Perception (Remastered 2025) Catalyst

• 1 Perception (Remastered 2025) 14:33
• 2 Uzuri (Remastered 2025) 02:59
• 3 Celestial Bodies (Remastered 2025) 08:48
• 4 Ile Ife (Remastered 2025) 06:23
• 5 Got To Be There (Remastered 2025) 02:44
• Total Runtime 35:27

Info zu Perception (Remastered 2025)

Newly remastered - The funkiest band you’ve never heard! The groove purveyors of Jazz Dispensary have dug deep into the Craft Recordingsvaults for their latest Top Shelf series reissue: Catalyst’s long-sought-after 1973 sizzler, Perception. Out of print for more than five decades, the album serves up a moody strain of jazz that activates both the mind and the soul, while a powerhouse cast of musicians (saxophonist/flutist Odean Pope, keyboardist Eddie Green, synth pioneer Patrick Gleeson, and guitarist Norman Harris, among others) deliver some of their finest performances. Featuring such highlights as “Uzuri,” “Celestial Bodies,” “Perception,” and “Got to Be There,”

As the self-proclaimed “funkiest band you’ve never heard,” Catalyst was a Philadelphia-based quartet whose far-out brand of jazz made them one of the earliest purveyors of fusion. Their sound was fresh and innovative, while their breathtaking musicianship was of the highest caliber. And yet, a multitude of factors prevented the short-lived band from achieving widespread recognition. Those in the know, however, have long revered Catalyst’s brief but influential catalog.

Formed at the turn of the ’70s, Catalyst featured a supremely talented line-up of local musicians, including keyboardist/vocalist Eddie Green, percussionist Sherman Ferguson (who began as a sideman for the likes of Pat Martino, Charles Earland, and Don Patterson), and tenor saxophonist/flutist Odean Pope, who cut his chops playing alongside everyone from James Brown and Marvin Gaye to Max Roach. Founding bassist Alphonso Johnson, who would go on to work with legendary fusion group The Weather Report, was replaced by Tyrone Brown not long after the release of Catalyst’s self-titled debut.

Playing regularly around their home city, the quartet was discovered by producer Skip Drinkwater (Alphonse Mouzon, Eddie Henderson, Lee Ritenour), who signed them to the New York-based jazz label, Cobblestone Records (acquired soon after by Muse Records). Working with Drinkwater and producer Dennis Wilen, the group recorded 1972’s Catalyst—a blend of jazz, rock, and funk, that helped earn the band a cult following.

The following year, they returned with Perception. Working once again with Drinkwater and Wilen, the ensemble expanded upon their debut, allowing themselves the space to explore the limits of their musical creativity. Helping them achieve their sound were several special guests, including guitarist Norman Harris, who was hugely influential in creating the “Philly Sound,” as well as synth pioneer Patrick Gleeson, who can be heard on the ARP.

The focused, near-telepathic connection between the musicians is palpable, as they deftly blend avant-garde jazz with atmospheric soul, creating a sound that is provocative yet accessible. Among the highlights is the heady, fourteen-and-a-half-minute-long “Perception.” On the other end of the spectrum—clocking in at just under three minutes—is the breezy and melodic “Uzuri,” led by Pope, who shines on the flute. The ethereal “Celestial Bodies,” meanwhile, showcases Green’s nuanced work on the keyboards. The quartet closes out the album with a groovy rendition of “Got to Be There,” made famous by a young Michael Jackson just two years earlier.

Following the release of Perception, Catalyst returned with two more albums—1974’s Unity and 1975’s A Tear and a Smile—before parting ways in 1976 to pursue other projects. Pope reunited with Max Roach; Brown, Ferguson, and Green recorded with Pat Martino; and Ferguson performed alongside Pharoah Sanders, Kenny Burrell, and Dizzy Gillespie, among others.

Limited by a lack of label support, Catalyst’s profile remained largely confined to the cities where they performed (namely Philadelphia and New York). Still, the group earned a cult following over the decades, as their coveted albums were shared between those in the know. In addition to being sampled by various artists, Catalyst was honored by Questlove, Christian McBride, and Uri Caine, who paid tribute with covers of Perception’s “Ile Ife” and Catalyst’s “Ain’t It the Truth” on their acclaimed 2001 album, The Philadelphia Experiment.

In more recent years, Catalyst—and Perception—have garnered renewed attention through a variety of retrospectives.AllMusic hailed it as “brilliant avant-garde work,” while All About Jazz noted that “the five tunes that make up…Perception, offer, perhaps, the best viewpoint of this interesting group…. The quartet breaks from riffs and vamps to freely explore from within.”

Zuri Tyrone Brown, bass
Onaje Sherman Ferguson, drums, percussion
Nwalinu Odean Pope, tenor saxophone, flute
Sanifu Eddie Green, electric piano
Additional musicians:
Farel Johnson, congas, percussion
Norman Harris, guitar
Jabali Billy Hart, percussion
Pat Gleason, synthesizer
Anthony Jackson, bass
Larry Washington, congas

Digitally remastered

Catalyst
was a funk/jazz quartet from Philadelphia, Pennsylvania, whose material presaged the work of later jazz fusion artists. The group encountered regional success in the 1970s and have become more widely known since the re-release of their material on CD. The group was discovered by producer Skip Drinkwater, who signed them to Muse Records after hearing them play at a club in West Philadelphia. Drinkwater and Dennis Wilen produced their debut self-titled LP, released in 1972 with the following personnel: Eddie Green (keyboards, vocals), Sherman Ferguson (percussion), Odean Pope (saxophone, flute, oboe), Al Johnson (bass). The group received little label support for major tours and so spent most of their playing time in the Philadelphia and New York areas. The group recorded and released a second album in 1972 on Cobblestone Records, entitled Perception; by this time, bassist Johnson had left the group to join Weather Report, and was replaced by Tyrone Brown. Drinkwater and Wilen also produced this album. Garnering comparisons to John Coltrane, Weather Report, and Return to Forever,a cult following had grown up around the band by this time, who returned in 1974 with Unity, again on Muse. The album featured Billy Hart in addition to its core members. 1975's After a Tear and a Smile would be the group's final release; poor album sales and disenchantment with the industry led the group to disband in 1976. Following their time with Catalyst, Green played with Pat Martino and MFSB, and both Pope and Brown began playing gigs with Max Roach; Pope also played with the Saxophone Choir. Ferguson later played with Pharaoh Sanders, Bud Shank, and Kenny Burrell. In the 1990s, the Muse catalog was acquired by Joel Dorn's 32 Jazz label, which released some of Catalyst's work on a 1998 compilation album. Fan interest led to their entire four-album discography being released as a 2-CD set, entitled The Funkiest Band You Never Heard. "Ain't it the Truth" and "Ile Ife" were covered by Uri Caine (keyboards), A.Thompson (Drums, from The Roots), and Christian McBride (bass), on their album "The Philadelphia Experiment".

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