Chopin: Complete Mazurkas, Vol. 2 Peter Jablonski

• Frédéric Chopin (1810 - 1849): Mazurka:
• 1 Chopin: Mazurka in B-flat major, B. 16 (1826) 01:38
• 2 Chopin: Mazurka in G major, B. 16 (1826) 01:43
• 3 Chopin: Mazurka in D major, B. 31 (1829) 01:20
• 4 Chopin: Mazurka in B-flat major, B. 73, ‘Wołowska’ (1832) 01:18
• 5 Chopin: Mazurka in C major, B. 82 (1833) 02:59
• 6 Chopin: Mazurka in A-flat major, B. 85 (1834) 01:32
• 7 Chopin: Mazurka No. 51 in A minor, B. 140, ‘À Émile Gaillard’ 03:24
• 8 Chopin: Mazurka No. 50 in A minor, B. 134, ‘Notre temps’ 03:38
• 9 Chopin: Mazurka No. 30 in G major, Op. 50/1 02:22
• 10 Chopin: Mazurka No. 31 in A-flat major, Op.50/2 03:14
• 11 Chopin: Mazurka No. 32 in C-sharp minor, Op. 50/3 05:00
• 12 Chopin: Mazurka No. 33 in B major, Op. 56/1 04:56
• 13 Chopin: Mazurka No. 34 in C major, Op. 56/2 01:40
• 14 Chopin: Mazurka No. 35 in C minor, Op. 56/3 05:53
• 15 Chopin: Mazurka No. 36 in A minor, Op. 59/1 03:57
• 16 Chopin: Mazurka No. 37 in A-flat major, Op. 59/2 02:39
• 17 Chopin: Mazurka No. 38 in F-sharp minor, Op. 59/3 03:21
• 18 Chopin: Mazurka No. 39 in B major, Op. 63/1 02:12
• 19 Chopin: Mazurka No. 40 in F minor, Op. 63/2 01:48
• 20 Chopin: Mazurka No. 41 in C-sharp minor, Op. 63/3 02:28
• 21 Chopin: Mazurka No. 42 in G major, Op. 67/1 01:17
• 22 Chopin: Mazurka No. 43 in G minor, Op. 67/2 01:47
• 23 Chopin: Mazurka No. 44 in C major, Op. 67/3 01:38
• 24 Chopin: Mazurka No. 45 in A minor, Op. 67/4 03:01
• 25 Chopin: Mazurka No. 46 in C major, Op. 68/1 01:42
• 26 Chopin: Mazurka No. 47 in A minor, Op. 68/2 02:55
• 27 Chopin: Mazurka No. 48 in F major, Op. 68/3 01:46
• 28 Chopin: Mazurka No. 49 in F minor, Op. 68/4 02:12
• Total Runtime 01:13:20

Info for Chopin: Complete Mazurkas, Vol. 2

Der international gefeierte schwedische Pianist Peter Jablonski ist als glühender Verfechter der polnischen Musik bekannt. Nach seinem ersten Album mit Chopins Mazurken, das im Oktober 2022 erschien, setzt Jablonski mit diesem zweiten Band die Aufnahme einiger seiner liebsten Klavierwerke fort. Für Chopin wurden die Mazurken zu einem zutiefst persönlichen, intimen Ausdruck seiner Gefühle als polnischer Komponist, der als Emigrant in Paris lebte. Von einigen seiner allerersten bis zu seinen letzten Kompositionen ist dies die einzige Form, die Chopin während seines gesamten Lebens regelmäßig komponierte. In ähnlicher Weise haben Chopins Mazurken Peter Jablonski während seiner gesamten Karriere als Pianist in fast jedem Solokonzert begleitet.

Dieser zweite und letzte Band von Chopins Mazurken von Peter Jablonski enthält die Mazurken Nr. 30-51 sowie sechs posthume Mazurken. Dieses Album enthält auch Chopins letzte Komposition, die nur wenige Wochen vor seinem Tod entstand, die Mazurka Nr. 49 in f-Moll (1849).

Peter Jablonskis jüngstes Album mit Klavierkonzerten von Grazyna Bacewicz erhielt begeisterte Kritiken, darunter den Editor's Choice der Zeitschrift Gramophone, und das vorherige Soloalbum von Bacewicz wurde vom BBC Music Magazine für das beste Instrumentalalbum des Jahres nominiert.

Peter Jablonski, Klavier

Peter Jablonski
is an award-winning internationally acclaimed Swedish pianist. Discovered by Abbado and Ashkenazy and signed by Decca in his seventeenth year, he went on to perform, collaborate, and record with many of the world’s leading orchestras and conductors, which include the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Leipzig Gewandhaus, Kirov (now Mariinsky), La Scala Philharmonic, Tonhalle Zurich, Orchestre Nationale de France, NHK Tokyo, DSO Berlin, Warsaw Philharmonic, Philadelphia, Los Angeles Philharmonic, and Cleveland Orchestra, Vladimir Ashkenazy, Valery Gergiev, Kurt Sanderling, Esa-Pekka Salonen, Riccardo Chailly, Daniele Gatti, and Myung-Whun Chung, to name a few.

He has performed and recorded the complete piano concertos by Beethoven, Tchaikovsky, Rachmaninoff, and Bartók, and all piano sonatas by Prokofiev. Hailed an ‘unconventional virtuoso’ (Present Arts), during his three-decade-long career he developed a diverse repertoire that includes works by Barber, Gershwin, Szymanowski, Lutosławski, Copland, Stenhammar, with most recent additions of such Scandinavian and European composers as Valborg Aulin, Elfrida Andrée, Laura Netzel, Johanna Müller-Hermann, and Alexey Stanchinsky.

He worked with composers Witold Lutosławski and Arvo Pärt, and had a number of works composed for, and dedicated to him, including Wojciech Kilar’s Piano Concerto, for which he won the Orpheus award for the world premiere performance at the Warsaw Autumn Festival. He remains a supporter of today’s composers and regularly gives world premieres of new works, together with those that have been neglected by music history.

Jablonski’s extensive discography includes recordings he has made for Decca, Deutsche Grammophon, Philips, Altara, Octavia, and Ondine labels. He received numerous awards for his recordings, which include the Edison award for best concerto recording of Shostakovich’s First Piano Concerto, Rachmaninov’s Rhapsody on a Theme of Paganini, and Lutoslawski’s Paganini Rhapsody with Ashkenazy and RPO for Decca. He was presented with the Grammophone Classical Music Award for his Deutsche Grammophone recording of works by Cécile Chaminade with Anne Sofie von Otter and Bengt Forsberg.

Peter Jablonski is the recipient of the Litteris et Artibus medal for his services to culture, granted to him by the King of Sweden, Carl XVI Gustaf. He is also the winner of a prestigious prize Svenskar i Världen (International Swedish Personality of the Year), receiving it before ABBA and Astrid Lindgren.

This album contains no booklet.