Beethoven: Piano Sonatas Op. 109, 110 & 111 Cédric Pescia

• Ludwig van Beethoven (1770 - 1827): Piano Sonata No. 30 in E Major, Op. 109:
• 1 Piano Sonata No. 30 in E Major, Op. 109: I. Vivace, ma non troppo 03:39
• 2 Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo 02:12
• 3 Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung 12:44
• Piano Sonata No. 31 in A-Flat Major, Op. 110:
• 4 Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto expressivo 06:53
• 5 Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto 02:14
• 6 Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo 10:39
• Piano Sonata No. 32 in C Minor, Op. 111:
• 7 Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato 08:17
• 8 Piano Sonata No. 32 in C Minor, Op. 111: II. Arietta: Adagio molto, semplice e cantabile 17:14
• Total Runtime 01:03:52

Info for Beethoven: Piano Sonatas Op. 109, 110 & 111

Nach den Goldberg-Variationen (CD 50-2407), jener Herausforderung, die 2004 den Auftakt zu seiner Zusammenarbeit mit Claves bildete, wagt sich Cédric Pescia 2009 an die drei letzten Klaviersonaten von Beethoven. Er spricht schon lange davon. Jetzt ist er bereit. Bereit, diese Stücke in Angriff zu nehmen, die so verwirrend, gleichzeitig aber auch von erfrischender Einfachheit sind und über die schon alles und jedes gesagt wurde.

Drei Sonaten, zwischen 1820 und 1822 geschrieben, zu einer Zeit, da Beethoven an seinem «geistigen Testament», der Missa Solemnis, arbeitete. Diese zeitliche Nähe hat die Phantasie gar mancher Kommentatoren angeregt. Jene von Richard Wagner etwa, der als Erklärung dafür, dass das letzte Opus 111 nur zwei Sätze hat, folgenden einigermassen erstaunliche These aufstellte: «Der erste Satz ist der Wille in seinem Schmerz und heroischen Begehren, der andere ist der besänftigte Wille, wie der Mensch ihn haben wird, wenn er vernünftig und Vegetarier geworden ist.»

Cédric Pescia, einer der faszinierendsten Pianisten seiner Generation, ist weit entfernt von solchen Visionen. Sein empfindsames, auf ergreifende Art nach innen gekehrtes Spielt trifft den Zuhörer mitten ins Herz.

Cédric Pescia, Klavier

Cédric Pescia
pianist of dual French and Swiss nationality, was born in Lausanne. He studied with Christian Favre at the Conservatoire de Musique in Lausanne, later with Dominique Merlet at the Conservatoire de Musique in Geneva where he earned a Premier Prix de Virtuosité with honors and completed his studies with Klaus Hellwig at the Universität der Künste in Berlin.

In addition he has studied with Pierre-Laurent Aimard, Daniel Barenboim, Henri Barda, Dietrich Fischer-Dieskau, Ivan Klansky, Christian Zacharias, Ilan Gronich and with the Alban Berg Quartet. From 2003 until 2006 he was invited to attend the famous International Piano Academy, Lake Como (Italy) where he worked with Dimitri Bashkirov, Leon Fleisher, William Grant Naboré, Menahem Pressler, Andreas Staier and Fou Ts´ong.

Cédric Pescia was the brilliant First Prize Winner (Gold Medalist) at the 2002 Gina Bachauer International Artists Piano Competition in Salt Lake City (USA).

Concert tours have taken him throughout Europe, China, South America, North Africa and in the USA. He has performed at the Berlin Philharmonie, the Berlin Konzerthaus, the Hamburg Laieszhalle, the Mozarteum Salzburg, Carnegie Hall New York, Shanghai Oriental Arts Center, Wigmore Hall London, Tonhalle Zürich, Vienna Konzerthaus and has appeared in leading music festivals such as: Prague Spring Festival, Lucerne Festival, Menuhin Festival-Gstaad, Schleswig-Holstein Musik Festival, Sommets Musicaux de Gstaad, Davos Festival, Festival de Radio France et Montpellier, Les Muséiques Basel and Schubertiade Hohenems.

His orchestral appearances have been with the Orchestre de la Suisse Romande, the Orchestre de Chambre de Lausanne, the Orchestra Sinfonica di Milano Giuseppe Verdi, the Utah Symphony, the Festival Strings of Luzern, the Orchestra della Svizzera Italiana, the Ensemble Oriol Berlin, the Klassische Philharmonie Bonn, the Camerata Bern, the Basler Kammerorchester, the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, the Göttinger Symphonie Orchester and the Orchestre National de Lille.

In addition to his activities as a soloist, his love for chamber music regularly leads to performances with other eminent musicians. For many years Cédric Pescia has been working in close collaboration with violinist Nurit Stark.

He is founding member and artistic director of the Lausanne chamber music series Ensemble enScène.

In 2005 and 2007 he served as a jury member in the Clara Haskil Competition in Vevey.

He is giving master classes in the USA and in Europe, a.o. at the prestigious Accademia Pianistica Internazionale \"Incontri col Maestro\" in Imola, Italy.

In 2012 he was appointed professor for piano at the Haute Ecole de Musique de Genève.

In 2007, Cédric Pescia was honoured with the Prix Musique de la Fondation Vaudoise pour la culture. He was a also a prizewinner at the Bourse de la Fondation Leenaards in Lausanne. The duo Nurit Stark (violin) and Cédric Pescia is supported by the Forberg-Schneider Foundation.

For Claves Records, he has recorded Bach\'s Goldberg Variations, Schumann\'s complete works for piano solo (vol. 2 + vol. 5) and a CD of French music featuring Couperin, Messiaen and Debussy, F. Busoni\'s and G. Enescu\'s Violin and Piano Sonatas with Nurit Stark, as well as Beethoven\'s Piano sonatas op. 109, 110 and 111, six CDs which were unanimously acclaimed by the critics. His new recording John Cage : Sonatas and Interludes for prepared piano is released by Aeon.

This album contains no booklet.