Beethoven, Berg, Bartók: Violin Concertos Berliner Philharmoniker & Frank Peter Zimmermann

• Ludwig van Beethoven (1770 - 1827): Violin Concerto in D major, Op. 61:
• 1 Beethoven: Violin Concerto in D major, Op. 61: I. Allegro ma non troppo 21:41
• 2 Beethoven: Violin Concerto in D major, Op. 61: II. Larghetto 07:28
• 3 Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro 09:04
• Alban Berg (1885 - 1935): Violin Concerto "To the Memory of an Angel":
• 4 Berg: Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto 11:20
• 5 Berg: Violin Concerto "To the Memory of an Angel": II. Allegro – Adagio 14:32
• Béla Bartók (1881 - 1945): Violin Concerto No. 1, Sz. 36:
• 6 Bartók: Violin Concerto No. 1, Sz. 36: I. Andante sostenuto 08:50
• 7 Bartók: Violin Concerto No. 1, Sz. 36: II. Allegro giocoso 11:25
• Violin Concerto No. 2, Sz. 112:
• 8 Bartók: Violin Concerto No. 2, Sz. 112: I. Allegro non troppo 14:45
• 9 Bartók: Violin Concerto No. 2, Sz. 112: II. Andante tranquillo 08:37
• 10 Bartók: Violin Concerto No. 2, Sz. 112: III. Allegro molto 10:59
• Total Runtime 01:58:41

Info for Beethoven, Berg, Bartók: Violin Concertos

Zu den wichtigen künstlerischen Begleitern der Berliner Philharmoniker zählen nicht allein die großen Dirigenten der Welt. Immer sind es auch außergewöhnliche Solistinnen und Solisten, die regelmäßig mit dem Orchester auftreten, in der Zusammenarbeit individuelle Impulse setzen und anregende Perspektiven auf die Musik eröffnen. Mit vielen dieser geschätzten Weggefährtinnen und Weggefährten verbindet die Berliner Philharmoniker eine fruchtbare Partnerschaft – mit einigen sogar eine Freundschaft.

Ein solcher Freund ist Frank Peter Zimmermann. Seit dem ersten gemeinsamen Konzert, 1985 in der Waldbühne, sind er und die Berliner Philharmoniker einander aufs Engste verbunden. Seine Auftritte knüpfen einen roten Faden zwischen Generationen von Musikerinnen und Musikern, kaum ein für das Orchester prägender Dirigent dieser Jahre hat nicht mit dem Ausnahmegeiger zusammengearbeitet.

Nun erscheinen vier herausragende Momentaufnahmen dieser intensiven musikalischen Partnerschaft beim hauseigenen Label in einer exklusiven Edition: Den Auftakt macht – mit den Worten Frank Peter Zimmermanns – der »Mount Everest unter den Geigenkonzerten«, das Violinkonzert von Ludwig van Beethoven. Dessen zukunftsweisende Besonderheit besteht vor allem in der engen Verzahnung von Solostimme und Orchester. Als Dirigent mit großem stilistischen Feingefühl ist hier Daniel Harding zu erleben.

Auch das zweite Werk dieser Edition zählt für Frank Peter Zimmermann zum Größten, was die Violinliteratur zu bieten hat. Als eine Art Requiem für die jung verstorbene Manon Gropius komponierte Alban Berg sein »dem Andenken eines Engels« gewidmetes Violinkonzert, das der Geiger mit Kirill Petrenko aufgenommen hat. In der Interpretation Frank Peter Zimmermanns offenbart sich der tief romantisch geprägte Tonfall des zwölftönigen Werks, von dem der Solist sagt, dass es ihm nach jeder Aufführung »ein Stück [s]einer Seele genommen hat«. Die Zeit des gemeinsamen Musizierens mit Kirill Petrenko. empfindet Frank Peter Zimmermann als unvergessliche »Sternstunden«.

Ergänzt werden die beiden ersten großen »B« durch ein weiteres, nicht minder großes: Béla Bartók. Dessen enorm detail- und nuancenreicher Musik näherte sich Frank Peter Zimmermann mit größtem Respekt. Erst relativ spät in seiner künstlerischen Laufbahn begann er mit der zeitintensiven Einstudierung der beiden Violinkonzerte des Komponisten – die ihn dann sofort in ihren Bann zogen. Heute sind sie ein unverzichtbarer Bestandteil seines Repertoires. Mit den Berliner Philharmonikern und Alan Gilbert, mit dem ihn seit über 20 Jahren eine enge Freundschaft verbindet, hat Frank Peter Zimmermann 2016 beide Violinkonzerte aufgenommen. Während das schwärmerische Erste ganz im Zeichen der Liebe des Komponisten zur jungen Geigerin Stefi Geyer steht, besticht das Zweite durch seine sinnliche Melodik und eine höchst originelle Formgestaltung. Letzteres nennt Frank Peter Zimmermann »eines der drei größten Violinkonzerte, die je komponiert worden sind«.

Frank Peter Zimmermann, Violine
Berliner Philharmoniker
Daniel Harding, Dirigent (Ludwig van Beethoven)
Kirill Petrenko, Dirigent (Alban Berg)
Alan Gilbert, Dirigent (Béla Bartók)

Sir Simon Rattle
born in Liverpool in 1955, assumed the post of chief conductor of the Berliner Philharmoniker and artistic director of the Berliner Philharmonie in September 2002.

After studying at the Royal Academy of Music in London he took on various engagements in England and the USA, where he was principal guest conductor of the Los Angeles Philharmonic Orchestra. In 1980 Simon Rattle was appointed principal conductor and artistic adviser of the City of Birmingham Symphony Orchestra (CBSO). He became the orchestra’s music director in 1990 and remained with the ensemble until 1998.

In addition to the CBSO, Simon Rattle continued to conduct leading orchestras in the USA and Europe, enjoying long-term collaborations with such ensembles as the Boston Symphony Orchestra, the Philadelphia Orchestra and the Vienna Philharmonic. In May 2002 he recorded the complete Beethoven symphonies with the Vienna Philharmonic and joined forces with Alfred Brendel to record a boxed set of the Beethoven piano concertos. Since October 1992 Simon Rattle has been principal guest conductor of the Orchestra of the Age of Enlightenment and artistic adviser to the Birmingham Contemporary Music Group.

Since his operatic debut at the 1977 Glyndebourne Festival, Simon Rattle has continued to conduct opera regularly. He has appeared at opera houses in Paris, Amsterdam and London, and in January 2005 he was invited to the Wiener Staatsoper for the first time, where he conducted Richard Wagner’s Parsifal. In April 2008 he made his debut at the Staatsoper Berlin, conducting Claude Debussy’s Pelléas et Mélisande in a revival of the Ruth Berghaus production. In December 2010 he made his Metropolitan Opera New York debut with Pelléas et Mélisande.

Simon Rattle has led the Berliner Philharmoniker in staged productions of Ludwig van Beethoven’s Fidelio, Wolfgang Amadeus Mozart’s Così fan tutte, Benjamin Britten’s Peter Grimes and Claude Debussy’s Pelléas et Mélisande, Salome by Richard Strauss and George Bizet’s Carmen as well as a concert performance of Mozart’s Idomeneo at the Salzburg Easter Festival. Richard Wagner’s Der Ring des Nibelungen was presented at Salzburg in a co-production with the Aix-en-Provence Festival, beginning with Das Rheingold in 2007, followed by Die Walküre in 2008 and Siegfried in 2009, with Götterdämmerung completing the cycle in 2010.

Before being appointed chief conductor of the orchestra, Simon Rattle had already collaborated with the Berliner Philharmoniker over a period of 15 years. His conducting debut with the ensemble took place on 14 November 1987 with a performance of Gustav Mahler’s Symphony No. 6. He continued to lead the orchestra on a regular basis, conducting repertoire ranging from Jean-Philippe Rameau to world premieres.

Simon Rattle has an exclusive recording contract with EMI; together they have produced more than 70 recordings with the CBSO and other orchestras. He inspired the British television series Leaving Home (Channel 4), which brings 20th-century orchestral music to the general public. The series is also available in Germany on DVD and won an award in 1997. Rattle’s recording partnership with the Berliner Philharmoniker began with recordings of Franz Liszt’s Faust Symphony and Gustav Mahler’s Symphony No. 10 in Deryck Cooke’s performing version. These were followed by Arnold Schoenberg’s Gurre-Lieder and Mahler’s Fifth Symphony in 2002, Ludwig van Beethoven’s Fidelio in 2003 and Olivier Messiaen’s Éclairs sur l’au-delà in 2004. In the same year, the Berliner Philharmoniker produced its first independent recording, Igor Stravinsky’s Le Sacre du printemps, which formed the soundtrack for the film Rhythm Is It! 2005 brought releases of Carl Orff’s Carmina Burana, a collection of orchestral songs by Benjamin Britten with Ian Bostridge and Antonín Dvořák’s symphonic poems. Franz Schubert’s Symphony No. 8 in C major, Richard Strauss’s Ein Heldenleben and Der Bürger als Edelmann, Gustav Holst’s The Planets, with Colin Matthews’s Pluto and compositions on asteroids by Kaija Saariaho, Brett Dean, Matthias Pintscher and Mark-Anthony Turnage, were released in 2006, as well as a collaboration with Krystian Zimerman as soloist in Johannes Brahms’s Piano Concerto No. 1 (on Deutsche Grammophon).

The 2007 recording of Brahms’s Ein deutsches Requiem with the Rundfunkchor Berlin and soloists Thomas Quasthoff and Dorothea Röschmann received a Grammy Award in February 2008. A Haydn concert of Symphonies No. 87 – 92, recorded live in the Berlin Philharmonie in February 2007, was released the following August. The live recording of the 2007 New Year’s Eve concert, with Pictures at an Exhibition by Mussorgsky/Ravel and Borodin’s Second Symphony and Polovtsian Dances, appeared on the market one week later. In March 2008 the live CD of Gustav Mahler’s Symphony No. 9, recorded in the Philharmonie in October of the previous year, was released. The recording of Stravinsky’s Symphony of Psalms and Symphony in C, released in June 2008, won a Grammy as “Best Choral Performance” in February 2009. Sir Simon Rattle’s recent releases include Anton Bruckner’s Symphony No. 4 in E-flat major and Maurice Ravel’s one-act opera L’Enfant et les sortilèges and Ma Mère l’Oye, recorded live in concert at the Philharmonie in September 2008. The recording of Johannes Brahms’s four symphonies was released in Germany in August 2009, and Peter Tchaikovsky’s Nutcracker was released in September 2010. Mahler’s Symphony No. 2 was published in Spring 2011. The recording of Johann Sebastian Bach’s St Matthew Passion in a ritualisation by Peter Sellars, which was performed in April 2010 in the Philharmonie, was released on DVD and Blu-ray in Spring 2012. Furthermore a CD (EMI) with the live recording of a Philharmoniker concert in February 2012 featuring Anton Bruckner’s Symphony No. 9 in the performing edition of the fourth movement completed from the manuscripts by Samale-Phillips-Cohrs-Mazzuca is available since May 2012.

In 1994 Simon Rattle was knighted by the Queen of England and has since received numerous distinctions. In 1996 the Toepfer Foundation in Hamburg awarded him the Shakespeare Prize; in 1997 he received the Albert Medal from the Royal Society of Arts in recognition of his extraordinary service to music, his activities in music education and his contributions to the musical community, all of which are important aspects of his work in Berlin. Since assuming his post as artistic director of the Philharmonic in September 2002, he has taken the orchestra in new directions with the Education Programme of the Berliner Philharmoniker. He has been honoured many times for his commitment to music education. In May 2005 he was awarded the Schiller Special Prize by the city of Mannheim, and in Spring 2007 he received the Golden Camera and the Urania Medal. In November 2007 Sir Simon Rattle was awarded the German Children’s Prize, and the same month he and the Berliner Philharmoniker were appointed as international UNICEF Goodwill Ambassadors in New York, the first time this honour has been conferred on an artistic ensemble. In spring 2009 Sir Simon Rattle received the Spanish Premio Don Juan de Borbón de la Música in Segovia. He was awarded the Order of Merit of the Federal Republic of Germany by President Horst Köhler in October 2009, twenty years after the fall of the Berlin Wall. In June 2010 Sir Simon Rattle was awarded a knighthood in the French Legion of Honour on behalf of the French President by Bernard de Montferrant, the French ambassador to Germany.

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