Red Maple: Music for Bassoon and Strings Peter Kolkay & Calidore String Quartet

• Joan Tower (b. 1938): Red Maple:
• 1 Tower: Red Maple 14:41
• Russell Platt (1965): Quintet for Bassoon and Strings:
• 2 Platt: Quintet for Bassoon and Strings: I. Slow 07:50
• 3 Platt: Quintet for Bassoon and Strings: II. Still Slow–Cadenza—Fast 08:57
• Mark-Anthony Turnage (b. 1960): Massarosa:
• 4 Turnage: Massarosa: I. Very tender and expressive 07:10
• 5 Turnage: Massarosa: II. Intermezzo 01:58
• 6 Turnage: Massarosa: III. Very slow and serene 06:25
• Judith Weir (b. 1954): Wake Your Wild Voice:
• 7 Weir: Wake Your Wild Voice 09:35
• Total Runtime 56:36

Info for Red Maple: Music for Bassoon and Strings

Peter Kolkays neue Aufnahme von Musik für Fagott und Streicher, Red Maple, trägt den Titel eines Werks, das Joan Tower 2013 für Kolkay schrieb. Zu Towers Stück gesellt sich das 1997 fertiggestellte Quintett des amerikanischen Komponisten Russell Platt. Zwei britische Komponisten runden das Programm ab: das Massarosa (2018) des englischen Komponisten Mark-Anthony Turnage (ebenfalls eine Widmung an Kolkay) und das Wake Your Wild Voice (2008) der schottischen Komponistin Judith Weir, ein Duo für Fagott und Cello. Als einziger Fagottist, der mit dem begehrten Avery Fisher Career Award ausgezeichnet wurde, und als Künstler der Chamber Music Society of Lincoln Center nimmt Peter Kolkay einen herausragenden Platz in der amerikanischen Musikszene ein. Er wird auf dieser Aufnahme vom Calidore String Quartet begleitet, das derzeit als Quartett in Residence bei der Chamber Music Society of Lincoln Center ist.

Peter Kolkay, Calidore String Quartet

Peter Kolkay
Called “superb” by the Washington Post and “stunningly virtuosic” by the New York Times, Peter Kolkay is the only bassoonist to receive an Avery Fisher Career Grant. In addition to performing with the Chamber Music Society of Lincoln Center, he regularly appears at the Music@Menlo and Bridgehampton summer festivals, and has performed on the Emerald City, Tertulia, and String Theory series. He actively engages with composers in the creation of new music for the bassoon and has premiered solo works by Joan Tower, Mark-Anthony Turnage, and Tania León, among others. His 2022–23 season included the premiere of a new work for bassoon and piano by Reinaldo Moya, and the release of two recordings: an album of contemporary works performed with the Calidore Quartet, and the Christopher Rouse Bassoon Concerto with the Albany Symphony. He is a member of the IRIS Collective in Germantown, Tennessee, and has also served as guest principal bassoon of the St. Paul Chamber Orchestra. A dedicated teacher, he is Associate Professor at the Blair School of Music at Vanderbilt University and has given master classes throughout the United States and Mexico. Kolkay is an alumnus of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. A native of Naperville, Illinois, he currently calls the Melrose neighborhood of Nashville home, and is the recipient of a 2022–23 Individual Artist Fellowship in music performance from the Tennessee Arts Commission.

The Calidore String Quartet
has been praised by the New York Times for its “deep reserves of virtuosity and irrepressible dramatic instinct.” The Los Angeles Times described the quartet as “astonishing,” their playing “shockingly deep,” approaching “the kind of sublimity other quartets spend a lifetime searching” and praised its balance of “intellect and expression.” Recipient of a 2018 Avery Fisher Career Grant and a 2017 Lincoln Center Emerging Artist Award, the quartet first made international headlines as winner of the $100,000 Grand Prize of the 2016 M-Prize International Chamber Music Competition. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, was a BBC Radio 3 New Generation Artist, and is currently a season artist at the Chamber Music Society of Lincoln Center.

In summer 2021, the Calidore made debuts at the Sarasota, La Jolla, and Saratoga Music Festivals as well as the Schubert Club of St. Paul, MN. Highlights of the 21-22 season include returns to Wigmore Hall, Alice Tully Hall, and the Philadelphia Chamber Music Society. The Calidore will make its debut at the Library of Congress, the 92nd Street Y, Harvard University, Penn State University, and internationally in The Hague and Antwerp. The ensemble will premiere a new work by composer Huw Watkins commissioned by Wigmore Hall and will collaborate with the Emerson Quartet and pianists Jeffrey Kahane, Henry Kramer, and Gabriela Fahnenstiel.

The Calidore String Quartet’s second album for Signum Records, entitled BABEL, was released in 2020 and features worksby Schumann, Shostakovich, and Caroline Shaw. The Strad selected the album as the “Editor’s Choice” and praised it as “breathtaking…a universally impressive disc.” The quartet’s other recording for Signum is 2018’s Resilience including quartets by Mendelssohn, Prokofiev, Janácek, and Golijov.

The Calidore has given world premieres of works by Caroline Shaw, Hannah Lash, and Mark-Anthony Turnage. Its collaborations with esteemed artists and ensembles include Jean-Yves Thibaudet, Marc-André Hamelin, Joshua Bell, David Shifrin, Inon Barnatan, Lawrence Power, Sharon Isbin, David Finckel, and Wu Han. An alum of CMS’s Bowers Program, the Calidore has collaborated and studied closely with the Emerson Quartet and Quatuor Ébène, and has also studied with Andre Roy, Arnold Steinhardt, Günter Pichler, Guillaume Sutre, Paul Coletti, and Ronald Leonard. In 2021 the Calidore joined the faculty of the University of Delaware School of Music and serve as directors of the newly established Graduate String Quartet Residency.

The Calidore String Quartet was founded at the Colburn School in Los Angeles in 2010. Within two years, the quartet won grand prizes in virtually all the major US chamber music competitions, including the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions, and it captured top prizes at the 2012 ARD International Music Competition in Munich and the International Chamber Music Competition Hamburg. An amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents its reverence for the diversity of culture and the strong support it received from its original home: Los Angeles, California, the “golden state.”

This album contains no booklet.