Windflowers Efterklang

• 1Alien Arms04:59
• 2Beautiful Eclipse03:10
• 3Hold Me Close When You Can04:32
• 4Lady of the Rocks01:16
• 5Dragonfly03:08
• 6Living Other Lives05:38
• 7Mindless Center05:03
• 8House on a Feather04:04
• 9Åbent Sår07:51
• Total Runtime39:41

Info zu Windflowers

Himmlisches musikalisches Geschmeide, das zum Abheben und Treibenlassen der Seele einlädt. Losgelöster Art-Pop ohne Bodenhaftungen, der immer wieder sein Antlitz verändert. Einerseits wirkt´s futuristisch mit der großen Weite, die dank Halleinsatz und den unterschiedlichen Vibrationen aus einer elektronisierten Welt auf den Songs liegt, andererseits detailverliebt mit all den Schichten und verwendeten Sounds von tirilierenden und gekonnt in einen eigenwilligen Gesamtsound integrierten Instrumenten wie Blockflöte, Akkordeon, Triangel, aber auch Streicher und Klavier, gerne von einem motorischen Beat untermalt und mit Weitblick inszeniert vom diesmal auch oft vom mit einer weiblichen Gegen-Stimme kontrastierten Caspar Clausen auf dem 6ten Album an der Seite von Rasmus Stolberg und Mads Brauer. Atmosphärisch dicht, mit Tiefgang und Raffinesse bei den Song-Inszenierungen und Gespür für den Pop-Moment inszeniert.

Efterklang

Efterklang
Marking the group’s return seven years after their last studio release – a period of transition, of high adventures and creative questing – Efterklang’s fifth album Altid Sammen is their finest yet. Bold and ambitious, yet engaging on a primal and emotional level, the album is steeped in the experimentation that has been their trademark since their debut album, 2004’s Tripper, but is more elemental than they’ve yet dared to be. The music of Altid Sammen (the title means “Always Together”) is deep and sonorous. Their trademark tapestry of acoustic and electronic elements, woven together so expertly one hardly notices how each strengthens the other, has never sounded more accomplished. Sounds from the baroque and digital eras strike perfect harmonies together, bound together by Casper Clausen’s warm, weathered and wise vocals. The album will be released on the band's own label Rumraket in the Nordic and on 4AD in rest of the world.

Approached by B.O.X – a Belgian ensemble founded by lute player Pieter Theuns, performing new music with baroque orchestration – Casper Clausen (vocal), Mads Brauer (synth, electronics) and Rasmus Stolberg (bass) composed material for a joint performance at Theuns’ own mixMass festival in Antwerp in January 2018. But the music they began writing for this performance soon took on a life of its own. The performance left Efterklang fired-up to commit this work to tape. “We walked offstage feeling super-elevated,” says Stolberg. “Let’s get into a studio and document this.” Their initial plan was to record the album solely in collaboration with the B.O.X ensemble. But later that summer the trio appeared at Berlin’s PEOPLE festival, a 7-day experience where musicians from around the world (including Lambchop’s Kurt Wagner, Beirut’s Zach Condon, Justin Vernon, Feist and the Dessner brothers, along with 150 more artists) collaborate and perform in various new ensembles. As well as performing with various friends new and old, the trio also played together as Efterklang, revisiting the new songs, but this time with other musicians onstage. “And we realised then, these songs deserved our full attention – the scope of possibilities was inspiring,” says Stolberg. “It was time to make a new Efterklang album.”

Dieses Album enthält kein Booklet