Harmonia Sacra Christophe Rousset

• Henry Purcell (1659-1695):
• 1 Tell me, some pitying angel (The blessed Virgin’s expostulation) 07:23
• 2 In the black, dismal dungeon of despair 04:09
• 3 We sing to him, whose wisdom form’d the ear 02:03
• 4 Air in G Minor 01:26
• 5 Great God, and just (A penitential hymn) 02:28
• 6 My song shall be alway (psalm 89) 03:06
• 7 Ground in D Minor 01:29
• 8 Lord, what is man? 05:22
• 9 Let the night perish (Job’s curse) 04:17
• 10 Chaconne in G Minor 02:25
• 11 The night is come (An evening hymn) 02:32
• 12 With sick and famish’d eyes 05:15
• 13 How have I stray’d 03:38
• 14 Suite in G Minor: I. Prelude 01:25
• 15 Suite in G Minor: II. Allemande 03:31
• 16 Suite in G Minor: III. Courante 01:50
• 17 Suite in G Minor: IV. Sarabande 02:02
• 18 My opening eyes are purged (A divine song of the Passion of our Saviour) 04:17
• 19 How long, great God (The aspiration) 03:37
• 20 Ground in C Minor 02:30
• 21 Sleep, Adam, and take thy rest 01:30
• 22 Thou wakeful shepherd (A morning hymn) 02:56
• 23 The earth trembled (On our Saviour’s Passion) 02:07
• 24 Now that the sun hath veil’d his light (An evening hymn on a ground) 04:10
• Total Runtime 01:15:28

Info for Harmonia Sacra

Der unbekannte Purcell: Henry Purcells etwa 30 geistliche Lieder sind vielleicht der am wenigsten bekannte Teil seines Œuvres. Das ist umso erstaunlicher, weil der Komponist in diesen Stücken höchst persönliche und tief emotionale Musik hervorgebracht hat. Jedes für sich hat eine ganz individuelle Prägung. Christophe Rousset hat mit der walisischen Sopranistin Rosemary Joshua eine absolute Spezialistin für dieses Repertoire gewonnen. Er selbst steuert noch eine weitere Facette Purcells bei, die bisher wenig bekannt geworden ist: die Musik für Cembalo solo.

„Von den über 30 geistigen Liedern, die Purcell für eine hohe Stimme geschrieben hat, hören wir hier 16. Rosemary Joshua gestaltet sie mit einer Hingabe, wie man es sich nur wünschen kann." (Audio)

Rosemary Joshua, Sopran
Les Talens Lyriques
Christophe Rousset, Leitung, Cembalo, Orgel
Elizabeth Kenny, Laute
Laurence Dreyfus, Viola da Gamba

Christophe Rousset
the founder of the Les Talens Lyriques and an internationally renowned harpsichordist, is a musician and an orchestral conductor inspired by a passion for opera and the rediscovery of the European musical heritage.

After harpsichord studies at La Schola Cantorum in Paris with Huguette Dreyfus, followed by the Conservatoire Royal in The Hague with Bob van Asperen (winning, at the age of 22, the prestigious First Prize in the 7th Bruges Harpsichord Competition), and followed in turn by the creation of his own ensemble, Les Talens Lyriques, in 1991, Christophe Rousset has a perfect grasp of the richness and diversity of the Baroque, Classical and Preromantic repertoires.

After initially attracting attention for his extraordinary talent as a harpsichordist, he soon made his mark as a conductor, with invitations from around the world to perform with his ensemble (Opéra de Paris, De Nederlandse Opera, Théâtre des Champs-Élysées, Salle Pleyel, Opéra de Lausanne, Teatro Real, Theater an der Wien, Opéra Royal de Versailles, Théâtre Royal de la Monnaie, Barbican Centre, Carnegie Hall, Concertgebouw Amsterdam, the Aix-en-Provence and Beaune Festivals, to name but a few venues).

Alongside this, he has continued to pursue an active career as harpsichordist and chamber musician, performing and recording on the most beautiful period instruments. His complete performances of the works for harpsichord of F. Couperin, Rameau, d’Anglebert and Forqueray and various recordings of pieces by J. S. Bach (Partitas, Variations Goldberg, Concertos for harpsichord, English Suites, French Suites, Klavierbüchlein) are considered landmarks. His most recent recording of another musical monument by the German Cantor, the 2nd book of the Well-tempered Clavier (Aparté) – a recording made in the Château of Versailles on a Joannes Ruckers harpsichord (1628) – has been awarded a number of honours, including a “Choc” from Classica magazine and CD of the week from Britain’s Radio 3. The instruments of the Paris Museum of Music have also been entrusted to him for the recording of three CDs of music by Royer, Rameau and Froberger.

Teaching is also an aspect with major importance for Christophe Rousset, who conducts and organises master classes and academies for young people (Accademia Musicale Chigiana in Siena, CNSMDs Paris, Académie d’Ambronay, Orchestre Français des Jeunes Baroques, Jeune Orchestre Atlantique, Junge Deutsche Philharmonie, the Britten-Pears Orchestra) and he devotes himself with great energy, alongside the musicians of Les Talens Lyriques, to introducing young secondary school pupils in Paris and the surrounding region to the world of music.

Christophe also has a career as guest conductor (Liceu Barcelona, San Carlo Naples, La Scala Milan, Opéra Royal de Wallonie, Orquesta Nacional de España and the Hong Kong Philharmonic, Orchestre du Théâtre Royal de la Monnaie, among other orchestras) as well as the active pursuit of musical research, with the production of critical editions and the publication by Actes Sud of a study on Rameau in 2007.

Christophe Rousset has been awarded the French honours of Chevalier of the Légion d’honneur, Commandeur in the Ordre des Arts et des Lettres and Chevalier in the Ordre national du Mérite.

This album contains no booklet.