Oswald, Saint-Saëns & Nepomuceno: Piano Works Clélia Iruzun, Royal Philharmonic Orchestra & Jac van Steen

• Henrique Oswald (1852 - 1931): Piano Concerto in G Minor, Op. 10:
• 1Piano Concerto in G Minor, Op. 10: I. Allegro un poco agitato14:56
• 2Piano Concerto in G Minor, Op. 10: II. Adagio07:57
• 3Piano Concerto in G Minor, Op. 10: III. Allegro07:01
• Camille Saint-Saëns (1835 - 1921): Piano Concerto No. 5 in F Major, Op. 103, R. 250 "Egyptian":
• 4Piano Concerto No. 5 in F Major, Op. 103, R. 250 "Egyptian": I. Allegro animato11:27
• 5Piano Concerto No. 5 in F Major, Op. 103, R. 250 "Egyptian": II. Andante10:54
• 6Piano Concerto No. 5 in F Major, Op. 103, R. 250 "Egyptian": III. Molto allegro06:29
• Alberto Nepomuceno (1864 - 1920): Suite antique, Op. 11:
• 7Suite antique, Op. 11: I. Prélude01:15
• 8Suite antique, Op. 11: II. Menuet04:05
• 9Suite antique, Op. 11: III. Air04:21
• 10Suite antique, Op. 11: IV. Rigaudon03:29
• Total Runtime01:11:54

Info zu Oswald, Saint-Saëns & Nepomuceno: Piano Works

Die brasilianische Pianistin Clélia Iruzun und das Royal Philharmonic Orchestra unter der Leitung von Jac van Steen stellen zwei farbenprächtige romantische Klavierkonzerte des späten 19. Jahrhunderts aus Brasilien und Frankreich vor: Henrique Oswalds g-moll-Klavierkonzert und das Klavierkonzert Nr. 5 in F-Dur von Camille Saint-Saëns.

Die Kombination der beiden Konzerte ist kein Zufall: Oswald und Saint-Saëns verband eine lebenslange Freundschaft. Saint-Saëns’ exotisches fünftes Klavierkonzert, das auch »Ägyptisches Konzert« genannt wird, entstand während eines Aufenthalts im ägyptischen Luxor 1896. Hierin verarbeitete der Komponist seine Reiseerfahrungen in Nordafrika, aber auch fernöstliche Klänge. Oswalds Klavierkonzert entstand in den 1880er Jahren in Italien. Es enthält virtuose Passagen, die an Saint-Saëns’ zweites Klavierkonzert erinnern, mit faszinierenden brasilianischen Rhythmen. Vervollständigt wird das Album durch Alberto Nepomucenos »Suite Antiga«, die barocke mit romantischen Elementen geschickt miteinander verbindet.

Clelia Iruzun, Klavier
Royal Philharmonic Orchestra
Jac van Steen, Dirigent

Clélia Iruzun
With her unique combination of a colourful Brazilian spirit and profound musicianship, the London-based pianist Clélia Iruzun has become one of the most exciting musicians to arrive on the international concert scene in recent years.

Clélia initially studied at the School of Music at the Federal University of Rio de Janeiro and later at the Royal Academy of Music in London, where she won several notable prizes in international competitions before graduating with the Academy’s Recital Diploma. Clélia subsequently worked with a number of greatly-admired virtuosos, including Nelson Freire, Jacques Klein, Stephen Kovacevich and Fou Ts’Ong, and most particularly with the highly distinguished Brazilian pianist and pedagogue Mercês de Silva Telles in Paris. Notable Brazilian composers, including Francisco Mignone, Arnaldo Rebello and Marlos Nobre, have dedicated works to Clélia, including – most recently – Beethoven Cunha and Alexandre Rachid.

Clélia Iruzun now pursues a busy international career as soloist, having performed across Europe, the Americas and Asia, including concerts at the Grand Theatre in Shanghai (where her recital was voted ‘one of the ten best concerts of the year’), the Forbidden City Concert Hall in Beijing, the Konserthuset in Gothenburg and Stockholm, the Poznan Philharmonie, and at London’s Queen Elizabeth Hall, Purcell Room and Wigmore Hall. Clélia also undertakes annual tours of Brazil, appearing in the major halls, festivals and series of her native country. She also appears frequently on radio and television in many countries, and often broadcasts for BBC Radio 3.

Clélia has premiered music by such significant Brazilian composers as Francisco Mignone, Heitor Villa-Lobos, Henrique Oswald, Marlos Nobre, João Guilherme Ripper, Radamés Gnattali and others in many countries. She has also given the South American premieres of important English piano music, notably works by Arnold Bax and York Bowen.

Her much-admired discography embraces a variety of repertoire, from Latin-American composers to the Mendelssohn Concertos and Elizabeth Maconchy’s Concertino for Piano and Orchestra with the BBC Scottish Symphony Orchestra. Other CDs include the Piano Music of Marlos Nobre on the Lorelt label, for whom she has also recorded a disc of Ernesto Nazareth’s piano music – ‘Portrait of Rio’.

Recent recordings by Clélia on the SOMM international label include two acclaimed volumes of Frederic Mompou’s Piano Music. Her most recent CD for the company is of Piano Concertos by Francisco Mignone and Isaac Albéniz with the Royal Philharmonic Orchestra conducted by Jac van Steen – a disc hailed by International Piano: ‘Clélia comes into her vivid own, playing with a superb mastery and empathy; it is difficult to imagine it played with greater skill and affection.’

Booklet für Oswald, Saint-Saëns & Nepomuceno: Piano Works