Album Info

Album Veröffentlichung:
2021

HRA-Veröffentlichung:
24.09.2021

Das Album enthält Albumcover

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  • Despedida:
  • 1Despedida: Del Mar05:42
  • 2Despedida: Intruso05:06
  • 3Despedida: Beauty Cocoon03:53
  • 4Despedida: Ensayo Silencio05:21
  • 5Despedida: La Llorona07:52
  • Dreaming In Lions:
  • 6Dreaming In Lions: Dreaming In Lions06:30
  • 7Dreaming In Lions: Scalular04:09
  • 8Dreaming In Lions: How I Love04:31
  • 9Dreaming In Lions: The Deep04:38
  • 10Dreaming In Lions: War Bird Man02:31
  • 11Dreaming In Lions: Struggles And Strugglets05:03
  • 12Dreaming In Lions: I Wish We Was02:37
  • 13Dreaming In Lions: Blood In The Water03:35
  • 14Dreaming In Lions: Dreams So Gold03:28
  • Total Runtime01:04:56

Info zu dreaming in lions

GRAMMY-winning composer, bandleader, and pianist Arturo O’Farrill has fulfilled what he calls “a lifelong dream” with his signing to Blue Note Records and the release of his Blue Note debut …dreaming in lions… The album finds O’Farrill leading a colorful 10-piece assemblage he calls The Afro-Latin Jazz Ensemble, a scaled-down edition of his renowned Afro-Latin Jazz Orchestra. The program encompasses two inspired multi-movement suites that O’Farrill has conceived in collaboration with the Cuban Malpaso Dance Company: “Despedida,” a meditation on farewells, and “Dreaming in Lions,” inspired by Ernest Hemingway’s novella The Old Man and the Sea.

For O’Farrill, suites afford the space to convey extended narratives and cinematic ideas, a broadness of scope and intent that interests him most as a composer. Like his father, the late legendary bandleader Chico O’Farrill, he is committed to breaching musical boundaries in search of genuine, elevated expression. “I’m so grateful for my father and all my mentors who challenged me to be more open to different influences,” O’Farrill says. He has transmitted these values in turn to his sons, trumpeter Adam O’Farrill and drummer Zack O’Farrill, both of whom are featured on dreaming in lions. Joining them are multi-percussionists Vince Cherico, Carlos “Carly” Maldonado and Victor Pablo Garcia Gaetan, bassist José “Bam Bam” Rodriguez Platiau, trombonist and euphonist Rafi Malkiel, flutist/saxophonist Alejandro Aviles, and guitarist Travis Reuter.

The Afro Latin Jazz Ensemble:
Travis Reuter, guitar
Rafi Malkiel, trombone
Adam O'Farrill, flugelhorn, trumpet
Alejandro Aviles, flute
Alejandro Aviles, saxophones
Jose "BamBam" Rodriguez Platiau, bass
Steve Cook, a&r admin
Traci Fuller, a&r admin
Rafi Malkiel,euphonium
Victor Pablo Garcia Gaetan, cuica, dumbeq
Zack O'Farrill, drums
Arturo O'Farrill, piano, leader
Vince Cherico, drums, african percussion
Carlos "Carly" Maldonado, ambient percussion, marimba, maracas
Victor Pablo Garcia Gaetan, ambient percussion, congas




Arturo O'Farrill
pianist, composer, and educator, was born in Mexico and grew up in New York City. He received his formal musical education at the Manhattan School of Music and the Aaron Copland School of Music at Queens College. Arturo’s professional career began with the Carla Bley Band and continued as a solo performer with a wide spectrum of artists including Dizzy Gillespie, Lester Bowie, Wynton Marsalis, and Harry Belafonte.

In 2007, he founded the Afro Latin Jazz Alliance as a not-for-profit organization dedicated to the performance, education, and preservation of Afro Latin music.

In December 2010 Arturo traveled with the original Chico O’Farrill Afro Cuban Jazz Orchestra to Cuba, returning his father’s musicians to his homeland. He continues to travel to Cuba regularly as an informal Cultural Ambassador, working with Cuban musicians, dancers, and students, bringing local musicians from Cuba to the US and American musicians to Cuba.

Arturo has performed with orchestras and bands including his own Afro Latin Jazz Orchestra and Arturo O’Farrill Sextet, as well as other Orchestras and intimate ensembles in the US, Europe, Russia, Australia, and South America.

An avid supporter of all the Arts, Arturo has performed with Ballet Hispanico and the Malpaso Dance Company, for whom he has written three ballets. In addition, the Alvin Ailey Dance Company is touring a ballet entitled “Open Door,” choreographed by Ron Brown to several of Arturo’s compositions and recordings. Ron Brown’s own Evidence Dance Company has commissioned Arturo to compose New Conversations, which premiered in the Summer of 2018 at Jacob’s Pillow in Becket, MA.

Arturo has received commissions from Meet the Composer, Jazz at Lincoln Center, The Philadelphia Music Project, The Apollo Theater, Symphony Space, the Bronx Museum of the Arts, the Young Peoples Chorus of New York, Columbia University and the New York State Council on the Arts.

Arturo’s well-reviewed and highly praised “Afro-Latin Jazz Suite” from the album CUBA: The Conversation Continues (Motéma) took the 2016 Grammy Award for Best Instrumental Composition and the 2016 Latin Grammy Award for Best Latin Jazz Album. His powerful “Three Revolutions” from the album Familia-Tribute to Chico and Bebo was the 2018 Grammy Award (his sixth) winner for Best Instrumental Composition. Arturo’s current album “Four Questions” (ZOHO) is the first to embody all original compositions, including the title track, which features the brilliant orator Dr. Cornel West.

In 2019, Arturo was Artist in Residence for The Greene Space in New York City, for which he created a four-concert series including a newly commissioned composition. The series title was “Radical Acts and Musical Deviancy.”

In 2020 Arturo’s weekly concerts with the Afro Latin Jazz Orchestra, dubbed “Virtual Birdland,” top the list of 10 Best Quarantine Concerts in the New York Times.

Arturo is Professor of Global Jazz Studies and Assistant Dean for Equity, Diversity and Inclusion at University of California, Los Angeles (UCLA), and has been honored as a Steinway Artist for many years.



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