Souvenirs (50th Anniversary Edition Remastered) Dan Fogelberg

• 1 Part of the Plan (2025 Remaster) 03:18
• 2 Illinois (2025 Remaster) 04:13
• 3 Changing Horses (2025 Remaster) 02:34
• 4 Better Change (2025 Remaster) 03:04
• 5 Souvenirs (2025 Remaster) 04:33
• 6 The Long Way (2025 Remaster) 03:55
• 7 As the Raven Flies (2025 Remaster) 04:31
• 8 Song from Half Mountain (2025 Remaster) 02:51
• 9 Morning Sky (2025 Remaster) 02:48
• 10 Someone's Been Telling You Stories (2025 Remaster) 05:32
• 11 There's a Place in the World for a Gambler (2025 Remaster) 05:41
• 12 I Know A Thief (2025 Remaster) 04:21
• 13 As the Raven Flies (Alternate Take) (2025 Remaster) 05:12
• 14 Illinois (Alternate Take) (2025 Remaster) 04:50
• 15 There's a Place in the World for a Gambler (Alternate Take) (2025 Remaster) 06:05
• Total Runtime 01:03:28

Info zu Souvenirs (50th Anniversary Edition Remastered)

Dan Fogelbergs "Souvenirs" ist ein Meilenstein der 70er-Jahre-Folk-Rock-Szene und feiert 2024 sein 50-jähriges Jubiläum mit einer speziellen Anniversary-Edition. Das Album, ursprünglich 1974 veröffentlicht, war Fogelbergs zweites Studioalbum und markierte seinen Durchbruch als Songwriter und Musiker. Produziert von Joe Walsh (Eagles, James Gang), vereint das Werk sanfte Akustik-Balladen mit kraftvollen Rock-Elementen und tiefgründigen Texten.

Die Neuauflage würdigt Fogelbergs musikalisches Erbe und bietet Fans sowohl einen nostalgischen Rückblick als auch eine frische Perspektive auf eines der einflussreichsten Alben seiner Karriere.

„Souvenirs“ markierte einen entscheidenden Moment in Fogelbergs Karriere und festigte seinen Platz als führende Stimme der Singer-Songwriter-Bewegung. Das von Joe Walsh produzierte Album demonstrierte Fogelbergs vielfältige musikalische Talente und seine Fähigkeit, eine tiefgründige Verbindung zum Publikum aufzubauen.

Die 50-Jahre-Jubiläums-Edition wurde von Chris Bellman bei Bernie Grundman Mastering sorgfältig remastert, basierend auf einer 1:1-Übertragung der analogen Originalbänder, um höchste Klangqualität zu gewährleisten.

„„Souvenirs“ war ein so wichtiges Album für Dan und hat einen besonderen Platz in den Herzen seiner Fans“, sagte Azoff. „Wir wollten eine 50-Jahre-Jubiläums-Edition schaffen, die das Erbe des Albums wahrhaftig würdigt und den Fans ein einzigartiges und zugleich sammelwürdiges Erlebnis bietet.“

Souvenirs, produziert von Eagles-Gitarrist Joe Walsh, enthielt Fogelbergs Durchbruchssong „Part of the Plan“, der ein Top-40-Hit wurde. Das Album erreichte Platz 17 der Billboard-Charts und wurde mit Doppelplatin ausgezeichnet.

Die Souvenirs 50th Anniversary Edition ist ein Zeugnis von Dan Fogelbergs beständigem musikalischen Erbe und ein Must-have für Sammler und Fans gleichermaßen.

Dan Fogelberg, Leadgesang, Akustikgitarre, Orgel, Akustikklavier (außer 9 und 10), E-Gitarre (1, 2, 7), Vibraphon (2), Schlagzeug (8, 11), Moog-Synthesizer (8, 11), Zither (11)
Joe Walsh, E-12-Saiter-Gitarre (1), Akustik-12-Saiter-Gitarre (1–4), E-6-Saiter-Gitarre (2–11), ARP-Bass (5), Hintergrundgesang (6, 10)
Gerry Beckley, Akustikgitarre (11)
Al Perkins, Pedal-Steel-Gitarre (2, 4), Banjo (9)
Russ Kunkel, Schlagzeug (außer 4), Congas (3), Schlagzeug (3)
Don Henley, Schlagzeug (4), Hintergrundgesang (4, 10)
Joe Lala, Congas (1), Timbales (1), Tamburin (4)
Kenny Passarelli, Bass, Banjo (1–4, 7, 11), Sousaphon (11)
Bryan Garofalo, Bass (6, 9, 10)
Paul Harris, Streicherarrangements (6), akustisches Klavier (9, 10)
Jimmie Haskell, Akkordeon (5), Streichquartett-Arrangement (5)
Graham Nash, Harmoniegesang (1, 6)
Glenn Frey, Hintergrundgesang (10)
The Front Line Gardenia Choir (Don Henley, Randy Meisner, Jody Boyer und Marie Ouhrabka) (11)

Aufgenommen bei Record Plant und Elektra Sound Recorders (Los Angeles, Kalifornien)
Tontechnik: Allan Blazek, Fritz Richmond, John Stranoch und Bill Szymczyk
Mix: John Stranoch
Mastering: Rick Collins bei Kendun Recorders (Burbank, Kalifornien)

Neu gemastert von Chris Bellman bei Bernie Grundman Mastering

Dan Fogelberg
was the youngest of three sons born to Lawrence and Margaret Fogelberg in Peoria, Illinois. Dan’s mother was a Scottish immigrant and a music educator, and his father was a band instructor with family roots in Sweden. His father’s career would later be the inspiration for the song “Leader of the Band.”

Starting out in local bands playing rock and roll, Fogelberg found his passion on acoustic guitar. He left his studies at the University of Illinois and headed for the West Coast, finding inspiration during a week in Colorado before moving on and securing a recording contract. For his second release, Souvenirs, Fogelberg enlisted producer Joe Walsh, who had recently recorded at Caribou Ranch near Nederland, and “Part of the Plan” went to the top of the charts.

While touring through Colorado in the mid-1970s, Fogelberg bought a house from Chris Hillman, situated 9,000 feet up in the Rocky Mountains. His time there resulted in the songs on Nether Lands, a platinum seller. He recorded part of his next venture, Phoenix, in Colorado, and the songs “Heart Hotels” and “Longer” were pop hits.

The Innocent Age, released in October 1981, was Fogelberg’s critical and commercial peak. The double album included four of his biggest hits: “Same Old Lang Syne,” “Hard to Say,” “Leader of the Band” and “Run for the Roses.” He drew inspiration for The Innocent Age from Thomas Wolfe’s novel Of Time and the River.

A 1982 greatest-hits album contained two new songs, both of which were released as singles: “Missing You” and “Make Love Stay.” In 1984, he released the album Windows and Walls, which contained the singles “The Language of Love” and “Believe in Me.”

Fogelberg built what would become his ultimate home and recording studio in the San Juan mountains near Pagosa Springs. After a weekend at the Telluride Bluegrass Festival sitting in with friends and bluegrass legends, Fogelberg recorded High Country Snows with some of his favorite acoustic pickers, and that album became one of the best-selling bluegrass albums of all time. The Wild Places, released in 1990, was the first album he self-produced and mostly tracked at his Mountain Bird Ranch. His rendition of the Cascades’ 1963 hit “Rhythm of the Rain” peaked at No. 3 on the Adult Contemporary chart. Like Jackson Browne and J.D. Souther, he understood that hit songs were often generational.

After an injury to his hand, Fogelberg turned to performing solo and in varied acoustic settings. And then, in May 2004, he was diagnosed with advanced prostate cancer. He continued recording with friends and the help of skilled engineers like James Tuttle until he finally succumbed to the disease on December 16, 2007. He died at his home. He was only 56 years old. Fogelberg wrote “Sometimes a Song” for his wife Jean in 2005. She released the song on the Internet, and all proceeds went to the Prostate Cancer Foundation. The song was released on Valentine’s Day 2008 and was also included on a CD released in September 2009 titled Love in Time.

In 2017, when Dan Fogelberg was inducted into the Colorado Music Hall of Fame, the Hall donated half the profits to help in the fight against prostate cancer.

If James Taylor epitomized the definition and the original, late-'60s incarnation of the term singer/songwriter, Dan Fogelberg exemplified the late-'70s equivalent of that term at its most highly developed and successful, with a string of platinum-selling albums and singles into the early '80s and a long career afterward, interrupted only by a health crisis that led to his untimely death in 2007. He came out of a musical family, born Daniel Grayling Fogelberg on August 13, 1951, in Peoria, IL, where his father was an established musician, teacher, and bandleader. His first instrument was the piano, which he took to well enough, and music mattered to him more than the sports that were the preoccupation of most of the boys around him. At age ten, he was saving and listening to any old records he could find. And if there's a "God-shaped space" in everyone, Fogelberg's was filled with music, something his family might've guessed if they'd seen how much he loved the music in church but was bored by the sermons. His other great passions were drawing and painting. His personal musical turning point came in the early '60s, before he'd reached his teens. A gift of an old Hawaiian guitar from his grandfather introduced him to the instrument that would soon supplant the piano, and at age 12, he heard the Beatles for the first time, which not only led him to a revelation about how electric guitars could sound, but also made him notice for the first time the act of songwriting as something central to what musicians did. It was also at that point that he began picking up on the music of Carl Perkins, Chuck Berry, Little Richard, and Buddy Holly, all of whom were, of course, in the Beatles' repertory. ... (By Bruce Eder)

Dieses Album enthält kein Booklet