The 1971 Fillmore East Recordings (Remastered) The Allman Brothers Band

• 1 Statesboro Blues 04:44
• 2 Trouble No More (Live At The Fillmore East/1971/First Show) 03:47
• 3 Don't Keep Me Wonderin' (Live At The Fillmore East/1971/First Show) 03:53
• 4 Done Somebody Wrong (Live At The Fillmore East/1971/First Show) 04:24
• 5 In Memory Of Elizabeth Reed (Live At The Fillmore East/1971/First Show) 17:38
• 6 You Don't Love Me (Live At The Fillmore East/1971/First Show) 14:58
• 7 Statesboro Blues (Live At The Fillmore East/1971/Second Show) 04:29
• 8 Trouble No More (Live At The Fillmore East/1971/Second Show) 04:04
• 9 Don't Keep Me Wonderin' (Live At The Fillmore East/1971/Second Show) 03:39
• 10 Done Somebody Wrong (Live At The Fillmore East/1971/Second Show) 04:56
• 11 In Memory Of Elizabeth Reed (Live At The Fillmore East/1971/Second Show) 18:38
• 12 You Don't Love Me (Live At The Fillmore East/1971/Second Show) 19:13
• 13 Whipping Post (Live At The Fillmore East/1971/Second Show) 19:30
• 14 Hot 'Lanta (Live At The Fillmore East/1971/Second Show) 05:19
• 15 Statesboro Blues (Live At The Fillmore East/1971/First Show) 04:18
• 16 Trouble No More (Live At The Fillmore East/1971/First Show) 03:47
• 17 Don't Keep Me Wonderin' (Live At The Fillmore East/1971/First Show) 03:38
• 18 Done Somebody Wrong (Live At The Fillmore East/1971/First Show) 04:08
• 19 In Memory Of Elizabeth Reed (Live At The Fillmore East/1971/First Show) 13:15
• 20 You Don't Love Me (Live At The Fillmore East/1971/First Show) 19:50
• 21 Whipping Post (Live At The Fillmore East/1971/First Show) 17:30
• 22 Statesboro Blues (Live At The Fillmore East/1971/Second Show/Part 1) 04:43
• 23 One Way Out (Live At The Fillmore East/1971/Second Show/Part 1) 04:40
• 24 Stormy Monday (Live At The Fillmore East/1971/Second Show/Part 1) 10:39
• 25 Hot 'Lanta (Live At The Fillmore East/1971/Second Show/Part 1) 05:31
• 26 Whipping Post (Live At The Fillmore East/1971/Second Show/Part 1) 23:05
• 27 Mountain Jam (Live At The Fillmore East/1971/Second Show/Part 2) 35:39
• 28 Drunken Hearted Boy (Live At The Fillmore East/1971/Second Show/Part 2) 07:45
• 29 Bill Graham Introduction / Statesboro Blues (Live At The Fillmore East/1971/Closing Show) 05:31
• 30 Don't Keep Me Wonderin' (Live At The Fillmore East/1971/Closing Show) 03:47
• 31 Done Somebody Wrong (Live At The Fillmore East/1971/Closing Show) 03:36
• 32 One Way Out (Live At The Fillmore East/1971/Closing Show) 05:24
• 33 In Memory Of Elizabeth Reed (Live At The Fillmore East/1971/Closing Show) 12:33
• 34 Midnight Rider (Live At The Fillmore East/1971/Closing Show) 03:07
• 35 Hot 'Lanta (Live At The Fillmore East/1971/Closing Show) 05:48
• 36 Whipping Post (Live At The Fillmore East/1971/Closing Show) 20:14
• 37 You Don't Love Me (Live At The Fillmore East/1971/Closing Show) 17:23
• Total Runtime 06:05:03

Info for The 1971 Fillmore East Recordings (Remastered)

Digitally remastered: After finding success with their first two studio albums, the Allman Brothers Band took to the legendary NYC venue The Fillmore East in 1971 to record their first live album. The Allmans played from March 11-13, 1971, ultimately compiling the best cuts and releasing the masterpiece blues album, At Fillmore East, in July 1971. Now, however, the band has released an expanded, remastered version of the original live album: The 1971 Fillmore East Recordings.

The treasures here are the unreleased tracks, which give the listener a broader perspective. Being a Phish and Dead fan means you have the luxury of hundreds of live recordings on songs to get the exquisite nuances that give the band more substance. We have a deeper connection because we know Phish and the Dead on many levels. With the Allman’s, especially in the 70s and 80s all you had was At Fillmore East and Eat a Peach. Now with all these unreleased versions, we get a fresh take that only enhances their reputation.

Honing a sound after playing hundreds of dates for several years, the Allmans had the ultimate weapon… Duane Allman. He was one of the finest slide guitarists to have ever graced the planet. On the original Fillmore album, producer Tom Dowd opted to includes songs which featured more of Duane’s work. In the 2014 release, it is guitarist Dickey Betts’ unreleased performances that are most eye opening. Betts’ hard charging rock blues style melds effortlessly, and is an integral part of their sound.

As for the rest of the band, Butch Trucks and Jaimoe are a formidable two-drummer combo, better than any band at the time (sorry Deadheads). Berry Oakley was a great bassist who balanced his more urban feel with a southern based blues band. Of course, Gregg Allman on keyboards is a gift. A skillful player on the Hammond B3; but it’s his delta inspired vocals that carry the band’s poetry.

The Allman Brothers Band

Digitally remastered

Allman Brothers Band They formed in 1969, but the road veterans continue to tour like they have something to prove. And they're already legends, with a secure place in history and a plaque at the Rock & Roll Hall of Fame. But THE ALLMAN BROTHERS BAND is also a vital contemporary phenomenon, as much a part of the present and future of music as any band can be.

In early 2003, the group released the critically lauded Hittin' The Note, their first new studio project in nine years (and 24th overall). Released March 18, 2003 on their own Peach label (via a new deal with Sanctuary), these 11 tracks prove the band's ability to adapt its classic sound to the energy and aesthetics of modern rock. The ALLMAN BROTHERS BAND underlined the success of Hittin’ The Note (including two Grammy nominations for the track “Instrumental Illness”) with a live DVD and CD recorded in New York during the group’s annual marathon of shows at the Beacon Theatre (which they have packed over 140 times, including 14 sell-outs in 2006). The group also continues to release music from their personal archives, which they’ve guarded closely over the years.

The Allman Brothers Band at the Beacon Theatre…just hearing the phrase conjures up images and sounds of well executed and passionately played live rock and roll. To capture the event for fans who might not necessarily have been lucky enough to get into the 2894-seat venue, the group recorded the shows, and released the Live At The2 Beacon Theatre DVD in late ’03, and it was quickly certified gold. One Way Out, a live album from the same Beacon stand, came out in March 2004.

2003 also brought further accolades for the ALLMANS. The band was recognized by Rolling Stone for featuring four of the top 100 guitarists of all time: the late Duane Allman was cited as #2, while current guitarists Warren Haynes and Derek Trucks came in at #23 and #81, respectively. Known as one of rock’s best live acts, the ALLMAN BROTHERS BAND were one of only two artists whose live albums ranked in the top 50 of Rolling Stone’s list of the “500 Greatest Albums of All Time.” The ALLMAN BROTHERS BAND was honored for At Fillmore East (while James Brown was saluted for Live At The Apollo). An expanded version of At Fillmore East and the previously unavailable Atlanta International Pop Festival (the July 1970 concert that they both opened and closed) were released to critical and fan acclaim. The group was selected as the first artist to introduce the “Instant Live” program, whereby fans were able to purchase CD copies of the ALLMAN BROTHERS BAND concert they just saw, immediately after the show.

Not many groups have been around as long as The Allman Brothers Band. Of those that have, most have either lapsed into a nostalgia-act coma or withered on a weary vine. If you're talking about a band that has both legs and heart, whose experience feeds an intensity that's rare even among the greenest music newbies, that narrows the field pretty much down to these psychedelic sons of the South. But passion doesn't come easily, which helps explain why it's taken them so long to record once again. In April 1997, frustrated by tensions within the group that were threatening to slow its creative momentum, Warren Haynes and bassist Allen Woody left to pursue Gov’t Mule (with whom he still tours and releases new music), and the focus of the group shifted exclusively to live performance. Though they still delivered killer shows, something was missing, and eventually it became clear that the only way to get it back was to make a change in the personnel. Visit: www.allmanbrothersband.com

This album contains no booklet.