Arcano Franco Vassallo & Giulio Zappa

• Francesco Paolo Tosti (1846 - 1916), Giovanni Alfredo Cesareo (1860 - 1937):
• 1 La Serenata 03:05
• Francesco Paolo Tosti, Carmelo Errico (1848 - 1892):
• 2 Ideale 04:05
• Francesco Paolo Tosti, Rocco Emanuele Pagliara (1856 - 1914):
• 3 Malia 02:49
• Francesco Paolo Tosti, Francesco Cimmino (1862 - 1939):
• 4 L'ultima Canzone 04:14
• Francesco Paolo Tosti, Rocco Emanuele Pagliara:
• 5 Rosa 04:23
• Francesco Paolo Tosti, Anonymous:
• 6 Addio Fanciulla... 02:07
• Francesco Paolo Tosti, Olindo Guerrini (1845 - 1916):
• 7 Sogno 03:07
• Francesco Paolo Tosti, Gabriele D'Annunzio (1863 - 1938):
• 8 Buon Capodanno 03:45
• Francesco Paolo Tosti, Rocco Emanuele Pagliara:
• 9 Aprile 03:42
• Francesco Paolo Tosti, Gabriele D'Annunzio:
• 10 Arcano 04:29
• Francesco Paolo Tosti, Ferdinando Fontana (1850 - 1919):
• 11 È Morto Pulcinella! 05:06
• Francesco Paolo Tosti, Gabriele D'Annunzio:
• 12 A Vucchella 02:26
• 13 Due Piccoli Notturni: I. Van Li Effluvî De Le Rose Da I Verzieri 02:32
• 14 Due Piccoli Notturni: II. O Falce Di Luna Calante 02:15
• 15 Notte Bianca 05:00
• 16 Ninna Nanna 03:24
• Francesco Paolo Tosti, Riccardo Mazzola (1892 - 1922):
• 17 Luna D'Estate! 02:04
• 18 Tristezza 03:55
• 19 Il Pescatore Canta! 05:03
• Francesco Paolo Tosti, George John Whyte-Melville (1821 - 1878):
• 20 Good-bye! 04:19
• Francesco Paolo Tosti, Enrico Panzacchi (1840 - 1904):
• 21 Mattinata 02:53
• Francesco Paolo Tosti, Gabriele D'Annunzio:
• 22 Vuol Note O Banconote? 00:40
• Total Runtime 01:15:23

Info zu Arcano

Auf seinem Album mit Liedern von Tosti entführt uns die majestätische Baritonstimme von Franco Vassallo zusammen mit dem vollendeten Klavierspiel von Giulio Zappa in eine magische Zeit, in der Poesie, Schönheit und Vergnügen ein fester Bestandteil der künstlerischen Erfahrung waren.

Der Bariton Franco Vassallo stammt aus Mailand, wo er schon in jungen Jahren seine große Begeisterung für die Oper und die klassische Musik entdeckte. Vassallos Gesangskarriere nahm 1994 Fahrt auf, als er den internationalen Gesangswettbewerb AsLiCo in Mailand gewann. Im Jahr 1997 gewann er den Wettbewerb, um den Ford in Verdis Falstaff in der Arena di Verona zu singen. Diese Auftritte führten schnell zu einem herausragenden Erfolg in der Titelrolle in Rossinis Il barbiere di Siviglia. Für eine Reihe von Jahren war Vassallo fast überall die erste Wahl in dieser Rolle.

Franco Vassallo, Bariton
Giulio Zappa, Klavier

Franco Vassallo
is a native of Milan where at a very early age he discovered his great enthusiasm for Opera and Classical music.

His unusual singing talent was spotted by a teacher at school who heard him singing in the corridors. The teacher was able to introduce him to his father, the baritone Carlo Meliciani , who had studied singing with the great Carlo Tagliabue and who then became Vassallo’s teacher. Meliciani encouraged him to attend the Civic School of Music in Milan (which is nowadays dedicated to the memory of Claudio Abbado).

Vassallo understood that a developed artist must have broad interests, so later he devoted himself to the study of Literature and Philosophy at the State University of Milan. He was also aware of how very important is the dramatic structure of Opera and how much acting skills can contribute to the intensity of the art form. Accordingly he devoted much time to the study of Stanislavski’s Method.

His singing career really took off in 1994 when he won the international singing competition ‘As. Li. Co’ in Milan.

In 1997 he won the competition for the Verona Arena to sing Ford alongside Renato Bruson in Verdi’s Falstaff.

These performances quickly led on to an outstanding success in the title role in Rossini’s Barber of Seville. For a number of years Vassallo was the performer of choice in that role almost everywhere.

In the following years he specialised in the bel canto roles of Donizetti and Bellini that took him to la Scala Milan, the Staatsoper Vienna, and the Metropolitan Opera New York. He performed under the baton of such maestri as Riccardo Chailly, Daniele Gatti, Valery Gergiev, Daniel Harding, James Levine, Nello Santi, Jeffrey Tate, James Conlon, Fabio Luisi, Daniel Oren, Anton Guadagno, Marco Armiliato, Marcello Viotti, Michele Mariotti, and Gianandrea Noseda.

He worked as well with great directors as Robert Carsen, David McVicar, Hugo De Ana, Gianfranco De Bosio, Giancarlo Del Monaco, Claus Guth, Denis Krief, Christof Loy, Ermanno Olmi, Pierluigi Pizzi, Toni Servillo, Bartlett Sher, Ferruccio Soleri, Graham Vick, and Franco Zeffirelli.

In his more mature years Vassallo has stayed true to his belcanto roots while developing his career as an interpreter of the great Verdi baritone roles which include Simon Boccanegra, Attila, Un Ballo in Maschera, Don Carlo, Rigoletto, Macbeth, Nabucco, Otello, Il Trovatore and La Forza del Destino, with performances in all the great Opera Houses of the world.

The last two seasons have been characterized by important debuts: Verdi's Luisa Miller and Le Trouvére at the Teatro Regio in Parma, Donizetti's Requiem and Bellini's Pirata.

Vassallo has also approached for the first time the pre-verist and verist repertoire by successfully tackling Puccini‘s leading roles of Scarpiain in Hamburg Staatsoper‘s Tosca and Michele in the Maggio Musicale Fiorentino‘s Tabarro as well as at Barnaba in Ponchielli‘s La Gioconda at La Monnaie in Brussels.

Franco Vassallo happens to be the last descendant of the Marquis of Brignano in Tortona and as such he was recently invested as Knight of Justice in the Spanish noblemen’s association “Capitulo Noble de Fernando VI“, and as Royal Guard of His Royal Highness the Duke of Braganza, the Pretender to the throne of Portugal.

Upcoming engagements include the debut at the Salzburg Easter Festival as Rodrigo, Marquis of Posa in Verdi's Don Carlo, in a production that will be resumed on may in Dresden, always directed by Christian Thielemann. Besides, Vassallo will debut at the Teatro Comunale in Bologna with Luisa Miller and Otello. There are also important recordings scheduled, including Bellini's Pirate in Dortmund.

Dieses Album enthält kein Booklet