Sun Of Goldfinger David Torn, Tim Berne & Ches Smith

• 1 Eye Meddle 23:55
• 2 Spartan, Before It Hit 22:10
• 3 Soften The Blow 22:50
• Total Runtime 01:08:55

Info for Sun Of Goldfinger

Der Gitarrist, Komponist und langjährige ECM-Musiker David Torn hat mit dem Label bisher ein besonders fruchtbares 21. Jahrhundert erlebt, in dem er zwei Alben unter seinem eigenen Namen veröffentlichte - die Solo-Aufnahme Only Sky und die Quartett-Platte Prezens - sowie Alben von Tim Berne und Michael Formanek produzierte.

Mit Sun of Goldfinger kehrt Torn in einem Trio an der Seite des Altsaxophonisten Berne und des Schlagzeugers Ches Smith zurück. Das Torn / Berne / Smith-Trio, auch Sun of Goldfinger genannt, ist allein auf zwei der drei intensiven über 20 Minuten langen Tracks dieses Albums zu hören; die ausgedehnten Klangteppiche von »Eye Meddle« und »Soften the Blow« - jeweils spontane Gruppenkompositionen - täuschen darüber hinweg, dass nur ein Trio sie webt, wobei Live-Elektronik von Torn und Smith den Klangraum noch zusätzlich erweitert.

Der dritte Track, die Torn-Komposition »Spartan, Before It Hit«, präsentiert ein erweitertes Ensemble mit zwei zusätzlichen Gitarren, Keyboards und einem Streichquartett; es ist eine entrückte Kreation, die von schwebenden Atmosphären über dunkel gefärbte Lyrik bis hin zu stürmischer, himmelbrechender Erhabenheit unterschiedlichste Stadien durchläuft.

David Torn, Gitarre, Live Looping, Electronics
Tim Berne, Altsaxophon
Ches Smith, Schlagzeug, Electronics, Tanbou

David Torn
Improviser, film composer and soundscape artist – approached the far sonic edges of what one man and a guitar can create with only sky, a solo recording of almost orchestral atmosphere. This album followed Torn’s 2007’s acclaimed prezens, a full-band project for ECM (featuring Tim Berne, Craig Taborn & Tom Rainey) that Jazzwise described as “a vibrating collage full of shimmering sonic shapes, a dark, urban electronic soundscape – a potent mix of jazz, free-form rock and technology that is both demanding and rewarding.” Many of those same descriptors apply to only sky, with its hovering ambient shadows and vaulting flashes of light, its channelling of deep country/blues memories and Burroughsian dreams of North Africa. Nearly 30 years before the release of only sky came Torn’s ECM album Cloud About Mercury, with trumpeter Mark Isham and the latter-day King Crimson rhythm section of Tony Levin and Bill Bruford.

Torn’s initial tenure with ECM also included Best Laid Plans, his 1984 release with drummer Geoffrey Gordon; and the guitarist featured on Jan Garbarek’s album It’s OK to Listen to the Gray Voice. More recently, Torn produced and mixed saxophonist Tim Berne’s ECM albums Shadow Man (2013) and You’ve Been Watching Me (2015). Torn, a native of New York state, has worked across jazz (with the Bad Plus and others), film music (Ryuichi Sakamoto, Carter Burwell) and pop (David Bowie, Jeff Beck, David Sylvian and more).

Tim Berne
has been declared “a saxophonist and composer of granite conviction” by The New York Times. Acclaim for the first, eponymous ECM album from Berne’s quartet Snakeoil came from far and wide, with The Guardian calling it “an object lesson in balancing composition, improvisation and the tonal resources of an acoustic band.” With the release of his second ECM album, Shadow Man, All About Jazz affirmed Snakeoil as “Berne’s most impressively cohesive group yet.”). You’ve Been Watching Me, saw Berne leading a quintet version of Snakeoil, adding guitarist Ryan Ferreira to the core group with Matt Mitchell, Oscar Noriega and Ches Smith.

Since learning at the elbow of St. Louis master Julius Hemphill in the ’70s, the Syracuse, New York-born Berne has built an expansive discography as a leader. In his pace-setting ensembles over the past few decades, he has worked with a who’s who of improvisers, including Joey Baron, Django Bates, Jim Black, Nels Cline. Mark Dresser, Marc Ducret, Michael Formanek, Drew Gress, Ethan Iverson, Dave King, Herb Robertson, Chris Speed, Steve Swell, Bobby Previte, Hank Roberts, Tom Rainey and Craig Taborn. As a sideman, Berne has made ECM appearances on recent albums by Formanek (The Rub and Spare Change; Small Places) and David Torn (prezens). The New York Times summed him up by saying: “Few musicians working in or around jazz over the last 30 years have developed an idiomatic signature more distinctive than Tim Berne.”

Ches Smith
Born in San Diego, CA and raised in Sacramento, Ches Smith came up in a scene of punks and metal musicians who were listening to and experimenting with jazz and free improvisation. He studied philosophy at the University of Oregon before relocating to the San Francisco Bay area in 1995. After a few years of playing with obscure bands and intensive study with drummer / educator Peter Magadini, he enrolled in the graduate program at Mills College in Oakland at the suggestion of percussionist William Winant. There he studied percussion, improvisation, and composition with Winant, Fred Frith, Pauline Oliveros and Alvin Curran. One of Winant’s first “assignments” for Ches was to sub in his touring gig at the time, Mr. Bungle (here he met bassist / composer Trevor Dunn who would later hire him for the second incarnation of his Trio-Convulsant). During his time at Mills, Ches co-founded two bands: Theory of Ruin (with Fudgetunnel / Nailbomb frontman Alex Newport), and Good for Cows (w/ Nels Cline Singers’ Devin Hoff). He currently performs and records with Xiu Xiu, and Secret Chiefs 3. He has also performed with Ben Goldberg, Annie Gosfield, Wadada Leo Smith, John Tchicai, Fred Frith, and Trevor Dunn. In addition to Ceramic Dog, he also leads his two of his own projects, Congs for Brums and These Arches. He currently spends his time between Los Angeles, San Francisco and Brooklyn.

Booklet for Sun Of Goldfinger