëns said: ‘They would certainly be famous if their composer did not have what many people regard as the irremediable defect of being a woman.’

Augusta Holmès earned the admiration of Liszt, Wagner and Saint-Saëns. To mark the Universal Exhibition of 1889, she composed a monumental work for more than a thousand musicians. During her studies at the Conservatoire, Mélanie Bonis fell madly in love with a singer, but had to marry a rich industrialist. She later returned to composition and used the pseudonym Mel Bonis, leaving her gender in doubt. Cécile Chaminade displayed extraordinary gifts at a very early age. Bizet called her ‘My little Mozart’. Lili Boulanger received her first music lessons from her sister, the famous teacher Nadia. In 1913, at the age of nineteen, she became the first woman to receive the Prix de Rome. The word ‘compositrice’ was born!

Juliette Hurel, flute
Helene Couvert, piano

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Booklet für Compositrices : À l'aube du XXe siècle