Beethoven Bookends (Live) Antoinette Perry

• Ludwig van Beethoven (1770 - 1827): Piano Sonata No. 4 in E-Flat Major, Op. 7 "Grand":
• 1 Beethoven: Piano Sonata No. 4 in E-Flat Major, Op. 7 "Grand": I. Allegro molto e con brio (Live) 08:57
• 2 Beethoven: Piano Sonata No. 4 in E-Flat Major, Op. 7 "Grand": II. Largo, con gran espressione (Live) 08:50
• 3 Beethoven: Piano Sonata No. 4 in E-Flat Major, Op. 7 "Grand": III. Allegro (Live) 05:29
• 4 Beethoven: Piano Sonata No. 4 in E-Flat Major, Op. 7 "Grand": IV. Rondo. Poco allegretto e grazioso (Live) 08:02
• 11 Bagatelles, Op. 119:
• 5 Beethoven: 11 Bagatelles, Op. 119: No. 1, Allegretto (Live) 02:58
• 6 Beethoven: 11 Bagatelles, Op. 119: No. 2, Andante con moto (Live) 01:02
• 7 Beethoven: 11 Bagatelles, Op. 119: No. 3, À l'allemande (Live) 01:37
• 8 Beethoven: 11 Bagatelles, Op. 119: No. 4, Andante cantabile (Live) 02:00
• 9 Beethoven: 11 Bagatelles, Op. 119: No. 5, Risoluto (Live) 01:19
• 10 Beethoven: 11 Bagatelles, Op. 119: No. 6, Andante - Allegretto (Live) 02:07
• 11 Beethoven: 11 Bagatelles, Op. 119: No. 7, Allegro, ma non troppo (Live) 01:20
• 12 Beethoven: 11 Bagatelles, Op. 119: No. 8, Moderato cantabile (Live) 02:01
• 13 Beethoven: 11 Bagatelles, Op. 119: No. 9, Vivace moderato (Live) 00:50
• 14 Beethoven: 11 Bagatelles, Op. 119: No. 10, Allegramente (Live) 00:18
• 15 Beethoven: 11 Bagatelles, Op. 119: No. 11, Andante, ma non troppo (Live) 02:38
• Piano Sonata No. 32 in C Minor, Op. 111:
• 16 Beethoven: Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato (Live) 09:56
• 17 Beethoven: Piano Sonata No. 32 in C Minor, Op. 111: Arietta. Adagio molto semplice e cantabile (Live) 18:03
• Total Runtime 01:17:27

Info for Beethoven Bookends (Live)

Navona Live and pianist Antoinette Perry are proud to present BEETHOVEN BOOKENDS. The album takes listeners from Opus 7—Beethoven’s personal favorite of his early sonatas—through the Bagatelles of Opus 119, and culminates with the composer’s final sonata, Opus 111. BEETHOVEN BOOKENDS is rich with the passion and dynamic range for which Beethoven is renowned; Perry applies what Le Dauphine Libéré has called her “irreproachable technique” to these legendary compositions. Her performances reveal a profound appreciation for Beethoven’s genius, as well as his iconoclasm. With careful attention to nuance, Perry exhibits both Beethoven’s mastery of classical forms and his desire to rebel against them. BEETHOVEN BOOKENDS, recorded at the Aspen Music Festival, puts listeners in the concert hall with one of the great living performers of Beethoven’s music.

Antoinette Perry, piano

Antoinette Perry
born into a family of professional musicians, gave her first public performance at the age of four. Since then she has concertized extensively throughout the United States, Germany, France, England, and in over 15 cities of the People’s Republic of China. She has been heard often on NPR and the Bravo! Channel, and has recorded for the Crystal, Harmonie, Pacific Rainbow, Pacific Serenades, Excelsior, and Navona/PARMA labels.

Le Dauphine Libéré has lauded her “irreproachable technique” and “a musical comprehension which could only belong to one of the Greats.” Germaine Vadi of Les Affiches de Grenoble et du Dauphine wrote : “One felt oneself to be in the presence of a great pianist---an absolute art of nuance, her subtle touch, and finally her perfect musical understanding, which permits her to assimilate the music of all cultures.” The LA Times has praised her “exceptional artistry” (Bruce Burroughs), her “superb Schubert in every respect” (Albert Goldberg), and, in a performance with the LA Mozart Orchestra: “The centerpiece was Mozart’s Piano Concerto in G, K. 543, in a wonder of pertinent, pointed musicality…expressive…richly detailed…”(John Henken).

Artist-faculty Emeritus at the Aspen Music Festival and School, Ms. Perry performed in over 100 concerts during her 25-year tenure. Other festivals include Bravo!International, Lansum International, Zhengzhou International, Saarburg International, Idyllwild Arts Academy, Chamber Music Sedona, Ojai Festival, Taipei International, 20th Century Unlimited in Santa Fe, and the San Luis Obispo Mozart Festival, among others.

As a young artist she was one of only two women representing the United States in the 6th Van Cliburn International Competition (1981) and subsequently received a fellowship to the Berkshire Music Festival at Tanglewood. A highlight of her later career was the opportunity to perform the Mozart Double and Triple Concerti with Leon Fleisher, Katherine Jacobson, and the Aspen Chamber Symphony, to commemorate the Aspen Music Festival’s 150th anniversary and Leon Fleisher’s 75th birthday.

As a chamber musician, Ms. Perry has collaborated with many of the world’s greatest artists, including John Perry, Leon Fleisher, Brooks Smith, Ralph Kirshbaum, Ronald Leonard, David Shifrin, Eugene Fodor, Henri Temianka, Joachin Valdepenas, Carol Wincenc, and actors Michael York and Walter Matthau. She has performed with members of the American, Chicago, Cleveland, Emerson, Juilliard, Angeles, Paganini, Sequoia and Takacs String Quartets, with concertmasters of the Chicago Symphony, the Royal Concertgebouw Orchestra, the Hague Philharmonic, Israel Philharmonic, St. Louis Symphony, Baltimore Philharmonic, and the Orpheus, Los Angeles and Stuttgart Chamber Orchestras, as well as principals of the New York Philharmonic, Cleveland Orchestra, Cincinnati Symphony, the Gulbenkian and Zurich Tonnehalle Orchestras, the Toronto and San Francisco Symphonies, and the LA, Stuttgart and Saarbrücken Operas. Other collaborators were faculty members at Juilliard, Eastman School, Manhattan School, Peabody Institute, Beijing Central Conservatory, Seoul National University, Glenn Gould Conservatory in Toronto, R.D. Colburn School, the Shepherd School at Rice, and the Universität der Künste in Berlin. In LA she collaborates regularly with members of the USC and UCLA faculties and well as with prominent film industry musicians.

She also enjoys bringing new music to audiences, having premiered works by Michael Patterson, Roger Bourland, Mark Carlson, Steven Christopher Sacco, John Steinmetz, Bevan Manson, Donald Keats, Roland E. Curb and Chikako Iverson.

Ms. Perry served on the UCLA piano faculty for 12 years before joining the faculty of the University of Southern California Thornton School of Music in 1996, where she currently teaches. She has given over 200 master classes, most notably at the Eastman School of Music and as artist-in-residence for a week at the Beijing Central Conservatory. Former students are enjoying successful careers as performers and pedagogues throughout the United States, Europe and Asia.

Her wonderful teachers have included John Perry, Carlo Zecchi, Gilbert Kalish, Richard Goode, Danielle Martin and Richard Angeletti. As a child she was surrounded with the beautiful, rich sounds of her pianist mother, Lillian Haslach Teddlie, her bass-baritone father, Paul Krueger, and later her step-father, baritone Antonio Perez.

This album contains no booklet.