Bach: Redemption Anna Prohaska, Lautten Compagney, Wolfgang Katschner

• Johann Sebastian Bach (1685 - 1750):
• 1 Mache dich, mein Geist, bereit, BWV 115: IV. Air "Bete aber auch dabei" 05:56
• 2 Es ist nichts gesundes an meinem Leibe, BWV 25: I. Chorus "Es ist nichts gesundes an meinem Leibe" 05:00
• 3 Ach Herr, mich armen Sünder, BWV 135: VI. Chorale "Ehr sei ins Himmels Throne" 01:12
• 4 Selig ist der Mann, BWV 57: VII. Air "Ich ende behende mein irdisches Leben" 03:28
• 5 Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. "Schafe können sicher weiden" 03:46
• 6 Sie werden euch in den Bann tun, BWV 44: VI. Air "Es ist und bleibt der Christen Trost" 05:11
• 7 Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: III. Air "Wie zittern und wanken" 05:22
• 8 Nach dir, Herr, verlanget mich, BWV 150: I. Sinfonia 01:12
• 9 Nach dir, Herr, verlanget mich, BWV 150: II. Chorus "Nach dir, Herr, verlanget mich" 03:04
• 10 Wenn mein Stündlein vorhanden ist, BWV 430: I. Chorale 00:52
• 11 Der Himmel lacht! Die Erde jubilieret, BWV 31: VIII. Air "Letzte Stunde, brich herein" 03:44
• 12 Wenn mein Stündlein vorhanden ist, BWV 430: II. Chorale 00:47
• 13 Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179: V. Air "Liebster Gott, erbarme dich" 05:14
• 14 Nach dir, Herr, verlanget mich, BWV 150: IV. Chorus "Leite mich in deiner Wahrheit" 01:47
• 15 Ich habe genug, BWV 82a: I. Air "Ich habe genug" 06:21
• 16 Ich habe genug, BWV 82a: V. Air "Ich freue mich auf meinen Tod" 03:09
• 17 Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: VI. Chorale "Jesu, der du meine Seele" 02:56
• 18 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: III. Air "Die Seele ruht in Jesu Händen" 07:04
• 19 Weichet nur, betrübte Schatten, BWV 202: I. Air "Weichet nur betrübte Schatten" 05:23
• 20 Nach dir, Herr, verlanget mich, BWV 150: VII. Chorus "Meine Tage in dem Leide" 03:20
• 21 Mache dich, mein Geist, bereit, BWV 115: IV. Air "Bete aber auch dabei" (Lounge Version) (Bonus Track) 05:01
• Total Runtime 01:19:49

Info for Bach: Redemption

Anna Prohaska asked Wolfgang Katschner and the Lautten Compagney at the outset of the coronavirus crisis whether they shouldn’t spontaneously organize a musical get-together in this period. This has now resulted in #ERLÖSUNG/REDEMPTION, a sequence of music selected solely from Bach cantatas, compiled in keeping with the aforenamed conceptual association. We see the motto ERLÖSUNG/REDEMPTION as having multiple meanings, for instance: can music give us consolation in times of sickness and crisis; can it open up emotional and contemplative spaces for us; is it redemptive for us as musicians to be the “Instruments” in engendering music and therefore spirituality… ? Besides Anna as soloist and three other singers, we cast a larger group of musicians – around twenty instrumentalists – which stands for the lautten compagney and communes in accompanying the arias Anna sings, hence also initiating a statement or a kind of living sign of a collective such as the ensemble normally represents.

Anna Prohaska, soprano
Lautten Compagney
Wolfgang Katschner, conductor

Anna Prohaska
made her debuts at the Komische Oper at the age of 17, the Deutsche Staatsoper Berlin at 23 and the Berliner Philharmoniker at 24. Awards include the Echo Klassik, the Daphne Preis and the Schneider-Schott-Preis. Anna is currently a “Junge Wilde” artist at the Konzerthaus in Dortmund.

At the Salzburg Festival her appearances have included Zerlina and Despina, and concerts with the Cleveland Orchestra, the NHK Symphony Orchestra and the Wiener Philharmoniker. For the Bayerische Staatsoper she has sung Blonde and Inanna (Babylon), and for the Teatro alla Scala Milan she has sung Zerlina, a role she repeated for the company’s tour to the Bolshoi Theatre in Moscow. For the Theater an der Wien she has sung Marzelline (Fidelio) and Anne Trulove, and for the Royal Opera House in London Constance (Dialogues des carmélites)

She is a member of the ensemble of the Deutsche Staatsoper Berlin where her roles have included Pamina, Anne Trulove, Susanna, Sophie, Blonde, Zerlina, Despina, Poppea (Handel’s Agrippina), Oscar, and Frasquita with conductors such as Daniel Barenboim, Sir Simon Rattle, Philippe Jordan, Ingo Metzmacher and René Jacobs.

As both a modern and early music specialist Anna’s wide-ranging repertoire includes Jörg Widmann’s Babylon, composed for her and premiered at the Bayerische Staatsoper, Wolfgang Rihm’s Samothrake, dedicated to her and premiered with the Leipzig Gewandhaus Orchestra, and Rihm’s Mnemosyne with the Berliner Philharmoniker and Claudio Abbado. On the early music scene, Anna performs regularly with Nikolaus Harnoncourt, the Academy of Ancient Music, and the Akademie für Alte Musik Berlin.

Appearances on the concert platform include the Wiener Philharmoniker (Boulez), the Berliner Philharmoniker (Rattle, Harding and Abbado), the Symphonieorchester des Bayerischen Rundfunks (Jansons, Harding and Labadie), the London Symphony Orchestra (Rattle), Lucerne Festival Orchestra (Abbado), Simón Bolívar Symphony Orchestra of Venezuela (Abbado), Los Angeles Philharmonic (Dudamel) and the Boston Symphony (von Dohnanyi). In recital she appears in Schwarzenberg, Salzburg, Edinburgh, Lucerne, Berlin, Vienna, London and Amsterdam, where her pianists include Eric Schneider, Maurizio Pollini and Daniel Barenboim.

Recordings include Pergolesi’s Stabat Mater with Bernarda Fink for Harmonia Mundi, and two DVD releases for Accentus Music: Berg’s Lulu Suite with the Simón Bolívar Youth Orchestra of Venezuela and Claudio Abbado; and Mozart’s Requiem with the Lucerne Festival Orchestra and Claudio Abbado. Her first solo album, Sirène, was released in 2011 on the Deutsche Grammophon label. Her second album, The Enchanted Forest, re-launched the Archiv label and Anna toured the programme in London, Vienna, Frankfurt, Berlin, Essen and Munich.

Anna’s most recent recording, released in June 2014 by Deutsche Grammophon, is entitled Behind the Lines. This recital programme marks the 100th anniversary of the outbreak of the First World War and focuses on the people involved in the Great War and their lives. The programme was premiered by the Radialsystem Berlin and in the anniversary year tours London, Berlin, Vienna, Dortmund, Cologne and Munich, and the Edinburgh and Salzburg festivals.

Booklet for Bach: Redemption