In Stride (feat. Ari Hoenig & Sam Anning) Quentin Angus

• 1 Jingles 06:23
• 2 Iris 04:30
• 3 In Stride 06:52
• 4 One for Bernie 04:15
• 5 Segment 04:44
• 6 Droplets 07:25
• 7 Wonderwall 04:30
• 8 Kinship 06:00
• Total Runtime 44:39

Info for In Stride (feat. Ari Hoenig & Sam Anning)

Mittlerweile ist Angus zu einem festen Vertreter der dortige Szene gereift. Unzählige Auftritte, international Touren, dutzende Recordings, zahlreiche Auszeichnungen und zwei Buchveröffentlichungen verschafften dem jungen Rhythmus-Virtuosen einen festen Platz in der Reihe der New Yorker Gitarrenwunder. Vor allem Gilad Hekselman, Quentin’s Lehrer und Mentor trägt einen großen Anteil an der Talentförderung des jungen Australiers und promovierten Musiker. Mit In-Stride, seinem dritten Album als Bandleader konzentriert sich Angus auf das wesentlich Gitarristische. Ausgewählte Standards, eine Oasis Pop-Rock Adaption und interessante Eigenkompositionen im intimen Trio Kontext. Angus ist erwachsener geworden und ruhiger. Weniger stürmisch, drängend, dafür emotionaler und besonner. Mit dabei das kreative Trommelwunder Ari Hoenig und Rhythmus Haus Sam Anning am Bass. “Den Lord of the Strings” und “Die Zukunft der Jazzkomposition” attestierte die New Yorker Jazz-Presse Angus bereits. Mit In-Stride erfüllt Angus die hohen Erwartungen an ihn und unterstreicht, dass er noch lange nicht am Ziel ist.

Quentin Angus, Gitarre
Sam Anning, Bass
Ari Hoenig, Schlagzeug

Recorded at Sing Sing Studios, Melbourne, Australia
Mixed at Big Sheep Studios, Brooklyn, USA
Mastered by Michael Perez, Brooklyn, USA
Produced by Quentin Angus

Quentin Angus
Originally from country South Australia, Quentin Angus is a multi-award winning Australian jazz guitarist, 23 years of age, who has recently moved to New York to undertake a Masters at the Purchase College Conservatory of Music, supported by various scholarships. Since his arrival in NY just months ago, Angus has already begun leading his own bands in Manhattan, was selected as one of Downbeat Magazines '34th Annual Student Music Awards' for his composition 'Five Ahead', and was one of 20 musicians from around the globe who were selected for the 2011 'Betty Carter Jazz Ahead Residency' at the Kennedy Centre. His guitar tutor at Purchase College is the world renowned John Abercrombie, although, he is also working closely with John Riley, Todd Coolman, Hal Galper, Jon Gordan, Andy Laverne, Kermit Driscoll, and Dave Ruffels, among many others.

Since beginning guitar lessons when he was 4, Quentin has had a very fruitful performance career. While under the guidance of Jazz Guitar/ History lecturer, Colin Elmer, at the University of Adelaide, Quentin has completed a Cert IV (Jazz Performance), a Bachelor of Music, Honours in Music (Awarded with First Class Honours), and during this time Quentin has won numerous awards, including the most outstanding jazz guitar undergraduate (2006), most outstanding postgraduate music student (2009), received the inaugural directors award from the Conservatorium of Music for his compositional talents (2009), and is also the 2010 recipient of the prestigious Keith Michell Award, from the Helpmann Academy. Quentin also holds an APA scholarship for postgraduate study and has received numerous grants from the Helpmann Academy and CARCLEW, including funding in 2009 to study with Pat Martino, Gilad Hekselman, and Steve Khan. Since then, Quentin has studied with Adam Rodgers, Jonathan Kreisberg, Mike Moreno, and Randy Johnston among others.

Quentin has performed in Australia, Japan, New Zealand and the United States, including events such as the Adelaide International Guitar Festival, Adelaide FRINGE, FUSE Festival, and the Mt Barker Jazz Festival. He has shared the bandstand with Bob Mintzer, Wolfgang Muthspiel, James Morrison and Michelle Nichole, while being involved in various Australian music groups such as Mr Goodnight, The Quentin Angus Quintet, The Adelaide Guitarchestra and The Cerberus Project, he has also appeared as a guest artist in groups such as The New Cabal. In recent years Quentin has also been involved in Musicology. This has included being invited to present his research and transcriptions of Gilad Hekselman and John Abercrombie at conferences in New Zealand and Australia which has since been published.

This album contains no booklet.