Coates: Orchestral Works, Vol. 1 BBC Philharmonic Orchestra & John Wilson

• Eric Coates (1886 - 1957):
• 1 The Merrymakers (A Miniature Overture) 04:32
• The Jester at the Wedding Suite:
• 2 The Jester at the Wedding Suite: I. The Princess Arrives 03:42
• 3 The Jester at the Wedding Suite: II. The Dance of the Pages 04:00
• 4 The Jester at the Wedding Suite: III. The Jester 03:05
• 5 The Jester at the Wedding Suite: IV. The Dance of the Orange Blossoms 04:20
• 6 The Jester at the Wedding Suite: V. The Princess 04:44
• 7 The Jester at the Wedding Suite: VI. The Princess and the Jester 04:41
• Eric Coates:
• 8 Dancing Nights 07:20
• 9 Ballad for String Orchestra, Op. 2 05:52
• 2 Symphonic Rhapsodies:
• 10 2 Symphonic Rhapsodies: No. 1, I Pitch My Lonely Caravan 04:38
• 11 2 Symphonic Rhapsodies: No. 2, Bird Songs at Eventide - I Heard You Singing 04:56
• Eric Coates:
• 12 By the Sleepy Lagoon 03:57
• London Suite:
• 13 London Suite: I. Covent Garden 04:43
• 14 London Suite: II. Westminster 05:05
• 15 London Suite: III. Knightsbridge 04:18
• Total Runtime 01:09:53

Info for Coates: Orchestral Works, Vol. 1

Eric Coates studied at the Royal Academy of Music under Frederick Corder (composition) and Lionel Tertis (viola), and played in string quartets and theatre pit bands before joining symphony orchestras conducted by Thomas Beecham and Henry Wood. His experience as a player added to the rigorous training which Coates had received at the academy and contributed to his skill as a composer. In 1919 he gave up the viola permanently and from then until his death made his living as a composer and occasional conductor. His prolific output includes the suite London (1932), of which the well-known march ‘Knightsbridge’ is the concluding movement; the waltz By the Sleepy Lagoon (1930); and The Dam Busters March (1954). The early compositions of Coates were influenced by the music of Arthur Sullivan and Edward German, but his style evolved in step with changes in musical taste, and his later works incorporate elements derived from jazz and dance-band music. His output consists almost wholly of orchestral music and songs. With the exception of one unsuccessful short ballet, he never wrote for the theatre, and only occasionally for the cinema. John Wilson has spent many years editing all the orchestral works of Coates, and will now be using these new editions for this cycle of recordings with the BBC Philharmonic.

BBC Philharmonic Orchestra
John Wilson, conductor

John Wilson
is known for the vivid nature of his interpretations and is applauded repeatedly for the rich and colourful sounds that he draws from orchestras in repertoire ranging from the core classical through to the twentieth and twenty-first centuries. An outstanding communicator, Wilson has developed long-term affiliations with many of the UK’s major orchestras and festivals, and is working increasingly at the highest level across Europe and Australia. In 16/17 he became the Associate Guest Conductor of the BBC Scottish Symphony Orchestra, conducting them regularly across Scotland as well as at the BBC Proms and Aldeburgh Festival.

In 18/19 Wilson returns to the BBC Proms with the London Symphony Orchestra as well as with his own John Wilson Orchestra, and at London’s South Bank he returns to the Philharmonia Orchestra and makes his debut with the Orchestra of the Age of Enlightenment. Elsewhere in the UK he conducts the BBC Philharmonic, BBC Scottish, City of Birmingham Symphony and Royal Northern Sinfonia and in Europe he returns to the Oslo Philharmonic, Bergen Philharmonic and Swedish Radio Symphony orchestras. Wilson also makes his debut at English National Opera in a new production of Porgy and Bess and in Summer 2019 he returns to Glyndebourne Summer Festival for a new production of Cendrillon.

In recent seasons Wilson has made his debut with many major orchestras including Oslo Philharmonic, Gothenburg Symphony, Budapest Festival Orchestra, Deutsches Symphonie Orchester Berlin and the Royal Concertgebouw Orchestra and further afield he has twice been to Australia to conduct the Sydney Symphony. In 2016 he made his opera debut with Glyndebourne Festival Opera to great critical acclaim, described as a “sensational success” by Opera Magazine, conducting the theatre’s first ever Madama Butterfly in a new production for their autumn tour.

In 1994, Wilson formed his own orchestra, the John Wilson Orchestra, dedicated to performing music from the golden age of Hollywood and Broadway; for the past decade he has been performing with them annually at the BBC Proms and touring regularly across the UK. John Wilson and the John Wilson Orchestra record exclusively for Warner Classics (formerly EMI Classics) and their performances are broadcast regularly on television and radio.

Wilson has a large catalogue of recordings with a range of orchestras. His most recent recordings are three volumes of symphonic works by Copland with the BBC Philharmonic, described by Gramophone as “outstanding”, and two volumes of works by Richard Rodney Bennett with the BBC Scottish Symphony.

Born in Gateshead, England, John Wilson studied composition and conducting at the Royal College of Music where he was taught by Joseph Horovitz and Neil Thomson and where he won all the major conducting prizes and, in 2011, was made a Fellow.

Booklet for Coates: Orchestral Works, Vol. 1