L'homme armé Studio de Musique Ancienne de Montréal & Andrew McAnerney

• Robert Morton (1440 - 1478):
• 1 Morton: L'homme armé - Il sera pour vous combatu / L'homme armé 02:43
• Antoine Busnois (1430 - 1492): Missa l'homme armé à 4:
• 2 Busnois: Missa l'homme armé à 4: I. Kyrie 03:30
• John Dunstable (1390 - 1453):
• 3 Dunstable: Quam pulchra es 02:25
• Guillaume Dufay (1397 - 1474):
• 4 Dufay: Gloria ad modum tubae 02:20
• Missa l'homme armé:
• 5 Dufay: Missa l'homme armé: III. Credo in unum Deum 11:24
• Alexander Agricola (1445 - 1506):
• 6 Agricola: Regina coeli laetare 03:51
• Gilles Binchois (1400 - 1460):
• 7 Binchois: Asperges me à 4 03:19
• Antoine Busnois:
• 8 Busnois: Anthoni usque limina 05:43
• Gilles Binchois:
• 9 Binchois: A solis ortus cardine à 4 05:41
• Johannes Ockeghem (1425 - 1497): Missa l'homme armé à 4:
• 10 Ockeghem: Missa l'homme armé à 4: IV. Sanctus 07:17
• Guillaume Dufay:
• 11 Dufay: Nuper rosarum flores 06:20
• Josquin Des Prez (1440 - 1521): Missa l'homme armé sexti toni:
• 12 Prez: Missa l'homme armé sexti toni: V. Agnus Dei 08:17
• 13 Prez: Ave verum corpus 07:11
• Total Runtime 01:10:01

Info zu L'homme armé

On the great ongoing timeline of History, it can be difficult to draw precise boundaries between various eras. Historians long ago decreed that the Renaissance began with the Turks’ capture of Constantinople in 1453, a major political event to be sure. But the transition from the Middle Ages to the Italian humanist renewal took place gradually during a 15th century full of contrasts, amid extreme political movement and flourishing artistic expression. The Middle Ages persisted with a flamboyant gothic style in the northern countries and an age-old theological interpretation of the world, coupled with thinking that remained built on analogies and correspondences between the microcosm and the macrocosm, while the knighthood continued to prove its courage in tournaments. At the same time, spectacular development was taking place in painting—which addressed secular subjects and launched the art of portraiture—, as well as in cities—which encouraged trade, saw the appearance of the first capitalist bourgeoisie, and brought about the invention of the printing press…

"Who would not give the highest praise to those who compose works that spread across the entire universe and that fill the temples of God, palaces of kings, and more modest homes with such supreme sweetness?2 (Johannes Tinctoris, Liber de arte contrapuncti, 1477)

Studio De Musique Ancienne De Montreal
Andrew McAnerney, conductor

Studio De Musique Ancienne De Montreal
Praised for its “rich-textured, vibrant sound” and “hypnotic beauty”, the Studio de musique ancienne de Montréal (SMAM) has established a reputation as Canada’s finest early music vocal ensemble. Directed by Andrew McAnerney since 2015, SMAM offers a ten concert season in Montreal and regularly tours Canada and internationally. Over the last 46 years SMAM has performed over a thousand pieces from the renaissance and baroque with a particular emphasis on exploring unrecognized or forgotten works. The group performs both a capella and with instruments and is regularly joined by renowned guest musicians.

The mission of the Studio de musique ancienne de Montréal is to perform sacred and secular early music, with a particular focus on choral works composed before 1750. Founded in 1974 by Christopher Jackson, Réjean Poirier et Hélène Dugal, SMAM is composed of 12 to 18 singers chosen for the remarkable clarity and purity of their voices. For forty-five years, SMAM has maintained a high standard of excellence and established itself as one of Canada’s finest early music vocal ensembles.

Recent work has included performing music from New France with Radio-Canada, and bringing early Canadian music to London for performances in St John Smith Square and on BBC Radio. SMAM also performed Monteverdi’s Vespers at the National Arts Centre with the National Arts Centre Orchestra and the Royal Winnipeg Ballet. Over the last half century SMAM has produced a remarkable discography. The most recent recording, Laudate Dominum, is devoted to the works of Orlando Lassus and received critical praise from around the world. SMAM’s next CD, dedicated to music from the court of Burgundy, will be released in 2021.

SMAM’s 2020-21 schedule includes collaborations with Festival Bach Montréal and Arte Musica.

Andrew McAnerney
was raised in the British choral tradition and studied music at the University of Oxford (Magdalen College). He has enjoyed a varied career as a conductor, consort singer, soloist and arranger. Since moving to Canada in 2013, Andrew has worked with a range of professional choirs and orchestras including Arion Baroque Orchestra, National Arts Centre Orchestra, Chamber Players of Canada, Elmer Iseler Singers, Elora Singers, Chœur Louisbourg and La Rose des Vents. Andrew was appointed artistic director of the Studio de musique ancienne de Montréal in 2015.

A former Tallis Scholar, Andrew McAnerney has performed with many of Europe’s finest early music ensembles and is credited on over 50 recordings including the music of Bach, Brumel, Clemens non Papa, Crequillon, Gombert, Handel, Lotti, Morales, Moulu, Mozart, Palestrina, Phinot, Purcell and Rore. Andrew’s début CD with the Studio Laudate dominum, featuring music by Lassus, was released by ATMA classic in 2017.

Andrew is passionate about musical excellence and accessibility. He regularly prepares his own early music performance scores from original sources, and is fascinated with presenting rediscovered works.

I am honored to be the new Artistic Director of SMAM and am committed to maintaining and developing the incredible legacy of Christopher Jackson. SMAM will continue to produce varied seasons full of the best early music performed to the highest standards. Together with the talents of the SMAM family of musicians, collaborations with leading ensembles, and the support of our audiences and donors, we will ensure SMAM remains an institution in which Montréal, Québec and all of Canada can be proud. – Andrew McAnerney

Booklet für L'homme armé