All These Lighted Things Antwerp Symphony Orchestra & Elim Chan

• Sergei Prokofiev (1891 - 1953): Romeo and Juliet, Suite No. 2, Op. 64ter:
• 1 Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets 05:05
• 2 Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: II. The Young Juliet 04:12
• 3 Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: III. Friar Laurence 02:39
• Romeo and Juliet, No. 1, Op. 64bis:
• 4 Prokofiev: Romeo and Juliet, No. 1, Op. 64bis: V. Masks 01:56
• 5 Prokofiev: Romeo and Juliet, No. 1, Op. 64bis: VI. Romeo and Juliet 07:15
• 6 Prokofiev: Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt 04:48
• Romeo and Juliet, Suite No. 2, Op. 64ter:
• 7 Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: V. Romeo and Juliet Before Parting 07:54
• 8 Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: VII. Romeo at Juliet's Grave 05:59
• Elizabeth Ogonek (b. 1989): All These Lighted Things:
• 9 Ogonek: All These Lighted Things: I. Exuberant, playful, bright 04:51
• 10 Ogonek: All These Lighted Things: II. Gently drifting, hazy 04:33
• 11 Ogonek: All These Lighted Things: III. Buoyant 04:58
• Maurice Ravel (1875 - 1937): Daphnis et Chloé, Suite No. 2, M. 57b:
• 12 Ravel: Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever de jour 06:06
• 13 Ravel: Daphnis et Chloé, Suite No. 2, M. 57b: II. Pantomime 06:02
• 14 Ravel: Daphnis et Chloé, Suite No. 2, M. 57b: III. Danse générale 04:40
• Total Runtime 01:10:58

Info for All These Lighted Things

Wer die Dirigentin Elim Chan schon einmal auf der Bühne erlebt hat, weiß um die immense Energie, die ihr Taktstock erzeugt. Mit dem Antwerpener Symphonieorchester, dessen Chefdirigentin sie seit 2019 ist, zelebriert sie ein Genre, das ihr sehr am Herzen liegt: Ballettmusik, bei der sowohl die körperliche Bewegung als auch die orchestrale Kraft im Vordergrund stehen. Mehr als ein Jahrhundert Ballettmusik wird hier präsentiert, mit Auszügen aus Prokofieffs Romeo-und-Julia-Suiten, die zwischen leidenschaftlicher Liebe und tödlicher Gewalt oszillieren; der Suite Nr. 2 aus Ravels Daphnis et Chloé, der Frucht seiner ersten Zusammenarbeit mit Diaghilew im Jahr 1912, die er als »choreografische Sinfonie« bezeichnete; und schließlich einem Werk von Elizabeth Ogonek, All These Lighted Things, das 2017 uraufgeführt wurde. Obwohl der Titel dieser »drei kleinen Tänze für Orchester« von einem Gedicht stammt, das eine beruhigende Vereinigung mit der Erde in der Morgendämmerung eines sonnigen Tages beschwört, endet das Stück mit einer Art Volkstanz, der in einen Orchestersturm ausartet.

Antwerp Symphony Orchestra
Elim Chan, Dirigent

Elim Chan
One of the most sought-after artists of her generation, Elim Chan performs an unusually wide-ranging repertory of symphonic works extending from the Classical period to the present day. The Sunday Times describes Elim Chan as “a rare example of a young conductor at once brilliant and not in the least showing off.” In January 2022, the Boston Classical Review spoke of a “marvel of control and understanding” following Elim Chan’s debut with the Boston Symphony Orchestra: “…Chan was the night’s revelation. As a conductor, she’s the embodiment of the principle that less is more. Like Fritz Reiner or Bernard Haitink, she’s not overly demonstrative on the podium. But her beat is clear, gestures economical, and cues precise. Also, she has an exceptionally sensitive ear.“

Elim Chan was principal guest conductor of the Royal Scottish National Orchestra from 2018 to 2023 and has been principal conductor of the Antwerp Symphony Orchestra since 2019. In her last season as chief conductor, she will present the orchestra in the Benelux in the 2023-24 season with amongst others Gustav Mahler’s 4th Symphony and soloists including Sol Gabetta and Midori.

Highlights of the 2023-24 season include debuts with the Salzburg Festival, the Orchestre de Paris as well as the Staatskapelle Berlin and the Staatskapelle Dresden, as well as the New York Philharmonic. Further debuts in North America are scheduled with the Orchestre Métropolitain in Montreal as well as the Minnesota Orchestra and Seattle Symphony. In Europe, first collaborations will take place with the Danish National Orchestra and the radio orchestras of the German broadcasters SWR, RSB and WDR. Re-invitations this season will take Elim Chan to the Los Angeles Philharmonic and St. Louis Symphony Orchestra as well as the Oslo Philharmonic, Swedish Radio Symphony Orchestra and the Philharmonia Orchestra in London. In spring 2023, the Orquesta Sinfónica de Castilla y León announced a three-year collaboration with Elim Chan as Associate Conductor, focusing on Stravinsky’s ballets.

A native of Hong Kong, Elim Chan studied at Smith College, Northampton, Massachusetts, and at the University of Michigan. In 2014 she was the first female winner of the Donatella Flick Conducting Competition, enabling her to spend the 2015-16 season as assistant conductor at the London Symphony Orchestra, where she worked closely with Valery Gergiev. For the following season Elim Chan joined the Dudamel Fellowship program of the Los Angeles Philharmonic. She also owes much to the support and encouragement of Bernard Haitink, whose masterclasses she attended in Lucerne in 2015.

The Antwerp Symphony Orchestra
is the symphony orchestra of Flanders and is based in the new Queen Elisabeth Hall in Antwerp. Under the baton of Chief Conductor Elim Chan and Honorary Conductor Philippe Herreweghe the orchestra wants to move and inspire a large and diverse audience through top-level concert experiences.

Thanks to its own series of concerts in large venues, the Antwerp Symphony Orchestra occupies a unique position in Flanders. The Antwerp Symphony Orchestra has also been a guest of some major foreign concert halls: the Musikverein and Konzerthaus in Vienna, the Festspielhaus in Salzburg, the Amsterdam Concertgebouw, the Suntory Hall and the Bunka Kaikan Hall in Tokyo, the Philharmonie of Cologne and Munich, the Palace of Art in Budapest and the National Grand Theatre of Beijing. International concert tours through Europe and Asia are a constant item on the yearly calendar.

Alongside its regular concerts, the orchestra attaches great value to developing educational and social projects, offering children, youngsters, and people with different social backgrounds the opportunity to get acquainted with the symphony orchestra from close quarters.

Booklet for All These Lighted Things