Misplaced Childhood (Remastered) Marillion

• 1 Pseudo Silk Kimono 02:13
• 2 Kayleigh 04:03
• 3 Lavender 02:26
• 4 Bitter Suite: Brief Encounter / Lost Weekend / Blue Angel / Misplaced Rendezvous / Windswept Thumb 07:55
• 5 Heart of Lothian 04:04
• 6 Waterhole (Expresso Bongo) 02:12
• 7 Lords of the Backstage 01:53
• 8 Blind Curve: Vocal Under a Bloodlight / Passing Strangers / Mylo / Perimeter Walk / Threshold 09:29
• 9 Childhood's End? 04:32
• 10 White Feather 02:24
• Total Runtime 41:11

Info zu Misplaced Childhood (Remastered)

Vor 32 Jahren (am 17. Juni 1985) erschien mit „Misplaced Childhood“ das wichtigste Album der Progressive Rocker Marillion aus Aylesbury, das bis heute Kultstatus genießt. Für viele war und ist es die perfekte Verbindung aus Progressive Rock und Pop. Großen Anteil daran trägt die Hitsingle „Kayleigh“. Mit dem Erfolg hatte wohl keiner gerechnet. Überhaupt waren Marillion alles andere als Garanten für hohe Positionen in den Charts. „Garden Party“ hatte es gerade mal auf Platz 16 geschafft.

Mit ihrem dritten Studioalbum "Misplaced Childhood" erweckten Marillion den Progressive Rock im Jahr 1985 wieder zum Leben. Das Konzeptalbum wurde das kommerziell erfolgreichste Album des britischen Quintetts und enthielt mit „Kayleigh“ und „Lavender“ zwei UK-Top-Five-Songs.

Sänger Derek Dick (aka Fish), Gitarrist Steve Rothery, Keyboarder Mark Kelly, Bassist Pete Trewavas und Percussionist Ian Mosley nahmen Misplaced Childhood im Frühjahr 1985 im Berliner Hansa-Tonstudio auf. Als Konzeptalbum mit zwei durchgehenden Musikstücken, erforscht der Song-Zyklus die Themen verlorene Liebe, verlorene Kindheit und andere komplexe Zusammenhänge. Misplaced Childhood wurde im Juni 1985 veröffentlicht und hatte aus dem Stand einen riesigen Erfolg. Es katapultierte sich auf Platz 1 der UK-Charts (#3 in Deutschland) und wurde mit Platin ausgezeichnet. Drei große Hits ließen das Album zeitlos werden: “Kayleigh” (UK #2, D #7), “Lavender” (UK #5) und “Heart Of Lothian” (UK #29).

Fish, Gesang
Steve Rothery, Gitarre
Mark Kelly, Keyboards
Pete Trewavas, Bass
Ian Mosley, Schlagzeug, Percussion

Recorded March – May 1985 at Hansa Ton Studios, Berlin, Germany
Engineered byThomas Stiehler
Produced by Chris Kimsey

Digitally remastered

Marillio
You may not have heard of Marillion but either directly or indirectly, however, you have almost certainly felt the influence of one of the UK music scene’s best-kept secrets. Today, any musician, artist, writer, or budding entrepreneur can quickly set up a crowdfunding campaign using established specialist companies like PledgeMusic and Kickstarter. Of course, this wasn’t always the case and previously, artists in need of finance and exposure had little choice but to sign their rights away in often exploitative and one-sided business deals. It can be argued that every artist today owes Marillion a debt of gratitude because now there is another way forward.

As far back as the late 1990s, Marillion’s fans sponsored an entire US tour responding to an appeal posted on the fledgling Internet, donating $60,000. In 1997 the band responded creating its own website (the first rock ‘n’ roll website in the UK) and began what was to change the landscape of music. With the support of its passionate fans, Marillion bypassed the conventional music industry, took control of its future, and forged its own path, naming their album marillion.com, banishing the spectre of record company pressure and influence once and for all. Marillion launched its own record label, the aptly named Intact imprint. In so doing, the band freed itself up to produce some of the finest music of its career.

In 2001, Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album a full 12 months before release. Anyone doing so would receive a specially packaged CD, which would include their name in the “Thanks” list. An amazing 12,000 people signed up, helping not only to finance the recording, but also to create a budget to launch the album. In doing so, the band invented “Crowdfunding”. This was anything but a one-time event and the band has since funded a number of albums this way. The crowd-funded business model has since been embraced globally to finance music, film and art which otherwise might never have existed.

Marillion’s music is, by its nature, tough to sum-up but perhaps can be approximately described as musically-experimental-yet-emotional Rock, married to thought provoking, soulful lyrics - a powerful and moving cocktail which, for those who "get it", elicits extraordinary devotion. Its global fan base is impressive and hyper-engaged, with fans often travelling thousands of miles to attend live shows. Little wonder then, that the band was well-placed to harness this faith and trust to provide an alternative way of operating.

On September 17th 2012, Marillion released its 17th studio album, Sounds That Can't Be Made. During that same year, the band toured extensively in North America, South America, and Europe. After over thirty years, the band shows no signs of slowing down and new generations of young fans are discovering the music for themselves. And there’s plenty of it. With a catalogue of 17 albums behind them, having written music that draws on every genre Marillion can be considered Progressive not just musically, but in just about every sense.

The band is unique not only for what it has done, but how it has done it. Over the course of its career, Marillion has displayed little regard to the vagaries of the musical fashion police or mainstream radio but innovated the ways and means to stand apart from music-business pressure, media pressure and its attendant artistic compromises.

In 2015, Marillion returned to the studio to begin writing its 18th studio album, which is scheduled for release in 2016 with a world tour in the planning stages for 2016. Marillion have recently announced that they have joined forces with PledgeMusic for this release thereby endorsing PledgeMusic as the foremost platform within the Crowdfunding model.

The band has evolved into a vibrant and international musical force. To those who already love Marillion, the band is something special. To the uninitiated, it’s a potential love affair waiting to happen.

Dieses Album enthält kein Booklet