The Best Of (Remastered 2025) Isaac Hayes

• 1 Theme From Shaft (Remastered 2025) 03:17
• 2 Walk On By (Remastered 2025) 04:32
• 3 Never Can Say Goodbye (Remastered 2025) 03:39
• 4 The Look Of Love (Remastered 2025) 03:20
• 5 Theme From The Men (Remastered 2025) 04:03
• 6 By The Time I Get To Phoenix (Remastered 2025) 06:56
• 7 Joy (Part 1 / Remastered 2025) 04:37
• 8 Do Your Thing (Remastered 2025) 03:18
• 9 I Stand Accused (Remastered 2025) 04:04
• 10 Wonderful (Remastered 2025) 03:40
• Total Runtime 41:26

Info zu The Best Of (Remastered 2025)

Newly remastered! Singer, composer, producer, and actor Isaac Hayes was a pivotal figure in soul and R&B, whose innovative work in front of the microphone, as well as behind the scenes, forever shaped the musical landscape. Now, Stax Records and Craft Recordings reflects on Hayes’ most prolific period as a solo artist with a brand-new compilation, The Best Of Isaac Hayes. Set for release on June 6th, the ten-track album introduces the artist through the single versions of his biggest hits of the late ’60s and ’70s, including the GRAMMY- and Academy Award-winning “Theme From Shaft,” “Walk on By,” and “Never Can Say Goodbye.”

GRAMMY- and Academy Award-winning singer, composer, producer, and actor Isaac Hayes (1942 – 2008) revolutionized soul music, breaking the mold with extended cuts, orchestration and concept albums during the era of three-minute, radio-driven tracks. Exemplifying the American dream, Hayes was born in rural Tennessee, where he sang in his church’s choir and showed promise on a variety of instruments, including the piano and organ. As a young adult, he relocated to Memphis, where he spent his days working in meatpacking plants and his nights performing at local clubs.

By the turn of the ’60s, Hayes had set his sights on Stax Records: a new Memphis label that was quickly becoming a force in the soul scene. After two failed auditions, he finally had his shot when house keyboardist Booker T. Jones left his post to attend college. Before long, Hayes had become a force at the label, not only backing sessions for stars like Otis Redding, Wilson Pickett, and Albert King, but finding his niche as a songwriter and producer, alongside David Porter. Together, the duo wrote a string of hits, including Sam & Dave’s GRAMMY-winning “Soul Man” and “Hold On! I’m Comin’,” Carla Thomas’ “B-A-B-Y,” and Johnnie Taylor’s “I Got to Love Somebody’s Baby.”

But Hayes was eager to step out in front of the microphone and forge his own solo career. While his jazz-forward 1968 debut, Presenting Isaac Hayes, failed to chart, he refocused and emerged with a brand-new sound and an iconic image—both of which were featured on his groundbreaking 1969 follow-up, Hot Buttered Soul. Bearing an overhead view of the artist’s shaved head, bare shoulders, and massive gold chains, the chart-topping album was a declaration: Isaac Hayes had arrived.

In an era where three-minute, radio-friendly singles were the standard, Hayes eschewed expectations with an album comprised of four sonic ruminations. His signature baritone vocals alternated between spoken-word storytelling and emotive singing, all complimented by lush orchestral arrangements. Two of those tracks—a nearly 19-minute cover of Jimmy Webb’s “By the Time I Get to Phoenix” and a 12-minute rendition of the Burt Bacharach/Hal David-penned “Walk on By”—were edited down, both finding their way to the Billboard Hot 100’s Top 40. With these two singles, Hayes not only set the tone for his next decade of work but also set new rules for soul music.

With the dawn of the ’70s, Hayes entered his most prolific and successful era on the charts, beginning with a cover of Jerry Butler’s “I Stand Accused” (off 1970’s The Isaac Hayes Movement) and another Bacharach/David number, “The Look of Love,” from his second album of the year, …To Be Continued. His follow-up, however, would take him to new heights. Written by Clifton Davis, “Never Can Say Goodbye,” has long been associated with The Jackson 5, whose bouncy, youthful recording was also released in the spring of 1971. But Hayes offered a different interpretation of the song, reimagining it as a seductive slow jam. The sole single off his GRAMMY-winning album Black Moses (1971), Hayes’ version shimmied its way to the R&B Top 5, the Easy Listening Top 20, and peaked at No.22 on the Billboard Hot 100.

That same year, Hayes embarked on what would be a long and successful Hollywood career with his score to the film Shaft. One of his most celebrated musical projects, the GRAMMY-winning 1971 soundtrack topped the Billboard 200, while the supremely funky “Theme From Shaft” (featuring a distinctive and oft-sampled wah-wah guitar intro), became an instant classic—hitting No.1 on the Billboard Hot 100 and earning an Academy Award. Hayes’ enduring soundtrack spawned a second hit single as well, the Latin-tinged “Do Your Thing,” which broke the R&B Top 5.

In addition to a handful of other films (including 1974’s Truck Turner and Tough Guys), Hayes also scored projects for TV. His high-energy instrumental theme for ABC’s The Men fared better than its short-lived namesake, landing in the R&B Top 20 and the Billboard Hot 100’s Top 40 in 1972. The mid-’70s also found the artist continuing to seduce the R&B charts with singles like “Joy, Part 1” (off 1973’s Joy, which features an unedited, nearly 16-minute version of the supremely sultry jam). 1974’s up-tempo “Wonderful,” a non-album track in which Hayes sings the praises of his new love, rounds out The Best Of Isaac Hayes.

While Isaac Hayes left us in 2008, his presence continues to loom large. In addition to his prolific catalog of music (which includes nearly two dozen solo albums and some of Stax Records’ biggest hits), Hayes made his mark as an actor in such blockbusters as Escape From New York (1981) and Robin Hood: Men in Tights (1993), plus shows like The A-Team and Miami Vice. Perhaps most famously, he voiced the beloved character of Chef in the long-running animated series, South Park.

As one of the most sampled artists of all time, Hayes’ songs have continued to live on through hundreds of recordings, including those by Dr. Dre, Wu-Tang Clan, TLC, and, more recently Brockhampton, Yung Gravy, and A-Reece. Among his many honors and awards, Hayes was inducted into the Rock and Roll Hall of Fame in 2002 and the Songwriters Hall of Fame in 2005. In 2004, he was named a BMI Icon for his prolific and influential work as a songwriter, while in 2020, he was celebrated with a posthumous Lifetime Achievement Award by the Recording Academy.

Isaac Hayes

Digitally remastered

Please Note: we do not offer the 192 kHz version of this album, because there is no considerable or audible difference to the 96 kHz version!

Isaac Hayes
Born in Covington, Tennessee august 20, 1942, died august 10, 2008 in Memphis.

He made his first session at Stax in 1963 as a saxophonist on Floyd Newman's 'Frog Stomp' then stayed as a keyboardist, even replacing Booker T. Jones on MG's recordings. He was also a great composer and producer, along with David Porter. He was a longtime songwriter and arranger for Stax Records in Memphis, playing in the studio's backup band and crafting tunes for artists such as Otis Redding, Sam and Dave, Carla Thomas and Johnnie Taylor in the 1960s.

Among the songs he wrote for Stax artists, often with his partner David Porter, were 'Hold On, I'm Comin',' 'Soul Man,' 'When Something Is Wrong with My Baby' and 'B-A-B-Y.'

'Isaac Hayes embodies everything that's soul music,' Collin Stanback, an A&R executive at Stax, told The Associated Press on Sunday. '

Hayes released his first solo album in 1967, and his 1969 follow-up, 'Hot Buttered Soul,' became a platinum hit. 'Hot Buttered Soul' was notable for its lengthy, richly orchestrated covers of 'Walk On By' and 'By the Time I Get to Phoenix,' and became a hit.

In 1971, the theme from 'Shaft' topped the Billboard Hot 100 for two weeks and won an Academy Award for best original theme song. The song and the movie score also won Grammy awards for best original score and movie theme.

Hayes won a third Grammy for pop instrumental performance with the title track to his 1972 'Black Moses' album.

From the late 1990s through 2006, Hayes provided the voice of 'Chef' for Comedy Central's raunchy animated series 'South Park,' as well as numerous songs.

The role introduced him to a new generation of fans, but he left after the show lampooned his own religion, the Church of Scientology.

Hayes' other acting roles included 'Tough Guys,' 'I'm Gonna Get You Sucka' and 'Hustle & Flow.' He played himself in the forthcoming 'Soul Men,' with Samuel L. Jackson. 'Soul Men' also stars Bernie Mac, who died Saturday.

Hayes was inducted into the Rock and Roll Hall of Fame in 2002.

Dieses Album enthält kein Booklet