Getting Sober for the End of the World Darren Watson

• 1 Getting Sober For The End Of The World 03:38
• 2 Self Made 02:53
• 3 Love That I Had 04:01
• 4 Another Day 04:36
• 5 Ernie Abbott 05:46
• 6 Alison Jane 04:26
• 7 One Evil Man 04:09
• 8 Broken 03:37
• 9 Preachin' Blues (Up Jumped The Devil) 03:16
• Total Runtime 36:22

Info zu Getting Sober for the End of the World

Darren Watson originally became known in the Eighties as principal songwriter and frontman for rhythm and blues outfit Chicago Smoke Shop, with whom he recorded two albums. Since going solo he has released six studio albums, with his last, 2018’s Too Many Millionaires being his most successful, reaching #3 on the official NZ Albums Chart. This put pressure on Darren for the follow-up, and he spent a great deal of time working on new material before deciding to record it in his own studio. Last November Steve Moodie (double bass), and Delia Shanly (drums/percussion) began recording basic tracks on evenings at Lamington Studios – which is Darren’s house in Ngaio, Wellington. Every single track on this record is Darren singing and playing a guitar of some kind live at the same time, and there are no lead vocal ‘fixes’ or guitar overdubs. More musicians were added here and there, but at the core were these three, and it is all about feel and emotion more than it is having everything perfectly correct at all times.

This is traditional country style blues, and of the nine songs on offer, seven of them are original. One, Love That I Had is by Matt Hay who has worked with Darren in the past and is a fellow Wellingtonian, while closer Preachin’ Blues (Up Jumped The Devil) is the Robert Johnson classic and it fits perfectly alongside all his own material.

Ernie Abbott is about the infamous Trades Hall bombing in 1984, and Watson sounds in pain when he says, “Somebody’s got to know who took the life of this peaceful man”. In many ways this is the embodiment of the whole album, as it is packed full of emotion, and the arrangements leave the vocals at the front. The accompaniment is just that, providing a background for a man to bear his soul and display his grief and sorrow for all to share. The picked guitar is delicate, with just a few notes delicately placed, and I found the more I listened to it the more I was reminded of the words of Harry Chapin’s Bluesman, “To play the blues, boy, you got to live ’em, Got your dues, boy, you know you got to give ’em, Got to start sweet like a slow blues rhythm, Like a heartbeat you’ll always be with ’em.”

This does not sound like Aotearoa blues, but rather as if this album from someone who grew up next to the Mississippi, and who has the delta running through his veins. This is classic pre-war blues, not the rambunctious style which came later, but one which is packed full of emotion and cries from the heart. I can’t wait to hear this in concert, as that is going to be a very special event indeed.

"Getting Sober for the End of the World is far from a downer. It’s an uplifting, exhorting, beautiful, brilliant album from one of New Zealand’s most renowned musicians. Whether you’re chill and mellow or freaking out like most of us, it’s the tonic you need to bolster your spirits." (bluesblastmagazine.com)

Darren Watson, guitar, vocals, percussion, bass guitar, organ
Delia Shanly, drums, percussion
Steve Moodie, double bass
Terry Casey, harmonica
Dayle Jellyman, piano
Craig Denham, accordion
Rick Holmstrom, electric guitar (track 6)
The Cold City Horns:
Jacob Wynne, trumpet
Nolan Plunkett, trombone

Darren Watson
is a New Zealand singer, guitarist and songwriter known for his soulful blend of blues, roots and sharp-edged songwriting. After early success with Chicago Smoke Shop in the late '80s, he built a respected solo career, most recently with powerful and original acoustic blues albums like Too Many Millionaires (2018), and the Tui-nominated Getting Sober for the End of the World (2020).

Whanganui and the Hutt Valley are a long way from the Mississippi Delta, but they both have rivers, and stories. Singer, songwriter and guitarist Darren Watson grew up in these places and caught on to the blues as a teenager in the early 1980s, after seeing Muddy Waters in the movie The Last Waltz.

Watson was already performing blues and rock in high-school bands, but something in Muddy’s performance and guitar playing inspired the budding bassist (and trumpeter) to take up the electric guitar and develop his singing style. Buying records was out of the question for the teenage Darren and his mate Terry Casey, so in those pre-internet days they hit the Wellington Public Library blues section and took home supplies of Muddy, and the three Kings – BB, Freddie and Albert – stuffed tightly into green canvas library record bags.

Dieses Album enthält kein Booklet