Walton: Symphony No. 1 London Symphony Orchestra & Sir Colin Davis

• Sir William Walton (1902 - 1983): Symphony No. 1 in B-Flat Minor:
• 1 I. Allegro assai 14:45
• 2 II. Scherzo. Presto, con malizia 06:40
• 3 III. Andante con malincolia 11:40
• 4 IV. Maestoso - Allegro, brioso ed ardentemente - Vivacissimo - Maestoso 12:51
• Total Runtime 45:56

Info for Walton: Symphony No. 1

By the time he began working on his First Symphony, William Walton had already established himself as the most exciting young British composer of the day. The work proved to be one of the twentieth century's greatest symphonies. Volcanic sentiments simmer beneath its surface and the music conveys the tensions of the 1930s whilst always remaining consistently timeless in its appeal.

"When Sir Colin Davis conducted Walton's First Symphony at the Barbican it was greeted by ecstatic reviews – and rightly so. It was as though critics had suddenly rediscovered this iconic work, which so tellingly reflects the mood of uncertainty and tension in the 1930s. The recording bears out that response: the hushed opening seems as though the music is only just emerging into human consciousness. The mystery quickly evaporates as the nagging syncopations of the ostinato figure become more insistent, developing into a powerful climax. The clarity of texture and sharpness of attack add to the impact, with Davis at ease with the jazz element and finding more light and shade than is common. The Scherzo brings big contrasts too; the slow movement sounds as haunting as the opening and then brings warmly lyrical ideas. The extrovert finale again brings clarity in the contrapuntal writing of successive fugatos, leading to a ripe conclusion." (Gramophone)

London Symphony Orchestra
Sir Colin Davis, conductor

Sir Colin Davis
The traditional road to success for a conductor used to be an apprenticeship in an opera house as a coach, playing the piano for singers in rehearsal. Colin Davis chose another route, partly by necessity. Unable to play the piano, he was not allowed into the conducting course at the Royal College of Music in London. So, he achieved an important international career by taking the initiative to form ensembles and conduct for friends at first. Early successes included the founding of the Chelsea Opera Group, a company which to this day gives performances of little known operas in concert.

Davis was soon working with professional orchestras including the BBC Scottish Symphony. His first ‘break’ was at Sadler’s Wells in 1958 when his conducting of Mozart’s Abduction from the Seraglio began a lifelong connection with that composer. The Edinburgh Festival followed along with Glyndebourne. His concert career blossomed in the mid 1960′s alongside his opera work and his other passion for Berlioz began to bring him to the attention of record lovers. He has recorded all the major works of Berlioz, including the first complete (and still regarded as the landmark) recording of Les Troyens.

Davis has enjoyed a career-long affiliation with Philips Classics, recording along with Berlioz, Mozart, the complete symphonies of Sibelius (while he was Principal Guest Conductor of the Boston Symphony in the 1970s) and much more.

This album contains no booklet.