J.S. Bach: The Complete Organ Works, Vol. 1 - David Goode David Goode

• Johann Sebastian Bach (1685-1750): Toccata & Fugue in D Minor, BWV 565:
• 1 Toccata & Fugue in D Minor, BWV 565: Toccata 02:22
• 2 Toccata & Fugue in D Minor, BWV 565: Fugue 06:06
• Trio Sonata No. 1 in E-Flat Major, BWV 525:
• 3 Trio Sonata No. 1 in E-Flat Major, BWV 525: I. Allegro moderato 03:03
• 4 Trio Sonata No. 1 in E-Flat Major, BWV 525: II. Adagio 07:43
• 5 Trio Sonata No. 1 in E-Flat Major, BWV 525: III. Allegro 03:05
• Fantasia in G Major, BWV 572 "Pièce d'orgue":
• 6 Fantasia in G Major, BWV 572 "Pièce d'orgue": Piece d'Orgue in G Major, BWV 572, "Fantasia in G Major" 03:01
• 6 Chorale Preludes "Schübler-Chorales":
• 7 6 Chorale Preludes "Schübler-Chorales": Wachet auf, ruft uns die Stimme, BWV 645 04:12
• 8 6 Chorale Preludes "Schübler-Chorales": Wo soll ich fliehen hin (Auf meinen lieben Gott), BWV 646 01:45
• 9 6 Chorale Preludes "Schübler-Chorales": Wer nur den lieben Gott lasst walten, BWV 647 03:11
• 10 6 Chorale Preludes "Schübler-Chorales": Meine Seele erhebet den Herren, BWV 648 02:15
• 11 6 Chorale Preludes "Schübler-Chorales": Ach bleib' bei uns, Herr Jesu Christ, BWV 649 02:05
• 12 6 Chorale Preludes "Schübler-Chorales": Kommst du nun, Jesu, vom Himmel herunter, BWV 650 03:23
• Prelude and Fugue in E Minor, BWV 553:
• 13 Prelude and Fugue in E Minor, BWV 553: Prelude 02:32
• 14 Prelude and Fugue in E Minor, BWV 553: Fugue 02:37
• Chorale Preludes:
• 15 Chorale Preludes: Herzlich tut mich verlangen, BWV 727 02:04
• In dich hab ich gehoffet, Herr, BWV 712:
• 16 In dich hab ich gehoffet, Herr, BWV 712 02:49
• Prelude & Fugue in C Minor, BWV 546:
• 17 Prelude & Fugue in C Minor, BWV 546: Prelude 06:01
• 18 Prelude & Fugue in C Minor, BWV 546: Fugue 05:25
• Total Runtime 01:03:39

Info zu J.S. Bach: The Complete Organ Works, Vol. 1 - David Goode

A grand new series on Signum will present the complete organ works of Johann Sebastian Bach in crystal performances from David Goode on the 1976 Metzler organ of Trinity College Cambridge.

The organ loomed large from early on in Bach’s life. The foundations of his multifaceted career as a professional musician were clearly laid in the careful cultivation of Bach’s prodigious talent as an organist whilst he was still a child. Johann Sebastian Bach was born in Eisenach in 1685, and after the death of his father—the director of municipal music in the town—at the age of ten moved to Ohrdruf, where he was taken in by his eldest brother, Johann Christoph. Christoph was the organist at St Michael’s Ohrdruf and had been taught by Pachelbel. During his years at Ohrdruf, the young Sebastian was a choral scholar and likely had his first experiences in organ building and maintenance. In 1700 he moved to Lüneburg, as a choral scholar at St Michael’s School; this move brought him into the orbit of many organists, including Georg Böhm and Adam Reinken in Hamburg. 1703 found him examining a new organ at the New Church in Arnstadt, where he was appointed as organist in August of that year, remaining for four years, his first major professional organist post. Clearly showing remarkable talent as a player from an early age, Bach’s career remained founded upon the organ even as he moved around in a variety of posts after leaving Arnstadt in 1707: as the organist of St Blasius’s in Mühlhausen (1707-1708), court organist and chamber musician at Weimar (1708-1717), capellmeister at Cöthen (1717-1723) and cantor at St Thomas’ Church in Leipzig (1723 – 1750).

David Goode, organ of Trinity College Chapel, Cambridge

David Goode
has been Organist and Head of Keyboard at Eton College since 2005. He was a music scholar at Eton, and then organ scholar at King’s College, Cambridge from 1991-4, studying organ with David Sanger and, in Amsterdam, with Jacques van Oortmerssen. From 1996-2001 he was Sub-Organist at Christ Church, Oxford; following prizes at the 1997 St. Alban’s Competition, and the 1998 Calgary Competition, he concentrated on a freelance career between 2001 and 2003. In 2003 he moved for 2 years to Los Angeles as Organist-in-Residence at First Congregational Church, home to the world’s largest church organ. He made his Royal Festival Hall debut in 2002, and played Bach’s Art of Fugue in the QEH in 2009. In 1999 he made the first of numerous appearances at the Proms, inluding a solo recital in 2006; in recent years he has played all over Europe and the US. He has an established duo partnership with the trumpeter Alison Balsom, with recent concerts including the Moscow Arts, Three Choirs, and Passau Festivals. His CD releases since 1994 (from Cambridge, Oxford, Los Angeles, Eton, and most recently Freiberg for Signum Records) have received excellent reviews; he has also forged a strong relationship on Radio 3 with the BBCNOW and the BBC Singers. Volume 1 of his series of the Complete Organ Music of Max Reger was widely praised; he has also played numerous contemporary works, including Francis Pott’s Christus (a performance described by The Times as ‘a stupendous achievement’). He is currently recording the complete organ works of Bach on the organ of Trinity College, Cambridge.

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