Strauss, R.: Alpine Symphony Saito Kinen Orchestra & Daniel Harding

• 1 Nacht 03:12
• 2 Sonnenaufgang 01:24
• 3 Der Anstieg 02:20
• 4 Eintritt In Den Wald 05:17
• 5 Wanderung Neben Dem Bache 00:49
• 6 Am Wasserfall 00:16
• 7 Erscheinung 00:49
• 8 Auf Blumige Wiesen 00:53
• 9 Auf Der Alm 02:20
• 10 Durch Dickicht Und Gestrupp Auf Irrwegen 01:31
• 11 Auf Dem Gletscher 01:15
• 12 Gefahrvolle Augenblicke 01:31
• 13 Auf Dem Gipfel 04:49
• 14 Vision 03:33
• 15 Nebel Steigen Auf 00:20
• 16 Die Sonne Verdustert Sich Allmahlich 00:53
• 17 Elegie 02:13
• 18 Stille Vor Dem Sturm 02:47
• 19 'Gewitter Und Sturm, Abstieg' 03:47
• 20 Sonnenuntergang 02:59
• 21 Ausklang 06:41
• 22 Nacht 02:19
• Total Runtime 51:58

Info zu Strauss, R.: Alpine Symphony

Die monumentale „Alpensinfonie“, komponiert für 125 Orchestermusiker, entstand 1915 und war Strauss letzte Tondichtung. Bis heute gilt sie als eines der malerischsten Werke der Programmmusik. Das vorliegende Album wurde während des Saito Kinen Festivals in Matsumoto 2012 aufgenommen. Unter der Leitung von Daniel Harding sorgten die Musiker für einen unvergesslichen Abend.

Das Saito Kinen Orchestra, gegründet 1984 von Seiji Ozawa, rekrutiert sich aus den besten japanischen Musikern aller internationalen Orchester.

Daniel Harding ist eine renommierte Persönlichkeit der jungen Dirigenten-Generation. Die Süddeutsche Zeitung bezeichnete ihn als „einen der gefragtesten Gastdirigenten und Garant für preisgekrönte Aufnahmen“.

Philippe Tondre, Oboe
Radek Baborák, Horn
Gabór Tarkövi, Trompete
Saito Kinen Orchestra
Daniel Harding, Dirigent

Recorded at Kissei Bunka Hall, Matsumoto, Japan, 23 & 25 August 2012
Engineered (Balance) by Jonathan Stokes (Classic Sound Ltd)
Engineered Ryu Kawashima, Yujiro Saito, Yusuke Naito
Produced by Dominic Fyfe

The Saito Kinen Orchestra
In September 1984, under the leadership of Seiji Ozawa and Kazuyoshi Akiyama, a unique group of more than 100 Japanese musicians from all over the world gathered together in Japan to perform a series of concerts in commemoration of the 10th anniversary of the death of Hideo Saito - founder of the Toho Gakuen School of Music, music educator and beloved teacher who instilled in their hearts the love of music. They were all at some point in their lives either students or teachers at the Toho School, and have since become soloists, chamber musicians and players of major orchestras in Japan, Europe and the USA. The concerts, held in Tokyo and Japan, were world-class, the public response was overwhelming, and the rest of the musical world could not but take notice. Thus was the Saito Kinen Orchestra born - out of a passion for music and a collective desire to perpetuate Mr. Saito's great legacy.

In September 1987 the Orchestra made its first tour of Europe with much acclaimed appearances in Vienna, Berlin, London, Paris and Frankfurt. This was followed by European tours in 1989, 1990, 1991 and 1994. It was also in 1991 when the orchestra made its USA debut, opening Carnegie Hall's 101st season. In September 1992 the Saito Kinen Orchestra became the resident ensemble of the Saito Kinen Festival. Also founded by Seiji Ozawa, who to date serves as its Director, the Festival is held annually for 10 days in August and September in the Japanese Alps of Matsumoto. In addition to orchestral concerts, the Festival also stages operas which have included such 20th-Century works as Igor Stravinsky's Oedipus Rex in 1992, Arthur Honegger's Jeanne d'Arc au bûcher ("Joan of Arc at the Stake") in 1993, I. Stravinsky's The Rake's Progress in 1995, Francis Poulenc's Les Mamelles de Tirésias in 1996, which have all been recorded by Philips Classics, and F. Poulenc's Dialogues des Carmélites in 1998. Oedipus Rex, winner of several international awards, is also available on video on the Philips label. The Saito Kinen Orchestra and Seiji Ozawa have recorded major orchestral works for Philips Classics.

Daniel Harding
Born in Oxford, Daniel Harding began his career assisting Sir Simon Rattle at the City of Birmingham Symphony Orchestra, with which he made his professional debut in 1994. He went on to assist Claudio Abbado at the Berlin Philharmonic and made his debut with the orchestra at the 1996 Berlin Festival.

He is Music Director of the Swedish Radio Symphony Orchestra, Principal Guest Conductor of the London Symphony Orchestra and Music Partner of the New Japan Philharmonic. He is Artistic Director of the Ohga Hall in Karuizawa, Japan and was recently honoured with the lifetime title of Conductor Laureate of the Mahler Chamber Orchestra. His previous positions include Principal Conductor and Music Director of the MCO (2003-2011), Principal Conductor of the Trondheim Symphony in Norway (1997-2000), Principal Guest Conductor of Sweden's Norrköping Symphony (1997-2003) and Music Director of the Deutsche Kammerphilharmonie Bremen (1997-2003).

He is a regular visitor to the Dresden Staatskapelle, the Vienna Philharmonic (both of which he has conducted at the Salzburg Festival), Royal Concertgebouworkest, the Bavarian Radio Orchestra, Leipzig Gewandhausorchester and the Orchestra Filarmonica della Scala. Other guest conducting engagements have included the Berlin Philharmonic, Munich Philharmonic, Orchestre National de Lyon, Oslo Philharmonic, London Philharmonic, Royal Stockholm Philharmonic, Santa Cecilia Orchestra of Rome, Orchestra of the Age of Enlightenment, Rotterdam Philharmonic, Frankfurt Radio Orchestras and the Orchestre des Champs-Elysées. Among the American orchestras with whom he has performed are the New York Philharmonic, Philadelphia Orchestra, Los Angeles Philharmonic and Chicago Symphony Orchestra.

In 2005 he opened the season at La Scala, Milan, conducting a new production of ‘Idomeneo’. He returned in 2007 for ‘Salome’, in 2008 for a double bill of ‘Bluebeard’s Castle’ and ‘Il Prigioniero’, and most recently in 2011 for ‘Cavalleria Rusticana’ and ‘Pagliacci’, for which he was awarded the prestigious Premio della Critica Musicale “Franco Abbiati”. His operatic experience also includes ‘Ariadne auf Naxos’, ‘Don Giovanni’ and ‘Le nozze di Figaro’ at the Salzburg Festival with the Vienna Philharmonic, ‘The Turn of the Screw’ and ‘Wozzeck’ at the Royal Opera House, Covent Garden, and ‘Wozzeck’ at the Theater an der Wien. Closely associated with the Aix-en-Provence Festival, he has conducted new productions there of ‘Così fan tutte’ directed by Patrice Chereau, ‘Don Giovanni’ directed by Peter Brook, ‘The Turn of the Screw’ directed by Luc Bondy, ‘La Traviata’ directed by Peter Mussbach, ‘Eugene Onegin’ directed by Irina Brook and, most recently, ‘Le nozze di Figaro’ directed by Vincent Boussard. Other engagements have included ‘Die Zauberflöte’ in Vienna and ‘Die Entführung aus dem Serail’ at the Bayerische Staatsoper, Munich. This season he will return to La Scala to conduct ‘Falstaff’ and will make debuts conducting ‘Der Fliegende Holländer’ at both the Deutsche Staatsoper, Berlin and at the Wiener Staatsoper.

His recent recordings for Deutsche Grammophon, Mahler's Symphony No. 10 with the Vienna Philharmonic Orchestra, and Orff’s ‘Carmina Burana’ with the Bavarian Radio Symphony Orchestra, have won widespread critical acclaim. Previously an exclusive Virgin/EMI recording artist, his recordings include Mahler’s Symphony No. 4 with the Mahler Chamber Orchestra; Brahms’ Symphonies Nos. 3 and 4 with the Deutsche Kammerphilharmonie Bremen; ‘Billy Budd’ with the London Symphony Orchestra (winner of a Grammy Award for best opera recording); ‘Don Giovanni’ and ‘The Turn of the Screw’ (awarded the “Choc de l'Année 2002”, the “Grand Prix de l'Académie Charles Cros” and a Gramophone award) both with the Mahler Chamber Orchestra; works by Lutosławski with Solveig Kringelborn and the Norwegian Chamber Orchestra and works by Britten with Ian Bostridge and the Britten Sinfonia (awarded the "Choc de L'Annee 1998”).

In 2002 he was awarded the title Chevalier de l'Ordre des Arts et des Lettres by the French Government and in 2012 he was elected a member of The Royal Swedish Academy of Music.

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