Now, Voyager, sail... Robert Groslot, Brussels Philharmonic & Linus Roth

• Robert Groslot (b. 1951): Second Concerto for Violin and Orchestra Op. 129:
• 1Groslot: Second Concerto for Violin and Orchestra Op. 129: I. Tempo di Marcia12:22
• 2Groslot: Second Concerto for Violin and Orchestra Op. 129: II. Andante06:59
• 3Groslot: Second Concerto for Violin and Orchestra Op. 129: III. Agitato11:14
• Now, Voyager, sail... (First Symphony) Op. 130:
• 4Groslot: Now, Voyager, sail... (First Symphony) Op. 130: I. . Vivace14:05
• 5Groslot: Now, Voyager, sail... (First Symphony) Op. 130: II. Giocoso05:59
• 6Groslot: Now, Voyager, sail... (First Symphony) Op. 130: III. Lento09:07
• 7Groslot: Now, Voyager, sail... (First Symphony) Op. 130: IV. Vivace06:21
• Total Runtime01:06:07

Info for Now, Voyager, sail...

Nun, Voyager, segle… (Erste Symphonie), Op. 130 ist Robert Groslots erste Symphonie. Der Titel bezieht sich auf ein Gedicht des amerikanischen Autors Walt Whitman. Und die „Scherzo“-Bewegung hat eine Verbindung zum Beatles-Song „Getting Better“ aus dem Album „Sgt.“ Pepper’s Lonely Hearts Club Band. Groslot entlehnt musikalische Motive und paraphrasiert sie in seiner musikalischen Sprache. Ein Alleinstellungsmerkmal der vorliegenden Aufnahme ist, dass der Solopart des Violinkonzerts vom deutschen Virtuosen Linus Roth interpretiert wird. Roth erhielt 2006 (als bester Newcomer) und 2017 den renommierten ECHO KLASSIK Award für seine Aufnahme der Konzerte von Schostakowitsch und Tschaikowsky mit dem London Symphony Orchestra. Er ist aber auch ein unermüdlicher Verfechter eines zu Unrecht vernachlässigten Repertoires. Da Linus fast ausschließlich für die (Wieder-)Entdeckung von Mieczysław Weinberg verantwortlich ist, einem spätromantischen Komponisten, dessen Musik am Rande der Moderne stand, passt er auch perfekt zu Groslots neuem Konzert.

Linus Roth, Violine
Brussels Philharmonic
Robert Groslot, Dirigent

Linus Roth
who already received the ECHO KLASSIK Award as "Best Newcomer" of 2006 forhis début CD on the label EMI, has received his second ECHO award in 2017 for a recording of the violin concertos by Shostakovich and Tchaikovsky with the London Symphony Orchestra under Thomas Sanderling.

Linus Roth has made a name for himself internationally not just with standard repertoire, but also with his discovery or rediscovery of works that have undeservedly fallen into oblivion. He has devoted special attention to the works of Mieczysław Weinberg, both in concerts and the recording studio, being the first violinist to have recorded this composer ́s complete Œuvre on CD. Making Mieczysław Weinberg’s works known to a wider audience is also the aim of the International Weinberg Society, which Linus Roth founded in 2015.

Linus Roth attended the preparatory class of Prof. Nicolas Chumachenco at the Musikhochschule in Freiburg, Germany, before going on to study with Prof. Zakhar Bron. Subsequently, he pursued his studies for several years with Prof. Ana Chumachenco. While studying, he held a scholarship from the Anne-Sophie Mutter Foundation

In October 2012, Linus Roth was appointed professor for violin at the “Leopold-Mozart- Zentrum” at Augsburg University and is also the artistic director of the 10th Leopold Mozart International Violin Competition in Augsburg. In addition, Linus Roth is the artistic director of the international festival Ibiza Concerts, which he himself founded, and of the music festival Schwäbischer Frühling in Ochsenhausen, Germany.

Linus Roth plays on the Stradivarius violin “Dancla” from 1703 – a kind loan from the music foundation of the L-Bank Baden-Württemberg.

Robert Groslot
(1951, Mechelen, Belgium) started his musical career as a pianist. After winning the Alessandro Casagrande Competition in 1974 (Terni) and becoming laureate at the Queen Elisabeth Competition (Brussels, 1978), he undertook concert trips accross 4 continents through more than 20 countries and made many studio, radio and television recordings, over 120 CDs.

A strong supporter of professional music education, Robert Groslot has taught piano at several distinguished music institutions in Belgium and the Netherlands until 2009. The majority of his career he spent at The Royal Conservatory of Antwerp where he was appointed Artistic Director in 1995. In the mid 1990’s he founded two succesful national youth orchestras that served as a training ground for an entire generation of musicians, many of whom can be found working professionally throughout Europe.

Booklet for Now, Voyager, sail...