Every Now And Then Cory Weeds & Champian Fulton

Album Info

Album Veröffentlichung:
2024

HRA-Veröffentlichung:
12.04.2024

Label: Cellar Live

Genre: Jazz

Subgenre: Vocal

Interpret: Cory Weeds & Champian Fulton

Das Album enthält Albumcover

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FLAC 96 $ 13,50
  • 1 Boss Tutch 04:53
  • 2 It's Alright with Me 05:15
  • 3 Too Marvelous For Words 05:47
  • 4 Linger In My Arms a Little Longer Baby 04:21
  • 5 The Best Things In Life Are Free 05:32
  • 6 Carry Me Back to Old Manhattan 04:20
  • 7 That's Not Your Donut 03:49
  • 8 Every Now & Then 07:21
  • 9 The Snapper 06:57
  • Total Runtime 48:15

Info zu Every Now And Then

In February of 2023 close friends, Cory Weeds and Champion Fulton travelled to OCL Studios just outside Calgary to record a new live, duo album in front of a rapt audience.

Their special bond was evident as pianist and vocalist Fulton delivered sophisticated, swinging turns across a set of beautiful tunes, in conversation with Weeds at his expressive best.

"I'm so excited to have the opportunity to record again with Champian in the duo format. I'm very proud of our first album Dream A Little.... but our friendship and musical partnership has grown so much since that recording and the opportunity to record again is something I'm very grateful for."

"I would like to sincerely thank Kodi Hutchinson and the team at JazzYYC for providing Champian and I such a wonderfully unique situation for us to record. We both loved the experience and a big thank you to Scott Morin for taking on this production of this project with such elegance and grace." (Cory Weeds)

Cory Weeds, alto saxophone
Champian Fulton, piano, vocals




Cory Weeds
saxophonist with an expressive sound rooted in Jazz tradition, a label owner tirelessly documenting unsung Jazz heroes, one of Canada’s most important Jazz impresarios, the hardest-working man in Jazz business – Cory Weeds is all of these things, and much more.

Weeds may be best known as the founder and owner of Cory Weeds’ Cellar Jazz Club in Vancouver, which he successfully ran for more than 14 years. Weeds built the Cellar to become one of North America’s best Jazz clubs, where masters such as George Coleman, Jeff Hamilton, Louis Hayes, David “Fathead” Newman, Dr. Lonnie Smith, and the finest Jazz musicians from Vancouver and across Canada and the U.S. performed before it closed in February 2014.

But he wasn’t just the club owner. As a saxophonist who studied at the University of North Texas and Capilano University, Weeds spent many nights on the Cellar bandstand as a leader and sideman. He held his own when performing with icons like Joey DeFrancesco and Christian McBride. Weeds has also recorded twenty albums as a leader, including his latest Home Cookin' Just Coolin' (with Tilden Webb, John Lee and Jesse Cahill), What Is There To Say? (with Phil Dwyer and a 12 piece string section), O Sole Mio (with Eric Alexander, Mike LeDonne, Peter Bernstein and Joe Farnsworth), Day By Day (with David Hazeltine, Ken Lister and Jesse Cahill), Live at Frankie’s (with Terell Stafford and Harold Mabern) Explosion (with Gary Smulyan, PJ Perry, Steve Davis and Joe Magnarelli), Let’s Groove (with Mike Ledonne), Dreamsville (with The Jeff Hamilton Trio), It’s Easy To Remember (with David Hazeltine, Joe Magnarelli, Paul Gill and Jason Tiemann, reached #1 on the Jazz Week Charts) This Happy Madness, (with The Jeff Hamilton Trio, reached #1 on the Jazz Week Charts), Condition Blue, The Music Of Jackie McLean (with Peter Bernstein, Mike LeDonne, and Joe Farnsworth)., As Of Now (with the Harold Mabern Trio), Let’s Go (with Steve Davis), the Juno-nominated Up A Step (Cory Weeds Quartet), With Benefits (with Lewis Nash and Peter Washington), Just Like That (with the Tilden Webb Trio), The Many Deeds of Cory Weeds (with Joey DeFrancesco), Everything’s Coming Up Weeds (with Jim Rotondi), and Big Weeds (with Peter Bernstein, Mike LeDonne, and Joe Farnsworth).

While the Cellar is now a happy memory, the record label Weeds established in 2001 is alive and well. Rebranded in 2018, The Cellar Music Group has put out over 350 recordings, including many that have spent extensive time on the JazzWeek charts, been reviewed in acclaimed print publications and been featured on NPR's Fresh Air. Weeds has also served as producer on more than 200recordings. In 2017 Weeds celebrated a win at the 2017 Juno Awards when Metalwood won for Jazz Album Of The Year: Group. Another Weeds-produced album w Brad Turner Quartet with guest Seamus Blake - Jump Up was nominated in 2019 and The Ostara Project in 2023.

2023 has been a watershed year for Weeds and the label. In March pf 2023 Weeds and the label were awarded a Grammy for The Generation Gap Jazz Orchestra in the large ensemble category. Weeds was also recognized as a #2 Rising Star Producer in Downbeat Magazine and Cellar Music was #8 in Record Label Of The Year.

On the presentation front, Weeds has booked Frankie’s Jazz Club in downtown Vancouver since 2016. In addition to Frankie’s, Weeds presents music all over British Columbia, Canada and The United States.

Champian Fulton
Born in Oklahoma, Champian is considered one of the most gifted pure Jazz musicians of her generation. She grew up with music in the home; her mother and father (Jazz trumpeter and educator Stephen Fulton) recognized her fascination with music at an early age. The presence of her father’s musician friends, including Clark Terry and Major Holley, inspired her focus on Jazz. Her first paid musical engagement was with her own band at Clark Terry’s 75th Birthday Party; she was 10 years old. Since then, her piano and voice skills have been recognized by peers and critics as distinctive and sophisticated. This young woman from Oklahoma captivates audiences in New York’s finest Jazz rooms and in concert halls around the world.

A mainstay on the vibrant New York Jazz scene, she has performed with musical royalty such as Lou Donaldson, Frank Wess, Scott Hamilton, Buster Williams, and Louis Hayes. From New York to Barcelona, Champian’s swinging style and charismatic performances have made her a guardian of the legacy of Jazz. Champian’s heroes include Bud Powell, Red Garland, Erroll Garner, Count Basie, Sarah Vaughan, and Dinah Washington.

Champian is ambitious about recording her music. As a leader she has seventeen recordings to her credit. Her debut album, “Champian with David Berger & the Sultans of Swing” (2007 Such Sweet Thunder Records) was recorded following a two-year residency at the famed New York Jazz Club Birdland. Her releases “Sometimes I’m Happy” (2008 Venus Records) and “the breeze and I” (2010 Gut String Records) featured her working trio. Champian’s following two releases, “Champian Sings and Swings” (2013 Sharp Nine) and

“Change Partners” (2014 Cellar Live) were both recognized as being “in the top 10 releases of the year” for their respective years by the NY Observer. Champian’s album, “After Dark” (2016) with Jazz luminaries David Williams on bass, Lewis Nash on drums, and Stephen Fulton on flugelhorn, features the music of Dinah Washington. In 2017, she published no less than three albums: a strictly instrumental album ("Speechless" - Posi-Tone), a wonderful recording with Scott Hamilton ("The Things We Did Last Summer" - Blau Records) and "Christmas with Champian" (Champian Records). Her 10th album, “The Stylings of Champian,” released in 2018 is a two disc set which was named one of the Top 5 Jazz Releases of the Year by NYC Jazz Record. 2019 saw the release of an intimate live duo recording, “Dream a Little…” with Jazz altoist Cory Weeds. Champian’s 2020 release “Birdsong” celebrating the music of Charlie Parker features Scott Hamilton. Called “buoyant” by the New York Times, “Birdsong” was featured as Album of the Week by WRTI Philadelphia, JazzFM UK, and TSF Jazz Paris. In 2021 Champian released two albums: “Live from Lockdown” a special duo album with Stephen Fulton and “I’ll See You in My Dreams” on the Japanese label Venus, featuring her Scandinavian trio.

Recognized as a Rising Jazz Star by the Downbeat Magazine Critic’s Poll, Champian was also named Pianist and Vocalist of 2019 by Hot House Magazines Readers Poll. Her “galvanizing presence” (the New Yorker) and her alluring musical presentation have made her “a charming young steward of the mainstream Jazz tradition.” (The New York Times)



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