The Allman Brothers Band (Deluxe Edition Remastered) The Allman Brothers Band

• 1Don't Want You No More02:25
• 2It's Not My Cross To Bear04:55
• 3Black Hearted Woman05:16
• 4Trouble No More03:47
• 5Every Hungry Woman04:15
• 6Dreams07:16
• 7Whipping Post05:16
• 8Don't Want You No More (1973 Beginnings Mix)02:25
• 9It's Not My Cross To Bear (1973 Beginnings Mix)04:55
• 10Black Hearted Woman (1973 Beginnings Mix)05:16
• 11Trouble No More (1973 Beginnings Mix)03:47
• 12Every Hungry Woman (1973 Beginnings Mix)04:15
• 13Dreams (1973 Beginnings Mix)07:16
• 14Whipping Post (1973 Beginnings Mix)05:16
• Total Runtime01:06:20

Info zu The Allman Brothers Band (Deluxe Edition Remastered)

The Allman Brothers Band is the debut studio album by American rock band the Allman Brothers Band. It was released in the United States by Atco Records and Capricorn Records on November 4, 1969, and produced by Adrian Barber. Formed in 1969, the Allman Brothers Band came together following various musical pursuits by each individual member. Following session work, Duane Allman moved to Jacksonville, Florida where he led large jam sessions with his new band, one he had envisioned as having two guitarists and two drummers. After rounding out the lineup with the addition of his brother, Gregg Allman, the band moved to Macon, Georgia, where they were to be one of the premiere acts on Capricorn.

The album was recorded and mixed in two weeks at Atlantic Studios in New York City. Much of its material was premiered live over the preceding months and combines blues, jazz and country music to varying degrees. It includes re-workings of "Trouble No More" and "Don't Want You No More," as well as notable originals such as "Dreams", which highlighted the band's jazz influence, and "Whipping Post", which became a crowd favorite. Although the group was arranged to work with producer Tom Dowd (whose credits included Cream and John Coltrane), he was unavailable, and they instead recorded with house engineer Adrian Barber. The album's artwork was photographed in Macon and surrounding areas.

From 1965 through 1969, brothers Duane Allman and Gregg Allman went through a number of band lineups—both separate and together. It took four years for the siblings to travel the world and get back to the basics in the South, putting together a major jam session that featured all of the band’s initial players: Berry Oakley, Jaimoe, Butch Trucks, and Dickey Betts. This would be the lineup for several years until Duane’s untimely death.

In August 1969, the band was just cutting their teeth in the South when record executives enticed them to make the album. Between a few blues numbers and some originals penned by Gregg Allman, the band made their way from Macon, GA to New York for a recording session. The Allman Brothers Band was recorded in just two weeks and quickly turned around for a release a few months later.

The album initially flopped on a national level, as the band’s Southern-influenced rock sound failed to take hold, but it had turned Macon from a sleepy town into a vibrant musical community. That’s when the band knew they were onto something. “They wanted us to act ‘like a rock band’ and we just told them to f*ck themselves,” remembered Trucks.

Now, we can look back at this album to see a wildly talented band in its earliest days. The Allman Brothers Band may have had a lot of drama over the years, but at the heart of it all is its undeniable thirst for authentic Southern rock and roll. That’s what you hear on The Allman Brothers Band, musicians who take their craft seriously but also know how to let loose and rock out. It’s a great record.

The Allman Brothers Band:
Gregg Allman, organ, lead vocals
Duane Allman, slide and lead guitars
Dickey Betts, lead guitar
Berry Oakley, bass, backing vocals
Jai Johanny Johanson, drums, congas
Butch Trucks, drums, percussion

Recorded August 3–12, 1969 at Atlantic, New York City
Produced by Adrian Barber

Digitally remastered

Allman Brothers Band They formed in 1969, but the road veterans continue to tour like they have something to prove. And they're already legends, with a secure place in history and a plaque at the Rock & Roll Hall of Fame. But THE ALLMAN BROTHERS BAND is also a vital contemporary phenomenon, as much a part of the present and future of music as any band can be.

In early 2003, the group released the critically lauded Hittin' The Note, their first new studio project in nine years (and 24th overall). Released March 18, 2003 on their own Peach label (via a new deal with Sanctuary), these 11 tracks prove the band's ability to adapt its classic sound to the energy and aesthetics of modern rock. The ALLMAN BROTHERS BAND underlined the success of Hittin’ The Note (including two Grammy nominations for the track “Instrumental Illness”) with a live DVD and CD recorded in New York during the group’s annual marathon of shows at the Beacon Theatre (which they have packed over 140 times, including 14 sell-outs in 2006). The group also continues to release music from their personal archives, which they’ve guarded closely over the years.

The Allman Brothers Band at the Beacon Theatre…just hearing the phrase conjures up images and sounds of well executed and passionately played live rock and roll. To capture the event for fans who might not necessarily have been lucky enough to get into the 2894-seat venue, the group recorded the shows, and released the Live At The2 Beacon Theatre DVD in late ’03, and it was quickly certified gold. One Way Out, a live album from the same Beacon stand, came out in March 2004.

2003 also brought further accolades for the ALLMANS. The band was recognized by Rolling Stone for featuring four of the top 100 guitarists of all time: the late Duane Allman was cited as #2, while current guitarists Warren Haynes and Derek Trucks came in at #23 and #81, respectively. Known as one of rock’s best live acts, the ALLMAN BROTHERS BAND were one of only two artists whose live albums ranked in the top 50 of Rolling Stone’s list of the “500 Greatest Albums of All Time.” The ALLMAN BROTHERS BAND was honored for At Fillmore East (while James Brown was saluted for Live At The Apollo). An expanded version of At Fillmore East and the previously unavailable Atlanta International Pop Festival (the July 1970 concert that they both opened and closed) were released to critical and fan acclaim. The group was selected as the first artist to introduce the “Instant Live” program, whereby fans were able to purchase CD copies of the ALLMAN BROTHERS BAND concert they just saw, immediately after the show.

Not many groups have been around as long as The Allman Brothers Band. Of those that have, most have either lapsed into a nostalgia-act coma or withered on a weary vine. If you're talking about a band that has both legs and heart, whose experience feeds an intensity that's rare even among the greenest music newbies, that narrows the field pretty much down to these psychedelic sons of the South. But passion doesn't come easily, which helps explain why it's taken them so long to record once again. In April 1997, frustrated by tensions within the group that were threatening to slow its creative momentum, Warren Haynes and bassist Allen Woody left to pursue Gov’t Mule (with whom he still tours and releases new music), and the focus of the group shifted exclusively to live performance. Though they still delivered killer shows, something was missing, and eventually it became clear that the only way to get it back was to make a change in the personnel. Visit: www.allmanbrothersband.com

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