Tchaikovsky: Symphony No.6 in B Minor - Pathétique - Romeo & Juliet (Fantasy Overture) Czech Philharmonic & Semyon Bychkov

• 1 1. Adagio - Allegro non troppo 17:58
• 2 2. Allegro con grazia 08:12
• 3 3. Allegro molto vivace 09:08
• 4 4. Finale (Adagio lamentoso - Andante) 09:19
• 5 Romeo & Juliet Fantasy Overture, TH.42 19:18
• Total Runtime 01:03:55

Info for Tchaikovsky: Symphony No.6 in B Minor - Pathétique - Romeo & Juliet (Fantasy Overture)

Cementing their new relationship with Decca Classics, the Czech Philharmonic embark on a cycle of Tchaikovsky’s Symphonies under the baton of Semyon Bychkov.

This first release showcases Tchaikovsky’s greatest Symphony, the Pathétique. Tchaikovsky himself felt that his Sixth Symphony, a confident and dramatic work, was “the best thing I have composed”. This outstanding recording is paired with Tchaikovsky’s magical Fantasy Overture, Romeo & Juliet.'

Volume 1 marks the start of Decca’s first Tchaikovsky cycle for nearly 40 years (and the first in high-definiton 96k/24bit sound). Future recordings – covering all Tchaikovsky’s Symphonies, Piano Concertos, and other orchestral works – will follow as Maestro Bychkov delves deeper into the composer’s life and music, supported by innovative concert programming in major cities across the world.

The first of three Tchaikovsky Project concerts takes place in London in October 2016. In January/February 2017, Bychkov takes the project to New York.

Bychkov will continue to champion Tchaikovsky’s music over the next few years, with further Tchaikovsky residencies planned in London, New York and Prague, plus Tchaikovsky Project concerts in Vienna and Paris.

“What is this music that we love so deeply if not our beloved friend? I’ve loved Tchaikovsky’s music ever since I can remember. Like all first loves this one never died” (Semyon Bychkov)

“All the markers for success are there in the first few minutes of the symphony...Bychkov’s Russian roots make him mindful of Tchaikovsky’s classicism, the emotion always ‘contained’ until it can be contained no more...A very fine performance, then, no question, and supplemented by a Romeo and Juliet of similar qualities.” (Gramophone Magazine)

Czech Philharmonic
Semyon Bychkov, conductor

Semyon Bychkov
Celebrating both his fifth season as Chief Conductor and Music Director of the Czech Philharmonic and his 70th birthday, Semyon Bychkov will celebrate his birthday with three concerts in November pairing Beethoven’s Fifth with Shostakovich’s Fifth. The season opened in Prague with the official concert to mark the Czech Republic’s Presidency of the EU and continued with concert performances of Dvořák’s Rusalka as part of the Dvořák Prague International Music Festival. Later in the season, Bychkov will conduct Rusalka at the Royal Opera House, Covent Garden.

Bychkov’s inaugural season with the Czech Philharmonic was celebrated with an international tour that took the Orchestra from performances at home in Prague to concerts in London, New York, and Washington. The following year saw the culmination of The Tchaikovsky Project – the release of a 7-CD box set devoted to Tchaikovsky’s symphonic repertoire and a series of international residencies. Bychkov also instigated the commissioning of 14 new works to be premièred by the Orchestra over subsequent seasons. On 28 September, the Czech Philharmonic announced the extension of Bychkov’s contract until 2028.

In the past two seasons, the focus of Bychkov’s work with the Czech Philharmonic has turned to the music of Gustav Mahler with performances of the symphonies at the Rudofinum, on tour and ultimately on disc. This season, the Orchestra will tour extensively featuring symphonies by Mahler at the Edinburgh International Festival, Leipzig’s Gewandhaus Mahler Festival, and in Paris, Luxembourg, Graz, Vienna, Budapest and Milan.

PENTATONE’s complete Mahler cycle with Bychkov and the Czech Philharmonic launched in spring 2022 with Mahler’s Symphony No. 4 and continues this autumn with the release of Mahler’s Symphony No. 5. No. 5.

Especially recognised for his interpretations of the core repertoire, Bychkov also worked closely with many extraordinary contemporary composers including Luciano Berio, Henri Dutilleux and Maurizio Kagel. More recent collaborations include those with Julian Anderson, Bryce Dessner, Detlev Glanert and Thomas Larcher whose works he has premièred with the Czech Philharmonic, and with the Vienna, Berlin, New York and Munich Philharmonic Orchestras, Concertgebouworkest and the BBC Symphony Orchestra.

In common with the Czech Philharmonic, Bychkov has one foot firmly in the culture of the East and the other in the West. Born in St Petersburg in 1952, Bychkov emigrated to the United States in 1975 and has lived in Europe since the mid-1980's. Singled out for an extraordinarily privileged musical education from the age of 5, Bychkov studied piano before winning his place at the Glinka Choir School where, aged 13, he received his first lesson in conducting. He was 17 when he was accepted at the Leningrad Conservatory to study with the legendary Ilya Musin and, within three years had won the influential Rachmaninov Conducting Competition. Denied his prize of conducting the Leningrad Philharmonic, Bychkov left the former Soviet Union.

By the time Bychkov returned to St Petersburg in 1989 as the Philharmonic’s Principal Guest Conductor, he had enjoyed success in the US as Music Director of the Grand Rapids Symphony Orchestra and the Buffalo Philharmonic. His international career, which began in France with Opéra de Lyon and at the Aix-en-Provence Festival, took off with a series of high-profile cancellations which resulted in invitations to conduct the New York and Berlin Philharmonic Orchestras and the Concertgebouworkest. In 1989, he was named Music Director of the Orchestre de Paris; in 1997, Chief Conductor of the WDR Symphony Orchestra Cologne; and the following year, Chief Conductor of the Dresden Semperoper.

Bychkov’s symphonic and operatic repertoire is wide-ranging. He conducts in all the major opera houses including La Scala, Opéra national de Paris, Dresden Semperoper, Wiener Staatsoper, New York’s Metropolitan Opera, the Royal Opera House, Covent Garden and Teatro Real. Madrid. While Principal Guest Conductor of Maggio Musicale Fiorentino, his productions of Janáček’s Jenůfa, Schubert’s Fierrabras, Puccini’s La bohème, Shostakovich’s Lady Macbeth of Mtsensk and Mussorgsky’s Boris Godunov each won the prestigious Premio Abbiati. New productions in Vienna have included Strauss’ Der Rosenkavalier and Daphne, Wagner’s Lohengrin and Parsifal, and Mussorgsky’s Khovanshchina; while in London, he made his operatic debut with a new production of Strauss’ Elektra, and subsequently conducted new productions of Mozart’s Così fan tutte, Strauss’ Die Frau ohne Schatten and Wagner’s Tannhäuser. Recent productions include Wagner’s Parsifal at the Bayreuth Festival and Strauss’s Elektra at the Wiener Staatsoper. This season in addition to Dvořák’s Rusalka in London, he will conduct Wagner’s Tristan and Isolde at Teatro Real in Madrid.

On the concert platform, the combination of innate musicality and rigorous Russian pedagogy has ensured that Bychkov’s performances are highly anticipated. In the UK, in addition to regular performances with the London Symphony Orchestra, his honorary titles at the Royal Academy of Music and the BBC Symphony Orchestra - with whom he appears annually at the BBC Proms – reflect the warmth of the relationships. In Europe, he tours with the Concertgebouworkest and Munich Philharmonic, as well as being a frequent guest of the Vienna and Berlin Philharmonics, the Leipzig Gewandhaus, the Orchestre National de France and the Accademia Nazionale di Santa Cecilia; in the US, he can be heard with the New York Philharmonic, Chicago Symphony, Los Angeles Symphony, Philadelphia and Cleveland Orchestras.

Bychkov made extensive recordings for Philips with the Berlin Philharmonic, Bavarian Radio, Concertgebouworkest, Philharmonia, London Philharmonic and Orchestre de Paris. His 13-year collaboration (1997-2010) with WDR Symphony Orchestra Cologne produced a series of benchmark recordings that included works by Strauss (Elektra, Daphne, Ein Heldenleben, Metamorphosen, Alpensinfonie, Till Eulenspiegel), Mahler (Symphony No. 3, Das Lied von der Erde), Shostakovich (Symphony Nos. 4, 7, 8, 10, 11), Rachmaninov (The Bells, Symphonic Dances, Symphony No. 2), Verdi (Requiem), a complete cycle of Brahms Symphonies, and works by Detlev Glanert and York Höller. His recording of Tchaikovsky’s Eugene Onegin was recommended by BBC’s Radio 3’s Building a Library (2020); Wagner’s Lohengrin was BBC Music Magazine’s Record of the Year (2010); and Schmidt’s Symphony No. 2 with the Vienna Philharmonic was BBC Music Magazine’s Record of the Month (2018). Of The Tchaikovsky Project released in 2019, BBC Music Magazine wrote, “The most beautiful orchestra playing imaginable can be heard on Semyon Bychkov’s 2017 recording with the Czech Philharmonic, in which Decca’s state-of-the art recording captures every detail.”

In 2015, Semyon Bychkov was named Conductor of the Year by the International Opera Awards. He received an Honorary Doctorate from the Royal Academy of Music in July 2022.

Bychkov was one of the first musicians to express his position on the outbreak of the war in Ukraine, since when he has spoken in support of Ukraine in Prague’s Wenceslas Square; on radio and television in the Czech Republic, France, Germany, Austria, the UK and the USA; written By Invitation for The Economist; and appeared as a guest on BBC World’s HARDtalk.

Booklet for Tchaikovsky: Symphony No.6 in B Minor - Pathétique - Romeo & Juliet (Fantasy Overture)