A Bassoon in Stockholm... Franz Berwald (Septet & Quartet) and Edouard Dupuy (Quintet)

• 1 I. Adagio: Allegro molto 08:12
• 2 II. Poco adagio - Prestissimo - Adagio 08:38
• 3 III. Finale: Allegro con spirito 06:20
• 4 I. Allegro moderato 07:45
• 5 II. Andante sostenuto 05:08
• 6 III. Rondo: Allegro 08:06
• 7 I. Adagio: Allegro ma non troppo 11:17
• 8 II. Adagio 03:13
• 9 III. Allegro 09:10
• Total Runtime 01:07:49

Info zu A Bassoon in Stockholm...

In the mid-1980s, Donna Agrell acquired a rare Grenser & Wiesner bassoon, built in Dresden sometime around 1820. The bassoon came in its original case, with an address label indicating that the instrument had been delivered to Stockholm. Further research into the Stockholm music scene during the early 19th century revealed that instruments from Grenser & Wiesner were popular in Sweden. One who swore by his bassoon from the company was Frans Preumayr, a musician of German origin who played in the orchestra of the Royal Opera, but also made a name for himself abroad as a bassoon virtuoso, garnering praise in London and on the continent. Such a gifted player naturally inspired composers to write for him, and these included the flamboyant music director at the Stockholm opera, Édouard Du Puy, and a young Franz Berwald, employed among the strings of the opera orchestra. For the present recording Donna Agrell has chosen three chamber works which were all premièred with Preumayr on the bassoon. She is joined by colleagues from the Orchestra of the Eighteenth Century as well as by Ronald Brautigam – all of them playing period instruments – in Berwald's celebrated Septet in B flat major and the less well-known Quartet for piano and winds, and in Du Puy's Quintet for bassoon and strings.

Lorenzo Coppola, clarinet
Teunis van der Zwart, horn
Donna Agrell, bassoon
Marc Destrubé, violin
Franc Polman, violin
Yoshiko Morita, viola
Albert Brüggen, cello
Robert Franenberg, double bass
Ronald Brautigam, fortepiano