Ancient Land, New Territory Jonas Sjøvaag & Arild Andersen

Album info

Album-Release:
2015

HRA-Release:
03.07.2020

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  • 1 Aurora 05:49
  • 2 Sacred Rituals 07:39
  • 3 Hidden Passage 02:31
  • 4 Starwatcher 03:40
  • 5 Atmosphere 06:35
  • 6 Shadow Dance 04:02
  • 7 Offering 02:38
  • 8 Nightfall 03:43
  • Total Runtime 36:37

Info for Ancient Land, New Territory

This duo is a meeting between two improvisers and jazz musicians working together to create improvised stretches where Arilds extensive knowledge and experience meets Sjøvaag’s rhythmic musicality. With a percussion setup based on hand drums from the Middle East, tensions between, and auditory images across, genres and cultures are created when the sound of these drums meet Arild’s unique expression that stems from his background in Norwegian folk and jazz music. While some passages are based on composed melodies and other flows freely from a common starting point, the focus is on gentle interaction between two musicians, each with their own strong, personal voice.

Sjøvaag’s output has for many years been presented through ensemble Eple Trio, in Karl Seglem’s Acoustic Quartet and in various other ensembles, where he appears as a composer, arranger and drummer/percussionist. In this context, he takes one step to the side and presents a project where the inspirations are diverse, the soundscape is an extension and retrospective of the rich Norwegian music history where tradition meets improvisation.

At the same time the project itself is unique, new and exploratory; hence the title: Ancient Land, New Territory.

Jonas Howden Sjøvaag, frame drum [Doumbek], tar drum [Tar], frame drum [Riq], snare drum, percussion
Arild Andersen, bass, electronics




Jonas H. Sjøvaag
is a multi-talented artist and musician, working with everything from musical improvisational structures, pop music, photography, linographic and other prints, carving, digital artwork and editing, composing, drumming and web developement, to combinations of these or something completely different.

While listing David Hockney, Uta Barth, Tom Waits, Jan Garbarek, Jan Johansson and Hiroshi Sugimoto as major sources of inspiration, Sjøvaag has a unique touch and mode of expression, both in his visual work, as well as in his compositions and lyrics.

Jonas was born in München on Nov. 03, 1978, started playing classical piano at age 5. He had his solo debut with Vestfold Youth Symphony Orchestra at age 11. He started playing drums at age 10, and switched main focus to jazz drums at age 17.

Visual expression through drawing, painting, photography or other outputs has always been a big part of Sjøvaag's daily routine. An autodidact in the field, countless hours has been spent digesting books of technique, perspective, color, anatomy and art philosophy.

Arild Andersen


Born in Norway October 27 -1945 . He has been one of Europe’s leading bass player for more than 30 years. Andersen started out as a member of Jan Garbarek Quartet(67-73) . The group also included Terje Rypdal and Jon Christensen.In the same period he also worked with Norwegian singer Karin Krog and played in the rhythm section for visiting American musicians such as; Phil Woods, Dexter Gordon, Hampton Hawes, Johnny Griffin, Sonny Rollins, and Chick Corea. He also worked with Don Cherry and George Russell in this years.

In 1972-74 he visited New York several times and worked with Stan Getz Quartet, Sam Rivers trio, Sheila Jordan, Steve Kuhn and Paul Bley. In 1974 Arild Andersen formed his own quartet. The band toured Scandinavia and Europe and recorded 3 albums for ECM with this band. He also had a band together with singer Radka Toneff in the late 70-ties and early 80-ties.

In1980 Arild Andersen put together a band that included Kenny Wheeler,Paul Motian,and Steve Dobrogosz(Lifelines-ECM). In -81 he had a band with Alphonse Mouzon, Bill Frisell and John Taylor (A Molde Concert ,ECM). This band also toured Europe in -83, this time with John Abercrombie on guitar.

1982 he formed «The Arild Andersen Quintet» with Jon Christensen dr. Jon Balke p, Tore Brunborg sax, Nils Petter Molvær tp. The band changed name later to «Masqualero». This band was in the forefront of European jazz for 10 years ,the last years as quartet without piano. Masqualero toured USA, Canada, East and West Europe and made four albums ,one for the Norwegian label «Odin » and three for ECM. Three of the albums won the Norwegian «Grammy»award.

Arild Andersen released in 1993 a trio recording with Ralph Towner and Nana Vasconcelos,»If You Look Far Enough» on ECM.

Over the last years Arild Andersen has also spent time investing the possibility of combining traditional Norwegian folk music with improvised music. He started in 1988 a collaboration with singer Kirsten Braaten Berg, one of the leading artists in Norwegian folk music. This lead to the successful work «Sagn» premiered in -90 and performed more than 40 times including Town Hall, New York, Germany and Scandinavia. «Sagn» was recorded -91 on The Norwegian label «Kirkelig Kulturverksted» and later released on ECM. In 93 he premiered a new work called «Arv», also recorded on Kirkelig Kulturverksted.

In 1994 he wrote music for a theatre version on the Nobel prized trilogy «Kristin Lavransdatter» by Sigrid Undset. This also lead to several performances of the concert version of the music and a recording for Kirkelig Kulturverksted. Arild Andersens work » Hyperborean» , commissioned by » The Molde International Jazz festival» premiered in 95 .This was a 9-piece band including the Norwegian string quartet Cikada. The music was recorded in October-96 and was released in September 1997 by ECM.

1998 he formed a trio together with German trumpeter Markus Stockhausen and French percussion-player Patrice Heral. This trio+ Terje Rypdal as a guest, made a CD called ”Karta”, released sept 2000 by ECM.

1999 Andersen started a trio with English drummer John Marshall and the Greek piano player Vassilis Tsabroupolos. They released two cd’s on ECM, Achirana 2000 and The Triangle 2004.

In 2001 he played concerts at The Molde International Jazz Festival with Pat Metheney who was ”Artist in Recidence” and Norwegian drummer Paal Nilsen-Love.

June 2002 he premiered the music to Sophocles Greek Drama ” Electra ” at the Herodes Theater in Athens. This performance was a part of the Athens Olympic Games cultural issue. The cd of the music was released as ”Electra” by ECM 2005.

In 2004 he started a colaboration with Hungarian Gutarist Ference Snetberger which led to a Quartet recording ”Joyosa” 2004 and a Trio Recording ”Nomad” 2005.

In 2002 he became a member of the Dahl/Andersen/Heral trio which recorde two cd’s for Stunt records in Denmark . ”The Sign” and ”Moonwater”.

In 2005 Arild Andersen was ”Artist in Residence” at The Molde Jazz festical with 5 concerts during the week including one Soloconcert, Electra, Snetberger trio and a special project with Kudsi Ergunner and Nana Vasconcelos.

In 2005 he also wrote a commission work for a duo with Saxophonist Tommy Smith. This was called ” Independency ” and led to the formation of his new trio with Paolo Vinaccia on drums and Tommy Smith on saxophone. This trio made a live recording at the club Belleville in Oslo autumn 2007. It was released 2008 on ECM ” Live at Belleville ”. It got raving reviews around the world and this trio is Arild Andersens main project these days with concerts around the world.

Arild Andersen received ” Prix du Musicien Européen” 2008 from the ”Academie du Jazz ” in France.

In 2010 he visited Japan for the first time and his trio was claimed by the Japan press to be the highlight of the ”Tokyo International Jazzfestival 2010”.



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