Scarlatti & Dvořák: Stabat Mater La Tempête & Simon-Pierre Bestion

• Domenico Scarlatti (1685 - 1757): Stabat Mater:
• 1Scarlatti: Stabat Mater: Prologue (Transcr. for Ensemble by Simon-Pierre Bestion)01:29
• 2Scarlatti: Stabat Mater: Stabat Mater dolorosa (Transcr. for Ensemble by Simon-Pierre Bestion)03:31
• Antonín Dvořák (1841 - 1904): Stabat Mater, Op. 58:
• 3Dvořák: Stabat Mater, Op. 58: Stabat Mater dolorosa (Transcr. for Ensemble by Simon-Pierre Bestion)18:52
• Domenico Scarlatti: Stabat Mater:
• 4Scarlatti: Stabat Mater: Cujus animam gementem (Transcr. for Ensemble by Simon-Pierre Bestion)03:46
• 5Scarlatti: Stabat Mater: Quis non posset (Transcr. for Ensemble by Simon-Pierre Bestion)02:42
• 6Scarlatti: Stabat Mater: Eja mater, fons amoris (Transcr. for Ensemble by Simon-Pierre Bestion)02:04
• Antonín Dvořák: Stabat Mater, Op. 58:
• 7Dvořák: Stabat Mater, Op. 58: Quis est homo, qui non fleret (Transcr. for Ensemble by Simon-Pierre Bestion)09:58
• 8Dvořák: Stabat Mater, Op. 58: Eja mater, fons amoris (Transcr. for Ensemble by Simon-Pierre Bestion)06:40
• 9Dvořák: Stabat Mater, Op. 58: Fac, ut ardeat cor meum (Transcr. for Ensemble by Simon-Pierre Bestion)07:21
• Domenico Scarlatti: Stabat Mater:
• 10Scarlatti: Stabat Mater: Sancta mater, istud agas (Transcr. for Ensemble by Simon-Pierre Bestion)02:11
• Antonín Dvořák: Stabat Mater, Op. 58:
• 11Dvořák: Stabat Mater, Op. 58: Tui nati vulnerati (Transcr. for Ensemble by Simon-Pierre Bestion)04:34
• Domenico Scarlatti: Stabat Mater:
• 12Scarlatti: Stabat Mater: Fac me vere tecum flere (Transcr. for Ensemble by Simon-Pierre Bestion)00:55
• Anonymous: Stabat Mater:
• 13Anonymous: Stabat Mater: Sabat Mater dolorosa (from the Graduale Triplex, arranged by Simon-Pierre Bestion) (Transcr. for Ensemble by Simon-Pierre Bestion)03:43
• Antonín Dvořák: Stabat Mater, Op. 58:
• 14Dvořák: Stabat Mater, Op. 58: Fac, ut portem Christi mortem (Transcr. for Ensemble by Simon-Pierre Bestion)04:47
• 15Dvořák: Stabat Mater, Op. 58: Inflammatus et accensus (Transcr. for Ensemble by Simon-Pierre Bestion)05:15
• Domenico Scarlatti: Stabat Mater:
• 16Scarlatti: Stabat Mater: Juxta crucem (Transcr. for Ensemble by Simon-Pierre Bestion)01:51
• 17Scarlatti: Stabat Mater: Inflammatus (Transcr. for Ensemble by Simon-Pierre Bestion)02:53
• 18Scarlatti: Stabat Mater: Fac ut animae (Transcr. for Ensemble by Simon-Pierre Bestion)01:58
• 19Scarlatti: Stabat Mater: Amen (Transcr. for Ensemble by Simon-Pierre Bestion)01:23
• Antonín Dvořák: Stabat Mater, Op. 58:
• 20Dvořák: Stabat Mater, Op. 58: Finale: Quando corpus morietur (Transcr. for Ensemble by Simon-Pierre Bestion)07:43
• Total Runtime01:33:36

Info for Scarlatti & Dvořák: Stabat Mater

Simon-Pierre Bestion stellte zwei Stabat Mater gegenüber, zwischen denen mehr als 150 Jahre liegen: "In diesen beiden Werken spüre ich dieselbe Tonsprache, denselben Ausdruck von Trauer", sagt der Gründer von La Tempête... "Ich habe beschlossen, die Orchestrierung von Scarlatti zu 'vergrößern' und die von Dvořák zu 'verkleinern', damit sie sich auf gleicher Ebene begegnen können. Bei Scarlatti habe ich Streicherstimmen hinzugefügt, die manchmal die Vokallinien verdoppeln, colla parte, wie es zu jener Zeit oft gemacht wurde: Dies ermöglicht nicht nur eine Verstärkung des Klangs, sondern verleiht der Stimme auch ein zusätzliches Timbre. Für den Dvořák habe ich die ursprüngliche Klavierstimme in ihre minimale orchestrale Dimension, d. h. für Streicher, transkribiert. Dadurch entsteht eine gemeinsame Klangwelt zwischen den beiden Werken - ich würde sogar sagen, sie teilen dieselbe Art von Lyrik, bei der nur die Klangfarben von Klavier, Orgel und Theorbe hervorstechen."

Amelie Raison, Sopran
Aline Quentin, Altistin
Edouard Monjanel, Tenor
Florent Martin, Bass
La Tempete
Simon-Pierre Bestion, Leitung

Louis-Noël Bestion de Camboulas
studied the organ, the harpsichord, chamber music and conducting at the Paris and Lyon Conservatoires (CNSMD). Among his teachers were Louis Robilliard, Jan Willem Jansen, Michel Bourcier, Nicolas Brochot, François Espinasse, Yves Rechsteiner, Olivier Baumont and Blandine Rannou. He has won prizes at several international organ competitions: the Grand Prix d’Orgue Jean-Louis Florentz of the Académie des Beaux-Arts, First Prize by unanimous decision of the judges at the Gottfried Silbermann Organ Competition in Freiberg (Germany), Second Prize at the Saint-Maurice Competition (Switzerland) and First Prize at the prestigious Xavier Darasse Competition in Toulouse. In 2013 he received the title of Young Echo Organist of the Year.

Louis-Noël Bestion de Camboulas has given organ recitals in France – Paris (church of La Madeleine, Auditorium de Radio France), Toulouse (Festival Toulouse les Orgues) – and elsewhere in Europe, including Germany (Berlin Cathedral), the Netherlands (Alkmaar), Switzerland, Italy and Monaco (International Organ Festival). He has also worked with such conductors as Hervé Niquet, Arie Van Beek and Roberto Forés Veses. His research on the composers François Rebel and François Francœur was recognised by the award of the Déclics Jeunes scholarship of the Fondation de France.

Louis-Noël Bestion de Camboulas is also director of Les Surprises, an ensemble specialising in the vocal and instrumental repertory of the seventeenth and eighteenth centuries, with which he has already appeared in several European countries, Canada and Palestine.

He is currently completing his residency at the Fondation Royaumont as organist of the Abbey’s Cavaillé-Coll instrument.

Booklet for Scarlatti & Dvořák: Stabat Mater