Versus (feat. Francesco Tristano, Les Siècles & François-Xavier Roth) Carl Craig

Album info

Album-Release:
2017

HRA-Release:
27.07.2017

Label: InFiné

Genre: Electronic

Subgenre: Electro-Pop

Artist: Carl Craig

Album including Album cover

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FLAC 48 $ 8.80
  • 1 Enter the Darkness 01:22
  • 2 Darkness 07:11
  • 3 Coding Sequence 01:24
  • 4 Sandstorms 06:26
  • 5 At Les 08:06
  • 6 You're Our Best and Only Friend 00:33
  • 7 Desire 08:19
  • 8 Barceloneta Trist 03:33
  • 9 The Melody 06:50
  • 10 Domina 09:27
  • 11 Error in Replication 00:37
  • 12 C-Beams Glitter 01:59
  • 13 Technology 08:17
  • 14 Coding Cycle 01:28
  • Total Runtime 01:05:32

Info for Versus (feat. Francesco Tristano, Les Siècles & François-Xavier Roth)

Classic gems of Carl Craig's discography re-engineered in groundbreaking classical versions. Versus - the much awaited new long player from the Detroit techno producer.

Versus is a work in progress, a perfect encapsulation of InFiné's philosophy, which serves a double duty as a platform to foster hybridization between genres, and also as the label’s ten-year anniversary gift to itself. From an initial recording in 2010, the project evolved into a full studio album containing two original compositions by Francesco Tristano and symphonic versions of Craig classics, reworked in the studio by the man himself. credits

‘Versus’ originally premiered in 2008, with a unique live debut at La Cité de La Musique in Paris, where Carl Craig was joined by Les Siècles orchestra conducted by François-Xavier Roth, Moritz von Oswald, and Francesco Tristano, who arranged and orchestrated all the tracks. Now, nine years later, ‘Versus’ comes to life as an album.

Carl Craig will also be taking Versus on the road for a string of festival performances, where he will be joined by five musicians on stage interpreting the music from the album on to a synthesizer wall.

Francesco Tristano, piano
Jan Orawiec, violin
Martial Gauthier, violin
Sébastien Levy, alto
Julien Barre, cello
Philippe Blard, bass
Marion Ralincourt, flutes
Alexis Kossenko, flutes
Pascal Morvan, oboe
Stéphane Morvan, oboe
Lester Chio, clarinet
Rhéa Vallois, clarinet
Michael Rolland, basson
Yannick Maillet, horn
Pierre Rougerie, horn
Fabien Norbert, trumpet
Nicolas Planchon, trumpet
Fabien Cyprien, trombone
Cyril Lelimousin, trombone
Jonathan Leroi, trombone bass
Jérémy Dufort, tuba
David Dewaste, percussions




Carl Craig
is a Detroit-based producer of techno music, and is considered to be one of the most important names in the Detroit second generation of techno producers and DJs. According to an article about Craig,

Yet the common thread that runs through Craig’s broad musical canon and creative projects is a resounding fascination with futurism. The prolific producer has cultivated a unique path as an artist, entrepreneur and civic leader, guided by his tendency toward forward thinking.

“My livelihood is making music that I can perform, whether I’m doing orchestral production or modular strangeness or generating club music. I don’t restrict myself,” said Craig. “I defined myself by being who I am. The ultimate self respect is when you say you’re going to do something and you go and do it to the best of your ability.”

Craig released his first track in 1989 on a Virgin UK compilation album, two singles followed on labels run by his first collaborator, Derrick May. After a series of ambitious releases for his co-owned Retroactive imprint, in 1991 Craig launched his record label Planet E, with the groundbreaking EP “4 Jazz Funk Classics”, under his alias 69.

Planet E turned 20 in 2011 and Craig celebrated the label’s history by taking Planet-E and its artists and collaborators on a world tour for the first time in the label’s history. As well as this, Planet E invited friends of the label – including Luciano, Kirk Degiorgio, Loco Dice and more – to pick their favorite Planet E track to remix and re-release. Reflecting a year that was packed with events and releases, Craig readily admits that when he started the label he was hoping “it would last forever.” He cites artistic freedom as the highlight of running the label and adds, “It was never a struggle for the label to be an outlet for my or other people’s music. It was always a struggle to stay in business, actually a war to stay in business.”

Looking back now to Craig’s early releases from 1989-1992, one can see how much the wild variety found in his early music set the groundwork for his diverse career. He’s fortunate to serve as an inspiration and influence to countless artists in the underground electronic music scene, as well as crossover acts like Caribou, Underworld, Hot Chip and LCD Soundsystem.



This album contains no booklet.

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