Cipriano de Rore: Ancor che col partire Marie Bournisien

• Cipriano de Rore (1515-1565)
• 1 Ancor che co'l partire 02:51
• 2 Ancor che co'l partire (arr. A. de Cabezon for harp) 03:22
• 3 Non e ch'il duol 02:56
• 4 Sine nomine a 5 03:58
• 5 Anchor che col partire (arr. G.B. Bovicelli) 03:32
• 6 Io canterei d'amor 02:16
• 7 Susann'un iour 02:37
• 8 Anchor che col partire (arr. A. Gabrieli and B. Schmidt for organ) 03:24
• 9 Non e ch'il duol (arr. P. Phalese for lute) 03:56
• 10 Io canterei d'amor (arr. G. Bassano for chamber ensemble) 03:26
• 11 Non vide'l mondo (arr. G. Dalla Casa for 4 viols) 03:18
• 12 Non gemme non fin' oro (arr. G. Dalla Casa for bass viol and harpsichord) 03:40
• 13 Anchor che col partire (arr. G. Bassano for chamber ensemble) 02:57
• 14 Calami sonum ferentes (arr. for bass viol and violone) 05:08
• 15 Mon petit cueur 04:51
• 16 Anchor che col partire (arr. A. de Cabezon for 4 bassoons) 03:45
• 17 Ave regina caelorum 04:40
• 18 Anchor che col partire (arr. G. Bassano for bassoon and organ) 02:56
• 19 Angelus ad Pastores (arr. G.B. Bovicelli for soprano, bassoon and organ) 03:40
• Total Runtime 01:07:13

Info for Cipriano de Rore: Ancor che col partire

This album marks a double celebration. The Ricercar early-music label is 35 this year. To add extra lustre to that birthday, they have made some new recordings, with their own musicians, of works by the renowned Renaissance composer Cipriano de Rore.

Ricercar celebrates its 35th anniversary with a homage to the greatest Flemish composer of the Renaissance. The works of Cipriano de Rore (1515/16 – 1565) remained extremely popular until well after his death. Several of his madrigals later appeared in dozens of ornamented versions and continued to do so until the beginning of the 17th century; this was an extraordinary success for the time.

Ricercar’s leading ensembles of singers and instrumentalists have each made their own original contribution to this recording, providing a complete overview of de Rore’s sacred and secular works. The madrigal Ancor che col partire binds the entire recording together, firstly through the original setting with its erotically charged text and secondly through many instrumental versions that were soon made from it.

In this, our thirty-fifth anniversary year, as we continue to hear about the supposedly inevitable decline of recordings as we know it, this project alone dares to believe that recording is not dead; it is still able to provide a medium for the unusual works that have created its specific identity and educative values, for such works promote both curiosity and the creation of a musical consciousness.

Ricercar’s philosophy and artistic policies continue unchanged; these bear their fruits in its recordings, wonderfully illuminated pages of a vast History of Early Music.

Marie Bournisien, harp
Mariana Flores, soprano
Paulin Bündgen, counter-tenor
Bernard Foccroulle, organ
Miguel Henry, lute
Jean Tubéry, cornet
Juliette Perret, soprano
Jean Tubéry, recorder
Cappella Mediterranea
Clematis
L'Achéron
Vox Luminis
Doulce Mémoire
Chœur de Chambre de Namur
Leonardo García Alarcón
Lionel Meunier, conductor

No biography found.

Booklet for Cipriano de Rore: Ancor che col partire