26east, Vol. 2 Dennis DeYoung

• 1 Hello Goodbye 04:26
• 2 Land of the Living 03:44
• 3 The Last Guitar Hero 04:46
• 4 Your Saving Grace 03:36
• 5 Proof of Heaven 05:27
• 6 Made for Each Other 04:03
• 7 There's No Turning Back Time 04:47
• 8 St. Quarantine 05:00
• 9 Little Did We Know 04:17
• 10 Always Time 04:06
• 11 The Isle of Misanthrope 06:07
• 12 Grand Finale 01:58
• Total Runtime 52:17

Info zu 26east, Vol. 2

Dennis DeYoung hat schon bei Erscheinen von »26 East« erklärt, dass es sein Rücktritt von der Welt der aufgenommenen Musik markieren würde. Dank des CEO von Frontiers, Serafino Perugino, stimmte Dennis angesichts der Fülle an Material zu, das Album in zwei Teile zu teilen. Diese zweite Hälfte Beginnt dort, wo der vorherige aufgehört hat und zeigt DeYoung erneut mit dem großartigen Jim Peterik (Survivor) seinem Nachbarn vereint, um Songs auf ausgewählten Tracks zu schreiben.

»26 East« war die Adresse, an der DeYoung in Roseland, IL, im äußersten Süden von Chicago aufgewachsen ist. Hier wurden STYX 1962 in seinem Keller gegründet. Auf der anderen Straßenseite lebten die Panozzo-Zwillinge John und Chuck, die zusammen mit DeYoung den Kern von Styx bildeten. Wie der Vorgänger Vol.1 deutet auch »26 East, Vol. 2 « stark auf DeYoung's Rockwurzeln mit Styx hin.

Die Produktion und Musikalität sind EPISCH, und diese zeitlosen Vokalarrangements werden in Reinform geliefert. Ein passender Abschied und eine endgültige Unterschrift für ein herausragendes Werk, das den Test der Zeit bestehen wird!

Dennis DeYoung, vocals
Mike Morales, drums
Ed Breckenfeld, drums
Matthew DeYoung, drums
Khari Parker, drums
Jim Peterik, guitar
Mike Aquino, guitar
August Zadra, guitar
Jim Leahey, guitar solo on “Last Guitar Hero”
Tom Morello, guitar solo on “The Great Houdini”
Jim Peterik, bass
Jim Majors, bass
Dennis DeYoung, synthesizer bass, keyboards, background vocals
Tim Bales, horns on "Hello Goodbye", "The Ides Of March"
Steve Eisen, horns on "Hello Goodbye", "The Ides Of March"
Henry Delgado, horns on "Hello Goodbye", "The Ides Of March"
Mr.Tacit, accordion
Jim Peterik, background vocals
August Zadra, background vocals
Kevin Chalfant, background vocals
Suzanne Deyoung, background vocals
Tito Gobi, background vocals
Craig Carter, background vocals
Mike Morales, background vocals

Dennis DeYoung
is a founding member of Styx, one of the most popular rock bands of the past 20 years. The combined worldwide sales of Dennis's eleven albums with Styx and his three previous solo albums - "Desert Moon," "Back to the World" and "Boomchild" - total more than 23 million units.

Dennis DeYoung - booking information Dennis DeYoung is responsible for such Styx staples as 'Babe,' 'Lady,' 'Lorelei,' 'The Grand Illusion,' 'Mr. Roboto,' 'The Best Of Times,' 'Come Sail Away' and 'Show Me the Way,' and has also penned a couple of theatrical rock dramas for the group. One of the latter, 1983's censorship-oriented "Kilroy Was Here" album, became the basis for the group's elaborate stage presentation of the same name.

Dennis DeYoung - booking information DeYoung was born in Chicago in 1947. He discovered the keyboards around age 16. Armed with an accordion, Dennis joined the Panozzo twins - Chuck on bass guitar, and John on drums - to form the nucleus of what would become Styx. Over the next three decades, they would sell more than 30 million albums.

When Tommy Shaw left the band in 1983 to pursue a solo venture, Dennis DeYoung decided to do the same. He released "Desert Moon" (A&M 1984), and scored a Top 10 Hit with the title song. Also, "Call Me," from "Back to the World" (A&M 1986), was a hit. The videos for these tracks, along with "Don't Wait for Heroes," were released for sale on a laser-disc entitled "Three Piece Suite."

Dennis DeYoung - booking information In 1988, the first attempt to reunite Styx was unsuccessful. Dennis DeYoung was in the studio for his third solo album, "Boomchild," (MCA 1988) when Tommy Shaw was available, and by the time it was finished, Shaw had joined Damn Yankees.

With Tommy's blessing, Dennis DeYoung went ahead with the reunion in 1990 with "Edge of the Century" (A&M 1990). Glen Burtnik stood in for Shaw. While fan support wasn't as heavy without the dynamic contrast of DeYoung and Shaw, the album went Gold in the U.S., and spawned the Top 3 Hit, "Show Me the Way." While "Edge of the Century" was a Styx album, many fans consider it to be Dennis DeYoung's fourth solo effort, as his powerful creative force took control of the record.

Within a year, however, Styx had no record label. Changing times and tastes lead A&M to more alternative pastures, and Dennis DeYoung, et al, found themselves homeless.

In 1993, DeYoung was invited by Forbes Candlish to join the national touring revival of "Jesus Christ Superstar." He appeared in about 200 performances across North America, wowing audiences and critics alike as Pontius Pilate. "Jesus Christ Superstar" became the seventh largest grossing summer concert attraction of 1993, and DeYoung reprised his role for a short time on Broadway in 1994.

This stage exposure prompted Dennis DeYoung to record "10 on Broadway" (Atlantic 1994). In addition to the JCS number "Pilate's Dream," the CD contains Broadway favorites like Gershwin's "Someone to Watch Over Me," Lerner & Loewe's "On the Street Where You Live," and "Someone Else's Story" from "Chess."

In 1995, A&M was preparing the "Styx Greatest Hits" CD for release. Tommy Shaw was invited to join the band to record a new version of Styx's first big hit, "Lady." The recording session was so positive, that it spawned two new songs for the "Greatest Hits, Part II" CD and eventually a new tour in 1996.

With Shaw back, and Todd Sucherman in the place of John Panozzo (who passed away in 1996), Dennis DeYoung took Styx on the road once again. The Return to Paradise Tour and the Grand Illusion Anniversary Tour in 1997 proved to the world that Styx was serious about renewing their presence.

Styx signed with CMC Records, who promised to give the support that a band of their caliber deserves. "Return To Paradise" was released as a double-live CD, and it gave CMC their first-ever Gold Album in January of 1998.

Dieses Album enthält kein Booklet